The Big Edit Challenge starts June 1.
Sign up
No items found.

The Big Edit

Polish your manuscript ready for submission.
Includes The Big Edit Challenge. See details below.

writing community
the writers community at the novelry

Kickstart your edit this June with The Big Edit Challenge

Join us now to transform your manuscript this summer. In addition to the full course, you will get 9 weeks of live panels, masterclasses, and a community challenge built around the editorial journey. Here’s what’s in store:

  • Charmaine Wilkerson joins her editor in conversation to reveal how they shaped Black Cake into a New York Times bestseller, a Read with Jenna pick, a Barack Obama selection, and an Oprah Winfrey series on Disney+
  • Panel events with agents at WME, Sterling Lord Literistic, Greene & Heaton, and editors from Penguin Random House and Hachette—plus the chance to pitch directly to a literary agent
  • Over 20 one-off events dedicated to The Big Edit Challenge, including workshops, editorial sessions, guest events, and our famous Pitch Party
  • NEW THIS SUMMER! A brand-new mini course with twenty lessons on line editing, written by editors and packed with techniques you can apply straightaway to your manuscript

Join us on The Big Edit Course — or The Finished Novel Course, our comprehensive year-long program — to take part. Sign up before June 1.

Clock icon
Time
1 year. 52 lessons
Tag icon
Price
$
1595
£
1195
People icon
Suitable for
Those who have taken The Big Idea and The Big Write
Book icon
Ideal for
Writers who want to be published

The final chapter of your writing journey

Polish to publishing-ready perfection.

Have you completed the first draft of your story? Congratulations! Now, it’s time to edit.

You’ll work one-on-one with professional editors (of bestselling and award-winning books) to review, revise, and refine to the highest publishing standards.

Editing is what differentiates writing amateurs from published authors

If writing is the heart, editing is the head.

And with The Big Edit, you’ll be taught all aspects of the process by masters of the craft—from interrogating the structure and shape of your story to developing your technical writing skills on a sentence-by-sentence level and learning how to create a pitch-perfect submission package.

editing with book editors

In good company

We’re the book editing service with Big Five publishing professionals

Pen tool icon

Just imagine...

Editors from Penguin Random House, Macmillan, HarperCollins, Hachette, and Simon & Schuster fine-tuning your story. 

(With The Big Edit, they will.)

Book icon

What if...

You qualify for our submission service to the literary agents who represent Meg Wolitzer, Madeline Miller, Liane Moriarty, Celeste Ng, Michael Ondaatje, Richard Osman, Marilynne Robinson, Philip Pullman, Tess Gerritsen, Andrew Sean Greer, and Tom Clancy? 

(By invitation.)

Submissions to the top global literary agencies

If your manuscript is a match for one of our trusted literary agents, you will be invited to enter our submissions process. There is no cost for this service and we neither ask for nor accept commission. It is by invitation only.

We’re the online writing course recommended by leading literary agencies.

literary agency clients books

Renowned literary agency partners

Including CAA, William Morris Endeavor (WME), The Book Group, United Agents, and more.

Work with editors from the world’s major publishers

Your course includes editorial sessions with former acquiring editors from major global publishing companies, including Walker Books, Titan, Oneworld, and the Big Five—Penguin Random House, Hachette, HarperCollins, Simon & Schuster, and Macmillan.

They’ll oversee your revision process and help prepare your submission package for querying literary agents.  

Prepare the perfect plan for the best version of your story with the cool logic of the Big Edit lessons

Get feedback from your editor on your story and chapter outline before you revise with the Big Edit First Session

Begin revising your manuscript with step-by-step guidance from the course lessons and get feedback from our beta-reader workshop

Get line-by-line feedback and a live debrief from your editor on your final submission package of the first chapters, your synopsis, and pitch with the Big Edit Second Session

Revise and revise using our guidance to become pitch-perfect for submission to literary agencies

The Big Edit Course

Edit your novel

Revise and polish your manuscript to the highest publishing standards with in-depth feedback from your professional book editor and management of the submission process.

Time: 1 year
Lessons: 52
2 x professional editorial sessions
Module
1

Turning Pro

Raising the standard
6
lessons
Module
2

The Developmental Edit

Find the holes
19
lessons
Module
3

Line Edit

Become your own line editor
17
lessons
Module
4

The Submission Process

Enter the publishing world
10
lessons

“The secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress.”

