

The Finished Novel Course
Everything you need to write, revise and finish your novel, with expert guidance and professional editorial feedback.


The complete writer-to-author journey
The Finished Novel Course is your complete journey from first idea to a manuscript that’s ready for literary agent submission. Start strong to come up with the big idea for your story, mastering timeless story structure to produce your outline. Next, move on to writing your novel, building daily momentum with expert guidance and personal coaching from your mentor, a bestselling author. Then, revise and polish your first draft like a pro, using our tools to raise your writing to publishing standards. Finally, get a full manuscript read with The Ultimate Manuscript Assessment, receiving detailed, publishing-standard feedback from Big Five professional editors to prepare your novel for submission to literary agents to move forward to the publishing deal. It’s everything serious writers need to begin boldly, polish professionally, pitch with confidence, and achieve their ambition to go from writer to author.
Beginners warmly welcomed
Ready to invest in yourself? Start your writing journey today
But I don’t have the time!
One hour per day of the year-long program. That’s all the commitment we ask of you. Just one hour a day to make your writing dreams a reality.
But I don’t have a story!
Then you’re in the right place. Step one of the course is designed precisely to kindle your ideas, find your voice, and craft a bold story.
But I’m not sure I have any talent!
Not all writers suffer from imposter syndrome. Only the good ones! The art of storytelling can be learned. And our team are the best in the business at teaching it.
The Finished Novel Course
The full proven pathway from first idea to a finished, publishing-ready novel
The Big Idea
Come up with a fantastic idea for a page-turner. Plan a storyline that excites you and learn how to bring to life complex main characters. Outline and develop the world of your tale to capture the reader’s imagination page after page.
The Big Idea — The Secrets of Storytelling
Storytelling is your birthright. Most writers don’t struggle with writing. They struggle with knowing what to write. If only a writer had a clear brief before they began. Here’s where you get yours. You’ll discover why great stories begin with a problem at the edge of plausibility, how conflict ignites when two value systems collide, and why justice is the secret engine of fiction. Your character’s deepest wound drives the story; setting is a state of mind; you need a villain to embody the shadow side of your theme to bring dimension to the drama. By the end, you’ll understand the real treasure — what your character thinks they want versus what they truly need — and have a premise fit for publishing.
Outlining Your Story
Take your strongest idea and develop it into a story blueprint using The Five Fs® — the novel form structure we use at The Novelry. You’ll build into the outline a sequence of desire, denial, and resistance, choosing the most energetic elements as the prime movers of a great plot. You will appoint the members of a cast ready to cause exactly the amount of trouble your story needs. Your B story provides a dangerous promise, or a tempting delusion — one that collides with your A story to expose what your protagonist truly needs. At the midpoint, false hope is killed, the character’s flaw is exposed, their old coping strategy breaks, and the fightback begins to deliver a satisfying resolution that will thrill readers. You will hold in your hands the outline for a story you can’t wait to write.
The Big Write
Prepare and develop your initial idea, construct your novel from the ground up, develop a productive writing practice, power through the middle with bold plotting, and raise the stakes toward a satisfying ending.
The Inspiration and Preparation Phase
Where motivation meets method. This module gives you the one characteristic all great writers share and the big hack that will change your creative life: consistency is the source of creative energy, and frequency matters more than duration. You’ll make a meaningful sacrifice to claim time for writing — something must go — then learn to bypass the inner critic by writing fast and free, by hand, in timed sessions where speed unlocks voice. Privacy is the condition for real discovery and risk — you’ll learn to protect your work from scrutiny while it’s still forming. You’ll reconnect with the books that first stirred the desire to write, and come to understand why that impulse is your longing to speak across time and space. Story is structure, not style — and plot isn’t decoration. It’s the engine that reveals who your character is truly capable of becoming.
