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The Best Book Editors

From the world’s major publishing houses

Professional publishing editors

Our editorial team are professionals with experience at the most famous publishers—Penguin Random House, Macmillan, HarperCollins, Hachette, and Simon & Schuster—where they have overseen many bestselling and award-winning novels published to acclaim. Our editing services team are in-house and wholly dedicated to your publishing prospects.

When you select The Finished Novel Course or The Novel Development Course, you’ll enjoy the guidance of publishing professionals to oversee every aspect of your novel as we progress toward a finished draft. We’ll get you ready to submit to literary agents for a publishing contract, for self-publishing, or to take your creative writing further to new heights.

Their mission is simple: your success.
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Our editorial team

Professional publishing experience

The Novelry’s editorial team is made up of people with years of experience across every type of editing role. At The Novelry, their focus is on the developmental edit, with creative feedback to help make your manuscript the best it can be. They also bring experience of the ‘acquiring’ and ‘publishing’ processes to help with pitching your book.

Leading agents used to submit novels to our editors: now our book editors are submitting to those same agents.

At The Novelry, we offer the same quality editing services as a major publishing house, bringing to your work of fiction the best book editors with proven experience editing bestselling and award-winning books.

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Get your course prospectus

Find out more about our courses and classes with our complete guide to everything we offer writers for the complete writing journey at The Novelry. Beginners warmly welcomed!

Our editorial team

The professional book editor for your book

Meet the professionals from the Big Five major publishing houses—including Penguin Random House, Hachette, HarperCollins, Simon & Schuster, and Macmillan—who specialize in manuscript evaluation.

Lizzy Goudsmit Kay

Lizzy Goudsmit Kay was a Senior Commissioning Editor at Transworld Publishers, a division of Penguin Random House, home to authors including Kate Atkinson, Dan Brown, Bill Bryson, Lee Child, Richard Dawkins, Paula Hawkins, Rachel Joyce, and Sophie Kinsella. Lizzy commissioned and edited T.A. Cotterell’s What Alice Knew; Leona Deakin’s Gone, Lost, and Hunt; and Livia Franchini’s Shelf Life. As an editor, she worked with John Lewis Stempel, Clare Beams, Ella Risbridger, Olivia Gatwood, Sabrina Cohen-Hatton, Christopher Somerville, Lynne Kutsukake, Angela Findlay, Jane Robinson, Amanda Berriman, Abbie Ross, Edward Stourton, Nick Robinson, Sarah Langford, and Sue Black. Lizzy is also a published author. Her debut, Seven Lies, sold in a major deal to 30 publishers worldwide. It became an international bestseller and has been optioned for TV by Drama Republic. As an experienced editor across all genres, Lizzy has an eye for market trends and potential agent matches. Lizzy studied English Literature at Royal Holloway, University of London.

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Josie Humber

Josie Humber was a Senior Commissioning Editor at Hodder & Stoughton (Hachette), home to authors including Jodi Picoult, Stephen King, David Nicholls, and Erin Kelly. She began her publishing career at Transworld (Penguin Random House) before moving to Mantle (Macmillan). Josie worked with a mixture of bestselling brand authors such as Kate Mosse, Kate Morton, and Joanna Trollope, as well as debut authors like Laura Shepherd-Robinson, Mary Paulson-Ellis, and Ray Celestin. At Mantle, she edited a wide range of fiction, including Natalie Haynes’s A Thousand Ships (shortlisted for the Women’s Prize for Fiction) and Laura Shepherd-Robinson’s Daughters of Night (shortlisted for the Theakston Crime Novel of the Year and the Historical Writers’ Association Gold Crown). At Hodder & Stoughton, Josie worked on the commercial and literary fiction lists, covering historical fiction, crime, thrillers, women’s fiction, and upmarket novels with prize-winning potential. As an acquiring editor, Josie has read hundreds of submissions from literary agents over the years and has outstanding insight into what commissioning editors look for. She has a BA in English Language and Literature from the University of Leeds.

