BOOK EDITORS

Our book editors
From the world’s major publishing houses.

An in-house editorial team with experience at Penguin Random House, Macmillan, HarperCollins, Hachette and Simon & Schuster.

Big Five publisher expertise

Our editorial team members are professionals with experience at Penguin Random House, Macmillan, HarperCollins, Hachette and Simon & Schuster. They have worked on bestselling and award-winning novels published to international acclaim. They are in-house, wholly dedicated to our writers, and work as a team under the direction of our Editorial Director.

When you choose The Finished Novel Course, you work with publishing professionals who know exactly what a manuscript needs to reach publication standard. They oversee every aspect of your novel as you progress toward a finished draft, and when you’re ready, introduce you to the literary agents and publishers we know.

Professional publishing experience

Previously, leading literary agents submitted novels to our editors in their capacity as acquiring and commissioning editors at major publishing houses. Now our editors submit to those very same agents on your behalf.

Our editorial team bring a laser-sharp focus on the developmental edit: the creative, structural work that transforms a promising manuscript into a publishable one. They understand the acquiring and publishing process, so when it’s time to pitch your book, they know exactly what agents and publishers are looking for.

The professional book editor for your book

Meet the professionals from the Big Five major publishing houses including Penguin Random House, Hachette, HarperCollins, Simon & Schuster and Macmillan.

Tash Barsby

Tash Barsby

Tash Barsby was a Commissioning Editor at Transworld Publishers and worked at Vintage Books, Macmillan, and Simon & Schuster before moving to Penguin Random House, where she worked with authors Sarah Pearse, Fiona Barton, Lesley Kara, and Tess Gerritsen.

Elizabeth Kulhanek

Elizabeth Kulhanek

Elizabeth Kulhanek was an Associate Editor at Grand Central Publishing, a division of Hachette and home to bestselling and acclaimed authors such as Nicholas Sparks, James Patterson, Lisa Gardner. She has worked with bestselling authors, including David Baldacci, Scott Turow, Harlan Coben, Sandra Brown, Octavia E. Butler, and Min Jin Lee.

Sadé Omeje

Sadé Omeje

Sadé Omeje was an Editor at HarperCollins 4th Estate, home to Hilary Mantel, Anthony Doerr, Jonathan Franzen, and Ann Patchett. Sadé worked with fiction and non-fiction from acclaimed authors such as Coco Mellors, Emmanuel Iduma, Joyce Carol Oates, Rodrigo García, Hannah Durkin, and Jonathan Escoffery.

Navah Wolfe

Navah Wolfe

Two-time Hugo Award-winning editor and finalist for the Locus Award for best editor, Navah has worked with authors including Catherynne M. Valente, Theodora Goss, Rivers Solomon, Daveed Diggs, Amal El-Mohtar, Max Gladstone, Neal Shusterman, Benjamin Alire Sáenz, Margaret Peterson Haddix, and Katherine Rundell.

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Francine Toon

Francine Toon

Francine Toon was a Commissioning Editor at Sceptre, Hodder & Stoughton’s literary imprint. She has worked on the novels of Stephen King, John le Carré, Fredrik Backman, and Erin Kelly. She has published award-winning authors such as Ned Beauman, Jessica Andrews, Rowan Hisayo-Buchanan, Kopano Matlwa, and Huma Qureshi.

Lara Jones

Lara Jones

Lara Jones was Senior Editor at Emily Bestler Books, a division of Simon & Schuster, and home to authors such as Colleen Hoover, Lisa Jewell, Fredrik Backman, and Janet Evanovich. She has worked on novels by bestselling authors including John Connolly, Diane Setterfield, Sarah Vaughan, Vince Flynn, and Jodi Picoult.

Natasha Qureshi

Natasha Qureshi

Natasha Qureshi was Commissioning Editor at Hodderscape, Hodder & Stoughton’s SFF imprint, home of international bestsellers Frank Herbert, L.R. Lam, Isabel Ibañez, Roshani Chokshi, and Pierce Brown. She has worked with authors such as Cecy Robson, Ella Fields, Thomas Olde Heuvelt, and Micaiah Johnson (shortlisted for the 2024 Ursula K. Le Guin Prize for Fiction).

Lily Cooper

Lily Cooper

Lily Cooper was a Senior Commissioning Editor at Michael Joseph and worked at HarperCollins and Hachette before moving to Penguin Random House. She has worked with bestselling authors including Jodi Picoult, Louise Penny, Will Dean, and Gillian Anderson.

Our published writers

Our writers have been published by the Big Five publishers: Penguin Random House, Hachette, Simon & Schuster and more. We’ve taken complete beginners all the way to world-class literary agency representation.

Serious guidance for serious writers

Working with an editor

Anything else? Read the full FAQs.

What can a good editor do for you?

A good editor sees the big picture; what’s working structurally, and where the story needs to be pushed further. But they also know how to execute your vision at the sentence level. At The Novelry, our experienced publishing editors have worked with bestselling and award-winning authors at the Big Five publishing houses. Serious writers work with serious editors.

Better than a freelance editor?

Work with a team of professionals. Book editors tend to have genre specialisms and publishers will only acquire books that perform well within a genre. At The Novelry, our editors meet weekly to discuss our writers’ works-in-progress, pooling their combined knowledge and experience. You have access to the whole team, and to an editorial team that understands the current market for your book.

Can an editor fix my book?

An editor can identify the problems. Fixing them is the writer’s job! Best to learn your craft skills! Our job is to make sure you know exactly how to go about that. You work with your editor directly across multiple rounds. An editor cannot write your book. But the right editorial team can show you how to write it really well.

What should I expect to pay?

Editorial services can be expensive, and you place a great deal of trust in your book editor. What seems cheap today can prove expensive in the long run. Many consultancies farm out their editing to freelance editors paid at very low rates, and some take a 10 or 15 percent commission on your publishing royalties. (Always check their terms before you commit.) We offer the expertise of in-house professional editors at a more accessible price point through our combination of coaching, course-based development and editorial sessions included in your plan. Work with editors who are invested in your book, and your success.

Can a book editor get me published?

Typically, a consultancy or freelance editor’s work ends when they hand back your manuscript with corrections and a report. Your editor at The Novelry, from a respected publishing house, gives you detailed feedback, assessing your manuscript’s potential to meet the standards of a traditional publisher before advising on changes. If your manuscript is a match for one of our trusted literary agents, you will be invited to enter our submissions process. We work with over 40 trusted literary agencies including WME, CAA, The Book Group and more, who actively look to us for new fiction. Submission is never guaranteed. But we are rooting for you.

Work with a Big Five editor at your side

Two editorial sessions and a full read of your finished manuscript with the Ultimate Manuscript Assessment included in The Finished Novel Course.

The Finished Novel Course

The complete program

For those looking for the full novel-writing experience from start to finish.

£
3995
Pay in 3 interest-free instalments with PayPal.
$
4995
  • Membership (1 Year)
  • The Big Idea, The Big Write, The Big Edit
  • The Ultimate Manuscript Assessment
  • 6 Coaching Sessions
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