—Nick Hornby
Our editorial team

The right editor for your book

Meet the professionals from The Big Five major publishing houses including Penguin Random House, Hachette, Harper Collins, Simon & Schuster and Macmillan.

Tash Barsby

Tash Barsby

Tash Barsby was a Commissioning Editor at Transworld Publishers and worked at Vintage Books, Macmillan, and Simon & Schuster before moving to Penguin Random House, where she worked with authors Sarah Pearse, Fiona Barton, Lesley Kara, and Tess Gerritsen.

Elizabeth Kulhanek

Elizabeth Kulhanek

Elizabeth Kulhanek was an Associate Editor at Grand Central Publishing, a division of Hachette and home to bestselling and acclaimed authors such as Nicholas Sparks, James Patterson, Lisa Gardner. She has worked with bestselling authors, including David Baldacci, Scott Turow, Harlan Coben, Sandra Brown, Octavia E. Butler, and Min Jin Lee.

Sadé Omeje

Sadé Omeje

Sadé Omeje was an Editor at HarperCollins 4th Estate, home to Hilary Mantel, Anthony Doerr, Jonathan Franzen, and Ann Patchett. Sadé worked with fiction and non-fiction from acclaimed authors such as Coco Mellors, Emmanuel Iduma, Joyce Carol Oates, Rodrigo García, Hannah Durkin, and Jonathan Escoffery.

Navah Wolfe

Navah Wolfe

Two-time Hugo Award-winning editor and finalist for the Locus Award for best editor, Navah has worked with authors including Catherynne M. Valente, Theodora Goss, Rivers Solomon, Daveed Diggs, Amal El-Mohtar, Max Gladstone, Neal Shusterman, Benjamin Alire Sáenz, Margaret Peterson Haddix, and Katherine Rundell.

Francine Toon

Francine Toon

Francine Toon was a Commissioning Editor at Sceptre, Hodder & Stoughton’s literary imprint. She has worked on the novels of Stephen King, John le Carré, Fredrik Backman, and Erin Kelly. She has published award-winning authors such as Ned Beauman, Jessica Andrews, Rowan Hisayo-Buchanan, Kopano Matlwa, and Huma Qureshi.

Josie Humber

Josie Humber

Josie Humber was a Senior Commissioning Editor at Hodder & Stoughton (Hachette), home to authors including Jodi Picoult, Stephen King, David Nicholls, and Erin Kelly. Josie has worked with bestselling authors such as Kate Mosse, Kate Morton, and Joanna Trollope.

Lily Cooper

Lily Cooper

Lily Cooper was a Senior Commissioning Editor at Michael Joseph and worked at HarperCollins and Hachette before moving to Penguin Random House. She has worked with bestselling authors including Jodi Picoult, Louise Penny, Will Dean, and Gillian Anderson.

Sorcha Rose

Sorcha Rose

Sorcha Rose was an Editor at Hodder & Stoughton, a division of Hachette and home to authors including Stephen King, B.A. Paris, and Lucy Score. She has worked with the authors John Grisham, Peter Robinson, and Sophie Hannah, and on Erin Kelly’s Sunday Times bestseller The Skeleton Key and Will Dean’s The Last Thing to Burn.

Gillian Holmes

Gillian Holmes

Gillian Holmes was an acquiring editor and copy editor at Penguin Random House where she acquired authors such as Katie Flynn. She has worked with bestselling authors Kathy Reichs, Dorothy Koomson, Tony Parsons, Rosie Goodwin, Amanda Prowse, Alan Titchmarsh, Jackie Collins, and Amy Silver (aka Paula Hawkins).

Emily Kitchin

Emily Kitchin

Emily Kitchin was an Editorial Director at HQ (HarperCollins), home to authors including Adele Parks, Linwood Barclay, Sarah Morgan, Carrie Hope Fletcher, and Erica James. She has worked with bestselling authors such as Holly Bourne, Jennifer L. Armentrout, Sarah Maine, Elin Hilderbrand, Emily Giffin, and Leia Stone.

Nic Caws

Nic Caws

Nic Caws was Senior Commissioning Editor at Headline, part of Hachette, and their boutique romance imprint Headline Eternal, home of bestselling authors such as Sarah Adams, Erin Sterling, and Mariana Zapata. She spent over nine years in editorial at renowned romance publisher Harlequin Mills & Boon.