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Emily Kitchin

Emily Kitchin was an Editorial Director at HQ (HarperCollins), home to authors including Adele Parks, Linwood Barclay, Sarah Morgan, Carrie Hope Fletcher, and Erica James. Emily began her publishing career at the literary agency A.P. Watt before moving to Headline Publishing and then Hodder & Stoughton. While Editorial Director at HQ, she curated a list of commercial fiction titles, including Murder on the Dance Floor by Strictly Come Dancing’s Head Judge Shirley Ballas and Sheila McClure (one of the top-selling debuts of 2023), and Ashley Poston’s The Dead Romantics, a New York Times bestseller. Emily has worked with bestselling authors such as Holly Bourne, Jennifer L. Armentrout, YouTuber Oli White, Amy Engel, Katie Marsh, Sarah Maine, Elin Hilderbrand, Emily Giffin, and Leia Stone. With over 15 years of experience in publishing, including editorial and acquiring new titles, Emily is a caring and collaborative editor with a passion for commercial fiction. Emily studied English Literature at the University of Sheffield.

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Tash Barsby

Tash Barsby was a Commissioning Editor at Transworld Publishers (Penguin Random House), home to authors including Kate Atkinson, Dan Brown, Bill Bryson, Lee Child, Richard Dawkins, Paula Hawkins, Rachel Joyce, and Sophie Kinsella. She began her publishing career at Hachette Children’s Books and subsequently worked at Vintage Books, Macmillan, and Simon & Schuster before moving to PRH. Starting in the copy-editorial department, Tash rose to Commissioning Editor and worked across bestselling commercial fiction with authors such as Shari Lapena, Fiona Barton, Lesley Kara, and Tess Gerritsen. Tash acquired the debut thriller from Sarah Pearse, The Sanatorium, an instant Sunday Times and New York Times bestseller and Reese Witherspoon Book Club pick. She also published Emma Curtis, A.A. Dhand, Andrea Mara, Lauren North, Rebecca Reid, and Bloody Scotland Crime Debut of the Year winner Deborah Masson. At PRH, Tash mentored aspiring authors, an experience that gave her a passion for discovering raw talent. Tash has a BA (Hons) in English Literature and American Studies from the University of Manchester.

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Craig Leyenaar

Craig Leyenaar was a Commissioning Editor at Titan Books, the publisher famous for science fiction, fantasy, horror, crime, and thrillers from authors including Stephen King, V.E. Schwab, James Lovegrove, Mickey Spillane, Paul Tremblay, Christina Henry, M.L. Rio, and Charlie Jane Anders. Craig also worked at Gollancz, part of the Hachette group and home to authors including Brandon Sanderson, Joe Abercrombie, Joanne Harris, Sarah Pinborough, Joe Hill, Hank Green, Patrick Rothfuss, Alastair Reynolds, Ursula K. Le Guin, and Ben Aaronovitch. Among the novels Craig published are the last two novels of The Witcher series from Andrzej Sapkowski, the critically acclaimed and multiple-award-nominated The Vanished Birds from Simon Jimenez, and the award-winning illustrated edition of Ursula K. Le Guin’s The Books of Earthsea. Craig also edited authors including J. Michael Straczynski, Ed McDonald, Chloe Neill, Nicole Jarvis, J.S. Barnes, Tori Bovalino, Joshua Phillip Johnson, and Alexander Dan Vilhjálmsson, and he has published fiction from brands including Marvel, Disney, Sony Pictures, and Kojima Productions. Craig is a graduate of the University of Cape Town and has an MA in Creative Writing from the University of Warwick.