The Construction Phase
Thirty lessons to lay the groundwork — and a one-page plan that packs a big plot. We will show you how to choose and use a Hero Book to serve as your technical mentor throughout the course, reading it nightly to internalize its rhythm and structure. The golden hour principle applies from day one: momentum comes from continuity, not volume — track-laying happens between sessions. Your plot takes shape through The Five Fs — Flaw, False Hope, Flight, Fury, and Facing It — throwing rocks at your character’s beliefs until a reckoning is forced. Your hook is built around emotional, moral, or situational irony; your cast by splitting your own traits into characters — inventing with feeling, not revenge. Your voice is found and freed: good voice convinces by not trying too hard. By the end, you have a draft begun, a plan alive on the page, and a victory lap before the next leg: The Swim.
The Swim Phase
Past 10,000 words, the story takes over — and this module shows you how to let it. You’ll discover a masterful writing practice focused on output not polish. When a character wants something above all else, the novel almost writes itself — so you’ll map your protagonist’s compulsion, the hidden need that drives their actions, blinds them to truth, and fuels the story’s engine, then learn to press the nuke button: on what they’ll do when cornered. Desire, denial, and delusion work together to create narrative drive; moral range defines the lie they live by (which distorts their worldview). You’ll shift from plotting answers to posing questions — writing to discover more about what haunts you as the author — and allow meaning to emerge: private, profound, yet universal. Technique sharpens here: assumed familiarity brings characters to life without formal introduction; repetition works like a red ball bouncing across the story to comfort and console your reader and make them feel at home in story. Overwriting is cut before it sabotages pace. At the midpoint, what they wanted before is proven clearly wrong. Now it’s time to fight for what they need.
The Heat Phase
The middle of your novel is where most writers lose their nerve — this module is designed to make you love it. You’ll shift the driving question of your story from “What if?” to “Why?”, using Maslow’s hierarchy of needs as a plotting tool and your character’s willful refusal to meet those needs as the driver of dramatic intrigue. The lie at the heart of your novel — personal, political, or cultural — structures the whole as a journey from illusion to truth, with the B story embodying the opposite value system: the extreme your hero must ultimately reject. You’ll learn to write with dissonance, placing details that deliberately don’t fit; deploy the leitmotif as a light recurring detail that works like a shared in-joke between writer and reader; and use the absurd — contradiction, bathos, surreal events — to mirror existential truth. Suspense is built on uncertainty: what the reader fears is more powerful than what they know, so you’ll assign a trigger word to each chapter and increase its danger over time. Dialogue crackles when loaded with intent — silence, refusal, and abrupt exits do more work than explanation. Chapters end on the dying fall: a literary technique that creates an introspective pause and sends the reader straight to the next page.
The Enlightenment Phase
This module takes two masterworks as its texts — Alice Walker’s The Color Purple and J.M. Coetzee’s Disgrace — for studies in moral sleight of hand, structural control, and literary precision, where personal wreckage becomes literary gold. You’ll learn to write as both poet and programmer: prose that carries musicality, advancing line by line, with meaning coded into every sentence. Each chapter becomes self-contained and purposeful — state your intent, fulfill it, move on. Understand how your opening sentence was seeded to beckon the story’s end. Great work emerges from doubt and persistence: you’ll now be able to embrace the back-and-forth process and maintain your nerve to create freely. You’ll examine Aristotle’s three components of tragedy — hamartia, peripeteia, and anagnorisis — and learn how hypnagogia deepens your protagonist’s self-awareness at moments of moral reckoning. You are now writing your characters with contradiction built in, leaving room for ambiguity to cast a longer shadow in the reader’s mind. The aim here is not goodness. It’s grace — the more radical target, and the one that separates serious fiction from everything else.
The Home Phase
The final stretch — and the task is to make the book inhabitable, for you and your reader. You’ll contrast your character’s initial façade with their new self to lay bare the novel’s arc, mapping each emotional stage as a physical space — the messy front room, the closed bedroom, the blocked escape, the bathroom of reckoning — and return to the attic: the narrative space distinct from backstory where forgotten emotions and formative impressions are held unsaid, ready for moments of reflection and revelation. Ornaments — personal objects, sounds, and memories — are used to build a world that feels lived-in. Every sentence is held to a single standard: is it necessary, true, distinctive? The ending opens a window rather than closes one — no tidy bow, but space for reflection and peace for the protagonist.