Craig Leyenaar

Craig Leyenaar

Craig Leyenaar was a Commissioning Editor at Titan Books, home to authors including Stephen King, V.E. Schwab, James Lovegrove, Mickey Spillane, and Paul Tremblay. Craig also worked at Gollancz, part of the Hachette group, home to authors including Brandon Sanderson, Joanne Harris, Patrick Rothfuss, Alastair Reynolds, Ursula K. Le Guin, and Ben Aaronovitch.

Natasha Qureshi

Natasha Qureshi

Natasha Qureshi was Commissioning Editor at Hodderscape, Hodder & Stoughton’s SFF imprint, home of international bestsellers Frank Herbert, L.R. Lam, Isabel Ibañez, Roshani Chokshi, and Pierce Brown. She has worked with authors such as Cecy Robson, Ella Fields, Thomas Olde Heuvelt, and Micaiah Johnson (shortlisted for the 2024 Ursula K. Le Guin Prize for Fiction).

Krystle Appiah

Krystle Appiah

Krystle Appiah was an Editor at Macmillan Children’s Books, home to authors including Marcus Rashford, Frank Cottrell-Boyce, Tomi Adeyemi, and Julia Donaldson. She has worked on children’s books from Sir Lenny Henry’s The Boy with Wings to Padraig Kenny’s The Shadows of Rookhaven.

Simran Kaur Sandhu

Simran Kaur Sandhu

Simran Kaur Sandhu was an Editor of middle-grade and Young Adult fiction at Macmillan Children’s Books, home to authors including Hilary McKay, Meg Cabot, Judy Blume, and Eva Ibbotson. With prior experience at HarperCollins, Profile Books, and Serpent’s Tail, she worked with award-winning authors including Tomi Adeyemi.

Arrow left
Arrow right
Formerly Titan Books
Formerly Titan Books
Formerly HarperCollins
Formerly HarperCollins
Formerly Simon & Schuster
Formerly Simon & Schuster
Formerly Titan Books & Orion
Formerly Titan Books & Orion
Formerly Hachette
Formerly Hachette
Formerly Penguin Random House
Formerly Penguin Random House
Formerly Hodder & Stoughton
Formerly Hodder & Stoughton
Formerly Macmillan
Formerly Macmillan

A cautionary tale…

Worked with a single editor before?

Each publisher has a specific goal and many commissioning editors work in only one genre. So, when working with just one editor, be careful to ensure that they truly have experience in your niche.

Equally, a single editor might bring some of their own personal taste and judgment to the process. But a broader view can better set you up for success.

At The Novelry, we meet as a team every week to discuss our writers’ works-in-progress. So you’re guaranteed the unique advantage of combined editorial advice and expertise.

editorial services team at a table
Fiction editing services

Now represented by Watson, Little after submission by The Novelry

‘The best decision for my book. The course materials offered the tools to excavate the layers and plumb the depths of my story. The fabulous team at The Novelry were brilliant at cutting through to the heart of the problem, and their suggestions on the text helped me understand the nitty-gritty of creating on the page.’

Shylashri Shankar
quotemark icon
The world's best-loved writing school

More 5* reviews than any other writing course

Write for pleasure at The Novelry and you’ll be rewarded with far more than you ever imagined. But don’t just take our word for it…

‘Extremely grateful for the professional expertise’

‘What I found particularly beneficial was to be able to step logically, through a series of progressions; compiling the first draft, learning how to edit that myself, before handing it over for more rigorous assessment and editing. I’m extremely grateful for the professional expertise and friendly assistance, who ensured that at every contact point, the novel was made better than what it was before.’

An image of Geoff Parkes.

Geoff Parkes

‘Just the thing I needed’

‘Signing up to The Novelry’s course was just the thing I needed—it provided me with structure, support and encouragement. I was inspired to get writing and keep going, and the course made me think more deeply about plot and character, so that I had a finished manuscript that needed relatively little editorial change when I got to the end. The coaching sessions kept me on track and helped me work through plot kinks along the way and I felt like I had a real champion through the whole process.’

An image of writer, Becky Hunter.

Becky Hunter

‘I am beyond thrilled with how far I’ve come’

‘Since joining The Novelry in early 2022 with nothing but a spark of an idea and the determination to (somehow!) turn it into a novel, I have been blown away by Louise Dean’s course materials, the author coaching, the community of writers and the incredible support from editors to boot. I am beyond thrilled with how far I’ve come, both with my writing and signing with such a top-notch agent, and am so excited for my future writing career. Thank you, The Novelry!’