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Elizabeth Kulhanek

Elizabeth Kulhanek was an Associate Editor at Grand Central Publishing, a division of Hachette and home to bestselling and acclaimed authors such as Nicholas Sparks, James Patterson, Lisa Gardner, Christopher Hitchens, Rudolfo Anaya, Tia Williams, and Ally Condie. Over more than a decade in editorial, Elizabeth worked on titles from some of Grand Central’s biggest and bestselling authors, including David Baldacci, Scott Turow, Harlan Coben, Sandra Brown, Octavia E. Butler, Min Jin Lee, Leesa Cross-Smith, Melinda Taub, and Kira Jane Buxton. Elizabeth spearheaded Octavia E. Butler’s reissue program, resulting in the author’s first New York Times bestseller for Parable of the Sower. Elizabeth edited Scott Turow’s New York Times bestselling thrillers The Last Trial and Suspect. Her acquisitions included national bestseller Nala’s World by Dean Nicholson; Melinda Taub’s The Scandalous Confessions of Lydia Bennet, Witch (a New York Times Best Science Fiction and Fantasy Pick); and Leesa Cross-Smith’s This Close to Okay (a Book of the Month early release) and Half-Blown Rose (an Amazon and Barnes & Noble Book Club pick). Elizabeth has a BA in English from Ohio State University and studied Publishing at Columbia University, New York.

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Krystle Appiah

Krystle Appiah was an Editor at Macmillan Children’s Books, home to authors including Marcus Rashford, Frank Cottrell-Boyce, Tomi Adeyemi, and Julia Donaldson. Krystle began her career at Walker Books, working with New York Times bestselling author Angie Thomas and on the Carnegie Medal-longlisted poetry collection Somebody Give This Heart a Pen by Sophia Thakur. During her time at Macmillan, Krystle worked on a broad range of children’s books, from Sir Lenny Henry’s The Boy with Wings to Padraig Kenny’s The Shadows of Rookhaven, while championing new authors and working toward greater diversity and inclusion. Krystle is also an author and screenwriter. She was one of 40 writers selected for the London Library’s Emerging Writers Programme, and her debut novel Rootless won the NAACP Image Award for Outstanding Debut Author. She has a degree in English Literature and Creative Writing from the University of Kent.

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Gillian Holmes

Gillian Holmes was an acquiring editor and copy editor at Penguin Random House for the Arrow Books imprint, where she acquired authors such as Katie Flynn, who, before her death, was the bestselling saga writer in the country. Gillian also worked with bestselling authors Kathy Reichs, Dorothy Koomson, Cathy Woodman, Tony Parsons, Rosie Goodwin, Amanda Prowse, Jane Corry, Katie Price, Alan Titchmarsh, Jackie Collins, and Amy Silver (aka Paula Hawkins). Gillian has worked in the publishing industry for over 30 years, with experience at Carlton Books, Quarto, and Simon & Schuster. She has worked on commercial fiction and non-fiction with authors such as Jo Brand, Jonathan Ross, Jane Goodman, and Keven Sampson (whose Away Days, acquired by Gillian, became a bestseller and was later made into a film). As an acquiring editor of film and TV tie-ins, she oversaw franchises including Star Wars and Buffy the Vampire Slayer. Gillian is also an author and ghostwriter. Her World War II saga series, written under the name Ginny Bell, comprises four books with another due in 2025.

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Francine Toon

Francine Toon was a Commissioning Editor at Sceptre, Hodder & Stoughton’s literary imprint. With over a decade’s worth of experience that began at Chambers Dictionary, Francine has edited a broad range of genres, including literary, crime, historical, and reading group fiction. She has worked on the novels of Stephen King, John le Carré, Fredrik Backman, and Erin Kelly. As an editor of literary fiction, Francine published award-winning authors such as Ned Beauman, Jessica Andrews, Rowan Hisayo-Buchanan, Kopano Matlwa, and Huma Qureshi (a graduate of The Novelry). Francine is also a published poet and author. Her award-winning debut novel Pine was a No.1 Sunday Times bestseller, Waterstones Thriller of the Month, and a Best Book of the Year for Stylist and the Telegraph. It won the 2020 McIlvanney Prize, was shortlisted for Bloody Scotland’s Scottish Crime Debut of the Year, and was longlisted for the Highland Book Prize and the Deborah Rogers Foundation Writers Award. Francine also features in Of the Flesh, an anthology of modern horror, and her poems have appeared in the Sunday Times, two of the Best British Poetry anthologies, Poetry London, and Ambit. Francine studied Classics at Edinburgh University.