Then the manuscript is set aside for a month, the distance required for sober revision, before The Big Edit begins. You’ll finish knowing you’ve built the habit, learned the craft, and delivered a novel only you could write. Your best work.
Authors studied include Jane Austen, Donna Tartt, Kazuo Ishiguro, Stephen King, Patricia Highsmith, Daphne du Maurier, Gillian Flynn, George Saunders, Shirley Jackson, F. Scott Fitzgerald, Rachel Cusk, Kurt Vonnegut, Sally Rooney, Ian McEwan, Emily Brontë, Raymond Chandler, Zadie Smith, Toni Morrison, Jean Rhys, Carson McCullers, Charles Dickens, Agatha Christie, Ernest Hemingway.
The Big Edit
Revise and polish your manuscript to the highest publishing standards, with in-depth feedback from your professional book editor, and management of the literary submission process.
Turning Pro
This is where you stop writing for yourself and start shaping a novel for publication. The Big Edit is designed to save you multiple drafts by front-loading strategic story development — guided by editors who’ve acquired books for the Big Five houses. You’ll benchmark your manuscript against successful titles in your genre, take ownership of your book as a product for readers rather than a personal expression, and reframe it as a compelling, structured work ready to own its place on a bookshelf. The smart manuscript comes first: industry-standard formatting for font, spacing, margins, dialogue, and chapter layout that signals a professional before a word is read. Your workspace is rebuilt for deep-focus editing — plot grids, tagging, version control, visual storyboarding — and a full pre-edit checklist asks the questions that matter.
The Developmental Edit
Nineteen lessons to find the holes in your plot — and close them before your editor spots them. You’ll identify the agent of change in your novel: the moment, event, place, or character after which nothing is the same, then use that insight to build your title, sharpen your hook, and frame your theme as a potent argument with two sides in vehement conflict. The hook must fuel the entire publishing chain from pitch to press — character-driven, dilemma-based, high-concept, or speculative — refined using real-world insight from top literary agents: character, setting, and conflict, without gimmicks or overworked language. The Five Fs® applied to your full manuscript locates your midpoint using the Kleenex Test and reverse-engineering techniques; the Character Agency Ladder drives passive leads into action; every chapter is interrogated — why here, why now, what changes? Your synopsis is written to a professional standard: no blurb-style teasers, no withholding of twists, no indulgent prose. Then, The Plan, your synopsis, and your chapter outline go to your editor — your first opportunity to see your story the way a publishing editor would.
Line Edit
Become your own line editor — seventeen lessons that take your manuscript from second draft to submission-ready, word by word. The interrogation framework opens the work: moving every decision from “what if” and “what next” to “so what,” asking whether the hook honors the title and whether each word earns its place. The cardinal sins are rooted out — excessive backstory, telling not showing, weak world-building, decorative adverbs — before Lucid Compression® goes to work: The Novelry’s signature technique built on confessionary detail, humble specifics, technical precision, local texture, oxymoronic imagery, physical disturbance, and tonal counterpoints. Your first chapter is rebuilt using the Thing One/Thing Two structure — surface conflict and the deeper story problem present from line one. Suspense is constructed through sleight of hand, flashbacks, and forward hints that keep secrets just out of reach; punctuation operates as instruction to the reader — what to think, what to feel; weasel words are cut, and your novel’s DNA is coded word by word. The module closes with three routes to feedback: peer critique, a one-on-one editorial session, or full assessment — and a submission-ready manuscript.