An image of writer, Nikki Allen.

Nikki Allen

‘I felt like part of the community’

‘I joined The Novelry after I’d finished my first draft. I wanted to make sure that I was giving my novel the best chance possible and getting to work with an experienced editor was such a selling point for me. What I didn’t realize was how much of an anchor The Novelry would become while I edited my manuscript — joining a Zoom or re-watching a lesson when I needed some motivation, feeling part of the community of other writers, and getting much-needed pep talks from the amazing writing coaches. I’m so grateful to the entire team at The Novelry and I am thrilled that they introduced me to my fantastic literary agent — it still feels very surreal to get to say that!’

An image of writer & reviewer, Anna Brook-Mitchell

Anna Brook-Mitchell

‘One of the most transformative experiences of my writing life’

‘The expertise, encouragement, and honesty I received—from the editor, the coaches, and the structure of the course itself—gave me the confidence to push past my limits and produce the strongest work I’ve ever written. I’m deeply grateful.’

An image of Sofia Georgiou, reviewer.

Sofia Georgiou

‘I’ve adored these lessons’

‘I’ve adored these lessons at The Novelry. They’re so propulsive but also ridiculously clear. The teaching is practical, example-rich, structured, and industry-facing. I’m not just writing with feeling now, but with intention.’

An image of reviewer, Nazmin Rahman.

Nazmin Rahman

‘My writing would not be what it is today without The Novelry’

‘I decided to enrol on a course with The Novelry to finally invest in myself. My writing improved immensely and my coaching sessions were worth their weight in gold. My writing would not be what it is today without The Novelry.’

An image of reviewer, Claire Foster.

Claire Foster

‘After nearly giving up the dream, I feel like I can absolutely be a novelist’

‘The class did a terrific job of unsticking my writing progress. After nearly giving up the dream, I feel like I can absolutely be a novelist. I have hope for my writing career in a way I haven’t had since my undergraduate days.’

An image of Joie F-G, reviewer.

Joie Filippini-Gibbons

‘I finally conquered that mountain of self-doubt’

‘I was fighting perfectionism, imposter syndrome, and overthinking – but I finally finished a first draft! I would not have been able to finish without the lessons, community, coaches, and support at The Novelry. I finally conquered that mountain of self-doubt to take a story spark and run with it!’

An image of reviewer, Alexa Clauson.

Alexa Clauson

‘Really helped to hone my focus’

‘After taking the course, I feel more confident. The Five Fs gave me the framework to build from and that really helped to hone my focus. I loved this experience! Endless resources and opportunities to connect in the writing community.’

Jeri Hoag

‘From the first lesson, I felt like I came home’

‘I highly recommend The Novelry. From the first lesson, I felt like I came home to a writing course that welcomed me, that had been waiting patiently in the shadows for me to finally find my way home.’

An image of reviewer Michele Collum

Michele Collum

‘Feeling hopeful!’

‘I didn't know what to expect but found the course to be a welcoming, encouraging, and thoughtful (also humorous!) adventure. I also loved the extra lessons from the other writers and coaches. Frankly, it was a lovely reintroduction to story.’

Image of Diana Holdrige, the reviewer

Diana Holdridge

‘Taught me that imagination is just the beginning and I can do it’

‘I was made to feel welcome, and learned that with the right help, a measured approach and a lot of determination and persistence, you can achieve your goals. The Novelry taught me that imagination is just the beginning and I can do it.’

Glen Smale

‘The Novelry will help you accomplish your dreams’

‘If you’re serious about writing a novel, this is the school to help make it a reality. I never thought I could do it. A year later, I have. If you’re willing to do the work, The Novelry will help you accomplish your dreams.’

Headshot of Priscilla the best writing course review

Priscilla Kennedy

‘Chock-full of smart, actionable advice’

‘Chock-full of smart, actionable advice. My editor took my submission package to the next level, handpicked the perfect agents and gave me the benefit of her industry wisdom throughout the entire submission process.’

Helena Echlin

arrow left
arrow right

Why The Big Edit?

Created by a Booker Prize-listed author

For the highest standards of fiction.