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Sorcha Rose

Sorcha Rose was an Editor at Hodder & Stoughton, a division of Hachette and home to authors including John Grisham, Stephen King, B.A. Paris, Vaseem Khan, and Lucy Score. After interning in publishing at Legend Press and HarperCollins, Sorcha eventually worked directly with bestselling authors such as John Grisham, Peter Robinson, and Sophie Hannah, as well as on Erin Kelly’s Sunday Times bestseller The Skeleton Key and Will Dean’s The Last Thing to Burn (shortlisted for the Theakston Crime Novel of the Year, longlisted for the CWA Gold Dagger). Sorcha specialized in crime and thriller and edited Rachelle Atalla (The Pharmacist, shortlisted for Scottish Fiction Book of the Year) as well as Catriona McPherson, Patricia Marques, Mira V. Shah, Fiona Sherlock, Annie Hartnett, and Kylie Ladd. As an acquiring editor, Sorcha gained great insight into what literary agents, commissioning editors, and the current commercial market are looking for. Sorcha was a key organizer of Hachette’s Grow Your Story program, which helped writers from Black, Asian, and Minority Ethnic backgrounds gain access to the world of publishing. She has a BA in English Literature from the University of Sheffield.

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Nic Caws

Nic was Senior Commissioning Editor at Headline, part of Hachette, and their boutique romance imprint Headline Eternal, home of bestselling authors such as Sarah Adams, Erin Sterling, and Mariana Zapata. Nic edited a wide range of commercial, historical, romance, and mystery fiction from authors such as Christina Courtenay, Muna Shehadi, Jo Watson, Julie Brooks, and Rebecca Hardy. She also acquired romcoms from Jennifer Hennessy and New York Times bestseller Maisey Yates. Previously, Nic spent over nine years in editorial at renowned romance publisher Harlequin Mills & Boon, where she worked with authors including Michelle Smart, Jackie Ashenden, Kelly Hunter, Ann McIntosh, Marcella Bell, and Lydia San Andres. Nic has hosted craft workshops at romance writing conferences across the world. She has a BA (Hons) in English Literature from the University of Exeter.

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Georgia Summers

Georgia Summers was an Editor at Tor, an imprint of Macmillan, home to authors including Cassandra Clare, Olivie Blake, Adrian Tchaikovsky, T.J. Klune, Arkady Martine, and Travis Baldree. Starting in publishing at OneWorld Publications before moving to Macmillan, Georgia worked closely with a range of science fiction and fantasy debut authors such as Shelley Parker-Chan and Freya Marske. She was the commissioning editor for international cozy fantasy bestseller Legends & Lattes by Travis Baldree and Daughter of Calamity by Rosalie M. Lin. Additionally, she oversaw reissues of Kushiel’s Legacy, the classic romantasy series by Jacqueline Carey. Georgia is also a published author. Her debut, The City of Stardust, was pre-empted in a significant two-book deal for Hodderscape in the U.K. and Orbit in the U.S. as well as several other countries. It was a No.1 Sunday Times bestseller in its launch week, an Amazon Best Book of the Month, and an Indie Next pick. Georgia has previously been a copywriter, a bookseller, and a librarian of rare books. She has a BA (Hons) in Creative Writing from Trinity College Hartford.