The Submission Process
Ten lessons to enter the publishing world — with your second Big Edit session with a professional editor reviewing your pitch letter, synopsis, and first three chapters. You’ll build a market-ready pitch using the five-part framework, identifying your USP, audience, and comp titles — not as creative guidance but as the sales tools publishers, editors, and sales reps use to drive acquisition decisions. Your back-of-book copy is written to a precise standard: concise, enticing, focused only on the beginning, with the central hook and narrative question clear in a few lines. You’ll build a longlist and shortlist of agents, prepare your submission package, and choose between The Novelry’s bespoke submission service or independent querying — with guidance on tracking responses, interpreting feedback, and handling rejection. Four advanced tests assess late-stage readiness: clarity of concept, emotional investment, cast depth, and quality of line-level execution. When you’re ready, we’ll open the doors to the best literary agencies in the world.
Books referenced in The Big Edit: Structural examples include Rebecca by Daphne du Maurier, Frankenstein by Mary Shelley, The Girl on the Train by Paula Hawkins, My Sister, the Serial Killer by Oyinkan Braithwaite, Jane Eyre by Charlotte Brontë, The Catcher in the Rye by J.D. Salinger, Never Let Me Go and The Remains of the Day by Kazuo Ishiguro, The Great Gatsby by F. Scott Fitzgerald, and The Line of Beauty by Alan Hollinghurst.
To explore voice and rhythm, the course encourages close reading of Cathedral by Raymond Carver, the Collected Stories of Anton Chekhov, The Quiet American by Graham Greene, The Good Soldier by Ford Madox Ford, and Disgrace by J.M. Coetzee.
For market awareness and stylistic benchmarks, we work from contemporary titles such as Lessons in Chemistry by Bonnie Garmus, Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin, Big Little Lies by Liane Moriarty, The Paper Palace by Miranda Cowley Heller, The Midnight Library by Matt Haig, and Eleanor Oliphant is Completely Fine by Gail Honeyman.
The Ultimate Manuscript Assessment
Enhance your manuscript’s quality and marketability with marked-up revisions from bestselling publishing editors. And a clear plan for submission to literary agents.
The Pitch
We begin with your pitch — the single sentence that opens every door. Your editors will sharpen it for impact, then assess how your novel sits within the current market: genre, audience, positioning, and potential.
Structural Development
You’ll receive a detailed report of some 20 pages evaluating every aspect of your manuscript — narrative arc, plot beats, character arcs, structure, setting, subplots, and pacing. Practical steps accompany every note, so you leave with a clear plan for improvement.
A Marked-Up Manuscript
The report includes a marked-up manuscript that considers what each scene adds to your story, characters, and plot. Your editors highlight the strongest writing and flag where improvement will have the most impact.
Meeting with Your Editor
Book a 45-minute session with your editor — with Big Five acquisition experience — to discuss the feedback in depth, ask questions, and map your path toward traditional publication. The meeting is recorded for you to keep.
Next Steps
You’ll receive a clear action plan for implementing the feedback. If your manuscript needs further work, a detailed follow-up plan is included — along with the option to book additional paid sessions with your editor toward submission.
Your membership gives you access to over 60 writing classes a month — including guest events with authors, literary agents, and publishing professionals — plus recorded masterclasses and a global community of writers for beta reader feedback. The Novelry celebrates every publication.
If your manuscript is ready, you’ll be invited into our submissions process — where we put it directly in front of leading literary agencies for representation and publication.
Recommendation to Leading Literary Agents
Almost all writers seeking traditional publication need a literary agent. The major publishing houses account for almost 80 percent of book sales worldwide and acquire books almost exclusively through agents. An agent’s standing shapes which editors open your submission first: editors prioritize their inbox according to how highly they regard a particular literary agency. You want to sign with the right agent.
Our editorial team members are in conversation with leading literary agents weekly. They have strong relationships built over years working alongside agents as Big Five acquiring editors — they know what makes an exceptionally good submission, because they were on the other side of the desk receiving them. If your manuscript is a match, you’ll be invited to enter our submissions process. There is no cost for this service and we neither ask for nor accept commission. It is by invitation only. Literary agencies trust submissions from The Novelry because they’ve come to expect publishing-ready manuscripts from our graduates.
“If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.”
Submission to the top global literary agencies
If your manuscript is a match for one of our trusted literary agents, you will be invited to enter our submissions process. There is no cost for this service and we neither ask for nor accept commission. It is by invitation only.
