Francine Toon
Editor
Francine Toon was a Commissioning Editor at Sceptre, Hodder & Stoughton’s literary imprint. With over a decade’s worth of experience that began at Chambers Dictionary, Francine has edited a broad range of genres, including literary, crime, historical, and reading group fiction. She has worked on the novels of Stephen King, John le Carré, Fredrik Backman, and Erin Kelly. As an editor of literary fiction, Francine published award-winning authors such as Ned Beauman, Jessica Andrews, Rowan Hisayo-Buchanan, Kopano Matlwa, and Huma Qureshi (a graduate of The Novelry). Francine is also a published poet and author. Her award-winning debut novel Pine was a No.1 Sunday Times bestseller, Waterstones Thriller of the Month, and a Best Book of the Year for Stylist and the Telegraph. It won the 2020 McIlvanney Prize, was shortlisted for Bloody Scotland’s Scottish Crime Debut of the Year, and was longlisted for the Highland Book Prize and the Deborah Rogers Foundation Writers Award. Francine also features in Of the Flesh, an anthology of modern horror, and her poems have appeared in the Sunday Times, two of the Best British Poetry anthologies, Poetry London, and Ambit. Francine studied Classics at Edinburgh University.
The Editor & Author
Previously Hachette
Before joining The Novelry, Francine Toon was a Commissioning Editor at Sceptre, Hodder & Stoughton’s literary imprint, part of Hachette U.K. She published distinctive, prize-winning fiction and worked on the novels of bestselling, world-renowned authors.
At Sceptre, Francine was known for bringing warmth and creativity to her meticulous editorial process and for fostering strong working relationships with authors. She consistently championed underrepresented voices and developed initiatives to make publishing more accessible and transparent to authors from all walks of life. Mentoring new writers was one of the most rewarding aspects of Francine’s time at Hachette. She loves nothing more than discussing a work-in-progress, from the big, thematic ideas to the minutiae of sentence structure.
With over a decade’s worth of experience, Francine has edited a broad range of genres, including literary, crime, historical and reading group, and gained an in-depth knowledge of the publishing industry as a result. Early in her career she worked on the novels of Stephen King, John le Carré, Fredrik Backman and Erin Kelly. Later, as an editor of literary fiction, she published award-winning authors such as Ned Beauman, Jessica Andrews, Rowan Hisayo-Buchanan, Kopano Matlwa and Huma Qureshi (a graduate of The Novelry).
At The Novelry, Francine brings the dual perspective of an experienced editor and bestselling author to ensure showstopping submissions.
Editor by day, prize-winning novelist by night
As an editor and an author, Francine has gained invaluable insight from both sides of the publishing process. Her debut novel Pine, published by Doubleday, was a number one Sunday Times bestseller and a Waterstones Thriller of the Month. Pine won the 2020 McIlvanney Prize, was shortlisted for Bloody Scotland’s Scottish Crime Debut of the Year, and longlisted for the Highland Book Prize and the Deborah Rogers Foundation Writer’s Award.
Francine wrote Pine while working in publishing full-time, inspired by her childhood in the Scottish Highlands and its culture of gothic storytelling. She came to novel writing via poetry. Her poems have been published in the Sunday Times, The Best British Poetry 2013 and 2015 anthologies, Poetry London and Ambit among other publications.
Praise for Pine:
‘A literary gothic thriller to chill the marrow.’—Guardian
‘The novel’s strength is its evocation of bleak landscapes and complex characters.’—Sunday Times
‘(A) pacy horror-tinged novel.’—Telegraph, Best First Novels of 2020
‘Splicing small-town domestic drama with grisly mystery and occult thrills, it’s a cleverly crafted debut.’—Metro
Francine’s Genres
- Cozy Crime
- Gothic
- Historical Fiction
- Literary Fiction
- Memoir
- Reading Group Fiction
‘I live for storytelling and am deeply passionate about helping authors realize their vision to the highest possible standard.’