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Simran Kaur Sandhu

Simran Kaur Sandhu was an Editor of middle-grade and Young Adult fiction at Macmillan Children’s Books, home to authors including Hilary McKay, Meg Cabot, Sir Lenny Henry, Judy Blume, and Eva Ibbotson. With prior experience at HarperCollins, Profile Books, and Serpent’s Tail, Simran worked with award-winning authors of groundbreaking children’s and YA fiction, including Tomi Adeyemi, Costa Book of the Year winner Frances Hardinge, Rainbow Rowell, Josephine Angelini, and Sita Brahmachari. Simran built her own YA list, editing titles including Branford Boase Award winner Muhammad Khan’s Mark My Words, George Lester’s Boy Queen, and YA Book Prize-shortlisted Melt My Heart by Bethany Rutter. Simran’s middle-grade fiction works included Pooja Puri’s A Dinosaur Ate My Sister (inaugural Marcus Rashford Book Club pick) and the How to be a Hero series by Cat Weldon. She brought international YA poetry star Nikita Gill to Macmillan, landing CLiPPA shortlistings and a Jhalak Prize longlisting. Simran has worked as a freelance editor and consultant for writers worldwide and was the first Literature Coordinator for the Asian Woman Festival. She studied English Literature and Creative Writing at the University of Warwick.

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Sadé Omeje

Sadé was an Editor at two imprints of HarperCollins: 4th Estate, home to Hilary Mantel, Anthony Doerr, Jonathan Franzen, Asako Yuzuki, Ann Patchett, and Yiyun Li, as well as the William Collins imprint, home to Brian Cox, David Attenborough, Christina Lamb, Elizabeth Hinton, Max Hastings, Mark Carney, and Kathryn Mannix. Sadé worked with a diverse array of fiction and non-fiction from acclaimed authors such as Coco Mellors, Emmanuel Iduma, Joyce Carol Oates, Rodrigo García, Hannah Durkin, and Jonathan Escoffery. She is actively involved in literary advocacy as a trustee of the historic Portico Library and an advisory board member for independent literary publishers And Other Stories. She has read for the Women’s Fiction Discoveries Prize and mentored aspiring writers at the HarperCollins Author Academy. Sadé has a BA in English Literature and American Studies from the University of Manchester.

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Natasha Qureshi

Natasha Qureshi was Commissioning Editor at Hodderscape, Hodder & Stoughton’s SFF imprint, home of international bestsellers Frank Herbert, L.R. Lam, Isabel Ibañez, Roshani Chokshi, and Pierce Brown. Originally joining as Assistant Editor, Natasha worked with authors such as Chloe Gong, Kerri Maniscalco, Sangu Mandanna, Adalyn Grace, and Stephanie Garber. She acquired and worked with authors such as Cecy Robson, Ella Fields, Thomas Olde Heuvelt, Frankie Diane Mallis, Hayley Dennings, Jennifer L. Armentrout, Lexi Ryan, Tad Williams, Paula Lafferty, Kylie Lee Baker, and Micaiah Johnson (shortlisted for the 2024 Ursula K. Le Guin Prize for Fiction). Natasha has also worked with popular subscription and bespoke retailers such as FairyLoot, Illumicrate, Goldsboro Books, and Broken Binding. Previously, Natasha also worked at Oxford University Press and Bloomsbury Publishing before moving to Titan Books, where she co-edited the novels of Nicole Jarvis, Matt Hill, Stark Holborn, Marian Womack, J.L. Worrad, Hannah Mathewson, A.J. Hackwith, R.L. Boyle, A.G. Slatter, Andrew Cartmel, Aliya Whiteley, Tim Major, and a CWA Dagger Award-winning anthology by Maxim Jakubowski. Natasha has a BA in English and American Studies with Creative Writing from the University of Kent and an MA in Publishing from Oxford Brookes University.

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Expertise to finish your novel

‘My story whisperer book editor took my submission package to the next level. She gave me the perfect premise line, went over my first three chapters with her brilliant editorial eye, and gave masterful advice on how to reorganize my book’s timeline to jack up suspense. She then handpicked the perfect agents and gave me the benefit of her industry wisdom throughout the entire submission process. I couldn’t recommend The Novelry more highly.’