We’re the writing course most recommended by leading literary agencies.

A six-figure two-book deal
U.S. rights were sold to Grand Central in a significant six-figure two-book pre-empt. Atlantic imprint Corvus acquired U.K. and Commonwealth rights to One Moment, the “heart-wrenching and uplifting” debut novel by Becky Hunter as part of a two-book deal.
“I found The Novelry at a time when I was ready to give up. I was feeling very low on confidence and knew I’d be my own worst enemy if left to my own devices. The sessions with Emylia, my writing coach, were a real highlight—she always made me feel like she genuinely cared about my novel, and I was constantly amazed at the way she engaged with the story and the creative suggestions she brought forward. The sessions kept me on track and helped me work through plot kinks along the way and I felt like I had a real champion through the whole process.”
The complete journey
The Finished Novel Course





- Membership (1 Year)
- The Big Idea, The Big Write, The Big Edit
- The Ultimate Manuscript Assessment
- 200+ Lessons
- 6 Coaching Sessions
- 2 Editorial Sessions
- A Year's Access
The Finished Novel Course
Progress at your own pace
Course and community access for an entire year.
Stay a little longer
Life. It happens to the best of us.
Money-back policy
Our Happy Writing guarantee.
Write with the best in the business
Award-winning authors. Publishing editors. Leading literary agents.
60+ workshops a month
In addition to your course.
Genre expertise
What’s your style?
Video masterclasses
From the likes of Kristin Hannah and Yann Martel.
A supportive writing community
Find your people.
More 5-star reviews
Than any other writing course. The Novelry is the world’s top-rated fiction writing school.
Better value than a university course
With a practical career outcome.
Smart pricing
Pay up front or monthly.
Created by a Booker Prize-listed author
We don’t just talk the talk.
FAQs
If you’re bursting with questions we haven’t answered here, check out our full FAQs page or feel free to get in touch.
Master of Fine Arts (MFA) is a graduate degree that usually takes two to three years to complete. Applications for Creative Writing MFAs require a sample portfolio for entry, and prices can range from $12,000 to $48,000. Like any graduate degree, these courses vary greatly in terms of quality and resources. But one thing’s for sure: publishers aren’t looking for qualifications. They just want top-quality submissions.
Students join The Novelry to write a book that will sell. More affordable than a Creative Writing MFA, our most comprehensive course (The Finished Novel Course) is just a fraction of the cost. Most importantly, graduates leave our program holding a full manuscript, having worked with global bestselling authors and professional editors to reach publishing standard.
The Finished Novel Course is our complete course program including a full read of your novel from professional publishing editors, carefully packaged to save you money. The price of all the items includes a discount of over $1,000 (or £1,000) when purchased separately.
The price showing at our website today includes your savings. While offer lasts.
You can spread the cost too, with monthly payments.
Plus, you can extend your access to the program and keep everything included from just $59 or £49 after your year of access ends. It’s the smartest plan for writers who mean business.
Your year is structured in stages to create, write, and edit your book, allowing you the chance to work step-by-step through each phase and take any breaks you need between them. You will be guided through the course program step by step to raise your book to publishing standards with The Big Edit, before you submit your work for The Ultimate Manuscript Assessment and move on to the submission process (if invited).
This is a self-paced program, with over 150 lessons served on our beautiful online platform by video and text. You have immediate access to all lessons. Enjoy the lessons on any internet-connected device. Watch the video, read the text, and use the “speak aloud” feature to listen. You’ll need 30 minutes for each lesson and probably some thinking time to capture your thoughts and ideas as you start writing. This might be a good opportunity to start setting aside an hour a day just for you and your writing, and you’ll come to love this special time.
As the course is self-paced, you can take each phase at your own pace, according to your lifestyle, holidays, vacations, and commitments.
You can book your coaching or editorial sessions at any time during your year on the course.
Your coaching begins after the first week of the writing phase of your program, when you will write and refine your draft novel alongside a currently published author in your genre of fiction.