“Louise Dean is a significant voice in fiction”

The Observer

When it comes to writing fiction, Founder and Course Director Louise Dean sets the highest standards for your program.

Booker Prize-listed, winner of the Betty Trask Prize and the Le Prince Maurice Prize, finalist for the Costa Coffee 2020 Short Story Award, longlisted for the Dublin International Literary Award, and nominated for the Guardian First Book Prize (among others), Louise has earned plaudits from the Nobel Laureate for Literature, no less. Her books have been praised by The New York Times, the Guardian, the Observer, and The Sunday Times.

Louise shares her (award-winning) secrets in the courses and draws on a lifetime and love of reading fiction and the techniques of the greats.

Meet Louise

Progress at your own pace

52 lessons. A year’s access to the course.

Your success, on your terms. Always.

This is a self-paced course; you drive the development of your edit. We follow your lead and you can schedule your sessions with your editor at times that work for you. You have immediate access to all lessons. The tempo of the march is yours to decide. 

But when it comes to editing your novel, you’ll work in a different way to writing your first draft. 

We recommend setting aside chunks of time for the heavy lifting and logical flow of the revisions. 

You may wish to explore one lesson (and its associated activities) per week—working in time slots of 2–3 hours, when your schedule allows.

But if time is tight and life is getting in the way, never fear. You have access to The Big Edit for a year. So: 52 lessons in total, and 52 weeks in which to do them.

Stay a little longer

Life. It happens to the best of us.

A good story will wait

You have 365 days’ access to the course. But don’t worry if you need to stop writing for a while.

You can extend your course with our Rollover Plan for just $59 (USD) or £49 (GBP) a month and stay as long as you wish!

Money-back policy

Our Happy Writing guarantee.

Time to check it’s right for you

We maintain a happy and supportive community for all of our writers. So, we offer a 7-day money-back Happy Writing Guarantee for all our courses, should you change your mind.

Write with the best in the business

Award-winning authors. Publishing editors. Leading literary agents.

Coaches not lecturers

Many online writing programs promote “featured” videos of one or two big-name stars. And you sit, you watch, you learn. Passively.

Here at The Novelry, our online writing courses come with a team of writer all-stars built right in. They’re part of the furniture around our happy writing home. You’ll run into them in the virtual halls of The Novelry, in your personal coaching sessions, and week in, week out at workshops or in your online community.

We’re talking stars whose books have hit the New York Times and Sunday Times bestseller lists, and have been adapted for screen and optioned for major motion pictures.

Writing stars who work with you, not lecture at you.

Learn more

Access to Big Five publishing editors

Add further paid feedback sessions when you need them, as a member.

Invested in your success

Our team are not freelance or part-time. They are in-house and dedicated to the fortunes of our writers!

Our goal is to see you get published, and we will do all we can to get you there. So if you’re not quite there yet, we will show you what’s needed and you can book as many further Paid Feedback Sessions as you wish to work with your editor while you’re a member.

Learn more

60+ workshops a month

In addition to your course.

Write in good company

Guided, group-based workshops with fellow writers, bestselling authors, and publishing professionals. Offered live online, but also recorded, so you can easily catch up if you miss one.

You’ll get advice and writing prompts, genre-specific challenges, and exercises to help you develop your writing and deepen your craft. And of course, you’ll have a community of like-minded spirits, cheering you on as you reach each milestone on your journey.

Learn more

Genre expertise

What’s your style?

“Outstanding genre-specific workshops!”

—April Love-Fordham

You may be burning to write a thriller, yearning to capture a romance, or scoping out the near-future world of a science fiction story.

Maybe you’re yet to discover your type. Perhaps you’re between genres right now.

Any which way, this course will help you put your story on steroids. You can choose your author coach based on their expertise, and our genre-specific workshops are in a league of their own.

Video masterclasses

From the likes of Kristin Hannah and Yann Martel.

Catch Up TV for storytellers

(Binge-watch the series.)

Over 350 classes with famous bestselling writers, publishing experts, and leading literary agents for you to explore in your own time.

Find out how your best-loved authors (really) write their books, from Tess Gerritsen, Paula Hawkins, and Val McDermid to Lucy Foley, Katherine Rundell, Samantha Shannon, Steven Erikson, and (so) many more.

Learn more

A supportive writing community

Open 24/7 worldwide. The best beta-readers.

Come for the course. Stay for the people.