—Helena Echlin, now represented by Janklow & Nesbit after manuscript preparation and submission by The Novelry. Clever Little Thing has been sold to Pamela Dorman Books/Penguin Random House and Penguin Canada, Grijalbo (Spain) and Nord (Italy).

Enjoy finishing your novel with The Novelry

Choose your course

Reach the end of your first draft or finish a publishing-ready novel. Our courses offer various combinations of The Novelry’s five-step writing journey, and provide ultimate value.

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The Novel Kickstarter Course

Come up with the idea and write a first draft

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The Novel Development Course

Take a novel-in-progress to publishing standard

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Novel writing classes at The Novelry.
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The Finished Novel Course

The complete 5-step program

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We’ve taken complete beginners all the way through to secure world-class literary agency representation.

Beautiful tales, boldly told
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The joy of editing

Raise your editing game with our editing services team

We offer a simple five-step program at The Novelry, and the third step is The Big Edit, the class to edit your novel with our professional book editors. This class is included in The Novel Development Course or The Finished Novel Course. To access our editorial services, you need to sign up for these comprehensive services. Alternatively, you could choose a manuscript critique with The Ultimate Manuscript Assessment.

In the Big Edit phase of your course, we will guide you through all the aspects of the book editing process, developing and polishing your technical writing skills on a sentence-by-sentence basis and teaching you how to self-edit.

The class helps independent authors learn to master these aspects of fiction editing in multiple genres, whether literary fiction, historical fiction, contemporary fiction, women’s fiction, fantasy, science fiction, children’s and Young Adult fiction, and even some forms of non-fiction like memoir. Editing skills learned now will set you in good stead for your creative writing career.

HarperCollins editors at The Novelry
From pitch to a polished performance

From the developmental edit to a final review

We’ll guide you step-by-step with killer logic through the wonderful process of drilling down from structural development through to line-by-line style so that you become your own best editor for a lifetime of happy writing.

You want a straightforward guide to formatting? It’s here! You want contemporary examples of structure, sentences, openers, and brilliant editing techniques? We’ve packed these lessons with the most famous books in the English language: from the Harry Potter books and the Game of Thrones series to The Couple Next Door and Girl, Woman, Other.

Check out our advanced technique for the perfect prose to open your book with a bang—Lucid Compression®. You want a standout synopsis? We’ll make it simple to write. You want a brilliant pitch letter? We will help you with the precise word choice to put it in the bag.

You want tips and tricks from inside the editing network? Find out more about what literary agents and most editors really, really want and top up your course learning with our regular program of live classes and guests from within the industry.

a children's book editor with another book editor
We grow careers

Toward the publishing process

Get access to our professional editing service when you need it to fast-track your writing skills. Once you join us for a course, you can purchase extra Paid Feedback Sessions with a professional editor as and when you need them. The Paid Feedback Sessions allow you to book in with one of our developmental editors for a review with line editing and a report on a word count of 5,000 words a time. You’ll enjoy a 45-minute video debrief where you can ask any questions. We recommend you reserve these sessions for the second half of the year, when you’re more certain of the story and can apply the feedback to written work you know you’re keeping. Use them during the third phase of your program—The Big Edit—to really sharpen and hone your chapters as you move from the structural edit to sentence style and word choice.

Writers enjoy writing, but editing is the core skill that differentiates published authors from new writers. Invest wisely and learn from the best editors.

good book editors at work
HarperCollins editors at The Novelry
Two book editors

What makes a good mentor?

An aspiring writer will want to consider a potential writing mentor carefully to choose an experienced writer who has navigated the publishing industry successfully, with a proven track record, who has standing and recognition in the literary world and the publishing industry.

A good mentor is someone who loves learning and who understands that they too, as a writer, are always learning; that way the one-on-one mentoring relationship becomes a mutually fulfilling and exciting experience, open to new ideas and feedback that flows naturally both ways.