Before your first coaching session, we’ll guide you on how to create an outline for a commercially viable novel. You’ll be nudged in the course to use our interactive tool to submit that to us (on a regular basis as you develop your story). We’ll look at your planned storyline as a team, and if we think another writing coach would be best suited to your story, we’ll drop you a line, but you’ll be able to make the final decision (and can always swap coaches later if you wish).
Every writing coach reviews your storyline in advance of the session via the interactive tool we call “The Plan.”
Your first coaching session begins with your writing coach understanding your intentions and aspirations for your book and writing career. That’s your brief to us, and it allows us to give you the dedicated and personal guidance and support you need to achieve your ambition.
The coaching sessions are 45 minutes online, and you’ll find that’s plenty of time to get help with story development and troubleshoot any problems to stay on track with your writing. All sessions are recorded for you to keep. You may schedule your coaching sessions whenever you wish during your year with us and will be able to browse our diaries to select a time that works for you, in your time zone. Some like to stay on track with a coaching session every two weeks of their writing period, for example, and others like to pace themselves with one a month, or get more help up front or more guidance and advice later on. You can get the support you need when you need it.
During the writing of a first draft, our focus is on your storyline, and we work with you to creatively develop and expand the story together, reviewing development in every session and answering your questions for your story.
You can, additionally, book Paid Feedback Sessions which include a report and a live debrief. We suggest you leave getting feedback on your work until later in your program, after the first draft.
Unlike other writing courses, we advise you don’t share or “workshop” the novel at this stage where your confidence and the story are still vulnerable. Some courses have first-time writers on first drafts advising others in their position, and we think this is a bad idea and, at best, a waste of your very precious time.
At The Novelry, we’ll keep you and your story safe within a one-on-one relationship of trust and care with wise guidance from a published author who cares about your success and will believe in you and your story.
We’ll guide you on how to choose a coach within the first lessons, before you book your first coaching session. Once you’ve scoped your story and clarified the genre you’re working in, it’s usually very clear which coach will be the best fit — all of our coaches are successfully published authors working within specific genres.
At The Novelry, you choose your coach. We’re also happy to advise once we’ve seen your storyline and understand what kind of guidance will best serve your book.
You’re free to work with different coaches as your project develops — whether to gain specialist craft input, a fresh perspective, or expertise at a particular stage. Behind the scenes, our coaching and editorial teams work closely together, keeping careful records and sharing insight, so your story is always supported as a whole. Whoever you meet with, they’ll come briefed and prepared.
You’re never locked into a single pairing. This is a professional, collaborative process designed to give your book the very best expertise at every stage.
Yes! This is a flexible writing course you can take at your own pace around your other commitments. The time it takes to complete a novel depends on the time you can set aside, but with an hour a day, we know it’s possible to comfortably finish your novel in a year.
If you need more time, you can extend your course and roll over everything, including any unused coaching, editorial, or manuscript sessions.
The cost of another full year is $599 (USD) or £499 (GBP), or you can pay monthly (and cancel anytime) at $59 or £49 a month.
The Ultimate Manuscript Assessment will give you the ultimate feedback on your novel! Plus, you will get feedback on the first three chapters in The Big Edit, and feedback from the community too.
You can also purchase Paid Feedback Sessions for $450 or £350 for a 5,000-word section of your manuscript.
The feedback sessions offer a detailed report and a live editorial debrief recorded for you to keep.
We don’t believe in feedback or workshopping a first draft. It can kill it.
But we do believe in giving feedback on second draft and beyond, where you’re working with us toward publishing standards. Once you know what you’re keeping, it’s time to finesse—and only then. So, you’ll work with publishing editors formerly of the Big Five publishing houses at that stage. We follow a carefully managed process based on our combined industry experience of how great novels get made.
We will take great care of you and your novel, with every step at just the right time for your development.
Our courses are suitable for people with visual or auditory impairment, dyslexia, and for those with English as a second language. We offer an app which translates the course into 99 languages and a speak-aloud option too.
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