We’re the largest online writing community exclusively for novelists and memoir writers. This group offers you a safe space to share the ins and outs and ups and downs of the creative life.

It’s ad-free and bound by the terms of confidentiality, allowing you to be yourself as a writer among industry professionals, trusted new friends, and like-minded people.

What’s more, our annual U.S. and U.K. parties and networking events offer the perfect opportunity to mingle and celebrate your work. Cheers to that!

Learn more

More 5-star reviews

Than any other writing course. The Novelry is the world’s top-rated fiction writing school.

We’re the home of happy writing  

When choosing your writing course, always make sure to look for these things:

  • Independent rave reviews from real people giving their names.
  • Writing coaches who are award-winning and bestselling published authors.
  • One-on-one, personalized instruction focused on what you need.
  • A professional path to getting published with links to a range of literary agencies.
  • An inspiring writers’ group with a kind and encouraging ethos.

Reviews

A clear path to publishing

Yours if you want it. Fine if you don’t. We will help you reach pro standards.

Your adventure awaits

Storytelling lies at the very heart of the course.

But that can mean a myriad of things to many different people.

Some join us simply to write for the pleasure of the process. Some, for family and friends.

Others wish to tread the commercial path to publishing. Which is why you should know that we’re trusted by the world’s leading literary agents, and our graduates go on to secure major contracts from Big Five publishers in the U.S.A., the U.K., and worldwide.

Learn more

Edit to publishing standards

One year. 52 lessons. Two editorial sessions. A publishing-ready manuscript.

The Big Edit

Edit and polish your novel
$
1595
We accept
£
1195
  • Membership (1 year)
  • The Big Edit Course
  • 52 Lessons
  • 2 Editorial Sessions
  • A Year’s Access

Noteworthy advice

Have a complete draft? The Big Edit is your course.
Earlier in the journey? The Finished Novel Course takes you from first idea to submission — and includes The Big Edit.

FAQs

If you’re bursting with questions we haven’t answered here, check out our full FAQs page or feel free to get in touch.

Do I need to sign up separately for The Big Edit Challenge?

No. The Big Edit Challenge is a nine-week program included free when you enroll in The Finished Novel Course or The Big Edit course. There is no separate Challenge fee or sign-up.

When does The Big Edit Challenge start, and can I still join?

The Challenge starts June 1, 2026. To take part, enroll in The Finished Novel course or The Big Edit course before June 1. Once enrolled, you'll automatically be added to the Challenge program.

What’s the learning format?

In this self-paced course, you will enjoy 52 lessons with videos and text giving you guidance to edit your book. Start the course before you touch that manuscript to learn how to approach your edit. You’ll be guided step-by-step within the course and served downloads and tools at just the right time for the revision of your manuscript. Besides your editorial sessions, you’ll enjoy the support of the online community, and be able to join us for live weekly writing classes and regular online workshops for those at every stage of their writing, in every genre.

You will have access to the course for a year, after which it’s easy to maintain access to your course on an annual basis with our Rollover Plan for just $59 (USD) or £49 (GBP) a month.

What timeframe should I allow for my editing process?

To edit a novel, we suggest you work in chunks of time, 2–3 hours a session when you can. Your editing sessions don’t need to be daily because we will ensure you have a brilliant working plan to pick up from where you left off and continue your progress. Take your time—writing is rewriting!

Do you offer a money-back guarantee?

Yes, we are all for Happy Writing. You can review our terms and conditions here. If, for any reason at all, the course is not for you, you can get a full no-questions-asked refund within the first seven days after purchase. Just email us and let us know.

English as a second language? Hearing or vision difficulties?

Our courses are suitable for people with visual or auditory impairment, dyslexia, and for those with English as a second language. We offer an app which translates the course into 99 languages and a speak-aloud option too.

The best decision for a writing career

‘Joining The Novelry was the best decision I made for myself and my writing career. The Novelry is not just an amazing writing course; it is so much more. It is also a community of ambitious writers, authors, mentors, editors, and all-round lovely people who will be with you on your writing journey. I joined before I even had a story idea, and since then, I have written a first draft, been through rounds of edits, and have a complete manuscript I am really proud of. Throughout their submission process, I had support and guidance from The Novelry team. I am so glad that I found my home here at The Novelry and that I am now represented by James Wills of Watson, Little. I cannot wait to continue to grow as a writer within The Novelry community.’

Talitha McQueen
quotemark icon