To choose your potential coach, consider the writing coach’s work. Have they been published recently? Do they write in a similar genre? Do they understand the book publishing process? Have they got teaching experience? Do they belong to professional organisations? That they belong to a writing community and are willing and able to work generously with other writers is an important test.

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Find the best book editor for you

Sign up to our individual creative writing classes should you want to take things one step at a time, including our manuscript review services. Or check out our courses (which offer various combinations of the classes and services) for a mapped-out journey to writing success.

What can a good editor do for you?

A good editor will shine a light on what’s working and what’s not working on the big picture of your manuscript, allowing for the most exciting story to surface from the structure and sentence style of your material. A good book editor will ensure your book hits the sweet spot where commercial sales meet positive reviews, acclaim and awards. They will help you write a bold story, beautifully told.

At The Novelry, our team of editors are all experienced publishing editors who have worked with bestselling and award-winning authors at the Big Five publishing houses like Penguin Random House.

If you mean business, make sure you work with a renowned and experienced book editor.

What’s better than one editor?

A team of professionals. Book editors tend to have niche genre specialisms. Be careful when working with just one editor that they truly have experience working in your genre or niche. Publishers will only acquire books that perform well for the genre. Freelance solo editors will bring their experience to your work, but also their own personal taste and judgment. Working with just one book editor can destabilize a writer as they are only getting one person’s perspective when a broader view may be better.

At The Novelry, we meet as a team every week to talk about our writers’ works-in-progress to ensure we are giving you the best of our combined advice and experience. You will have access to our many editors, allowing you to find the right book editor for you. You will be able to work with your editor directly over multiple rounds, allowing for back and forth, and your editor will be familiar with your intentions and aspirations for your book. It’s not all about sentence structure! The best editors like to respect an author’s style.

A team of professional book editors with combined experience across a range of fiction for considered writing advice.

Can a book editor fix my book?

A book editor is typically able to spot the problems but not fix them!

With our team of editors and currently published authors at The Novelry we are uniquely placed and motivated to find brilliant creative solutions to any story problem.

Our substantive editing approach begins with developmental editing, proceeding to copy-editing the entire manuscript, and onto matters concerned with book marketing. You will meet your professional book editor to review the storyline for a new draft likely to please publishers.

Our writers progress through the stages of the book editing process from developmental editing to line editing, before they submit their revised manuscript to our editorial services team for review. Our editors will be there to review and catch your work before you move forward toward submission.

If you’re not there yet, our editors will help you fix it to get it right.

What should I expect to pay?

Editorial services can be very expensive and you are placing a great deal of trust in your book editor. What seems cheap can prove expensive and downright destructive in the long run. Don’t economize on your dreams. Aim to invest in the best.

Most literary consultancies and editorial services farm out the editing work to a freelance editor, often paid at very low rates, who is paid by the manuscript and will tick off yours to move onto the next. Some well-known publishing companies follow this practice. With this cheaper type of editing service, you neither get to meet editors, nor have them answer questions.

Professional editing services often require a 10 or 15 per cent commission on your publishing royalties. Buyer beware! Check the small print first! (We would not dream of it.)

We are able to offer the expertise of in-house professional editors at a more affordable price thanks to our combination of course-based training and editorial services.

Our team are in-house editors motivated by our success stories.

Can a book editor get me published?

Typically a consultancy, book proofreading service or freelance book editor’s work ends when they hand you back your manuscript with lots of red lines through it and grammatical errors highlighted. It’s when you get their report the hard work really begins. But they take no further steps to help you get published. Not so at The Novelry!

Your book editor from a respected publishing house will not only give you detailed line-by-line feedback, honestly and clearly assessing your manuscript’s potential to meet the standards of a traditional publisher before advising changes. If your manuscript is a match for one of our trusted literary agents, you will be invited to enter our submissions process.  

Take a look at our roster of over 25 trusted literary agencies like WME, CAA, The Book Group, United Agents and more, who look forward to receiving our writers’ brilliant novels.

The Novelry is recommended by world-class literary agencies.