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The Best Book Editors

From the world’s major publishing houses

Professional publishing editors

Our editorial team are professionals with experience at the most famous publishers—Penguin Random House, Macmillan, HarperCollins, Hachette, and Simon & Schuster—where they have overseen many bestselling and award-winning novels published to acclaim. Our editing services team are in-house and wholly dedicated to your publishing prospects.

When you select The Finished Novel Course or The Novel Development Course, you’ll enjoy the guidance of publishing professionals to oversee every aspect of your novel as we progress toward a finished draft. We’ll get you ready to submit to literary agents for a publishing contract, for self-publishing, or to take your creative writing further to new heights.

Their mission is simple: your success.
find a book editor at The Novelry
book editing services team
Our editorial team

Professional publishing experience

The Novelry’s editorial team is made up of people with years of experience across every type of editing role. At The Novelry, their focus is on the developmental edit, with creative feedback to help make your manuscript the best it can be. They also bring experience of the ‘acquiring’ and ‘publishing’ processes to help with pitching your book.

Leading agents used to submit novels to our editors: now our book editors are submitting to those same agents.

At The Novelry, we offer the same quality editing services as a major publishing house, bringing to your work of fiction the best book editors with proven experience editing bestselling and award-winning books.

editing services at the novelry
professional book editors chat

Join us today

Reach the end of your first draft or finish a publishing-ready novel. Our courses offer various combinations of The Novelry’s five-step writing journey, and provide best value to achieve your ambition.

The Novel Kickstarter Writing Course
The Novel Development Writing Course Dome
The Finished Novel Writing CourseDome

The Novel Kickstarter Course

Craft your idea, shape your story, and write a complete first draft

The Novel Development Course

Craft your idea, shape your story, and write a complete first draft

The Finished Novel Course

Craft your idea, write and edit your novel, and get feedback on your manuscript from your editor

Our editorial team

The professional book editor for your book

Meet the professionals from the Big Five major publishing houses—including Penguin Random House, Hachette, HarperCollins, Simon & Schuster, and Macmillan—who specialize in manuscript evaluation.

Tash Barsby

Tash Barsby was a Commissioning Editor at Transworld Publishers and worked at Vintage Books, Macmillan, and Simon & Schuster before moving to Penguin Random House, where she worked with authors Sarah Pearse, Fiona Barton, Lesley Kara, and Tess Gerritsen.

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Josie Humber

Josie Humber was a Senior Commissioning Editor at Hodder & Stoughton (Hachette), home to authors including Jodi Picoult, Stephen King, David Nicholls, and Erin Kelly. Josie has worked with bestselling authors such as Kate Mosse, Kate Morton, and Joanna Trollope.

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Elizabeth Kulhanek

Elizabeth Kulhanek was an Associate Editor at Grand Central Publishing, a division of Hachette and home to bestselling and acclaimed authors such as Nicholas Sparks, James Patterson, Lisa Gardner. She has worked with bestselling authors, including David Baldacci, Scott Turow, Harlan Coben, Sandra Brown, Octavia E. Butler, and Min Jin Lee.

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Emily Kitchin

Emily Kitchin was an Editorial Director at HQ (HarperCollins), home to authors including Adele Parks, Linwood Barclay, Sarah Morgan, Carrie Hope Fletcher, and Erica James. She has worked with bestselling authors such as Holly Bourne, Jennifer L. Armentrout, Sarah Maine, Elin Hilderbrand, Emily Giffin, and Leia Stone.

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Lizzy Goudsmit Kay

Lizzy Goudsmit Kay was a Senior Commissioning Editor at Transworld Publishers, a division of Penguin Random House, home to authors including Kate Atkinson, Dan Brown, Bill Bryson, Lee Child, Richard Dawkins, Paula Hawkins. She has worked with bestselling authors including John Lewis Stempel, Ella Risbridger, Nick Robinson, and Sue Black.

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Craig Leyenaar

Craig Leyenaar was a Commissioning Editor at Titan Books, home to authors including Stephen King, V.E. Schwab, James Lovegrove, Mickey Spillane, and Paul Tremblay. Craig also worked at Gollancz, part of the Hachette group, home to authors including Brandon Sanderson, Joanne Harris, Patrick Rothfuss, Alastair Reynolds, Ursula K. Le Guin, and Ben Aaronovitch.

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Krystle Appiah

Krystle Appiah was an Editor at Macmillan Children’s Books, home to authors including Marcus Rashford, Frank Cottrell-Boyce, Tomi Adeyemi, and Julia Donaldson. She has worked on children’s books from Sir Lenny Henry’s The Boy with Wings to Padraig Kenny’s The Shadows of Rookhaven.

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Nic Caws

Nic Caws was Senior Commissioning Editor at Headline, part of Hachette, and their boutique romance imprint Headline Eternal, home of bestselling authors such as Sarah Adams, Erin Sterling, and Mariana Zapata. She spent over nine years in editorial at renowned romance publisher Harlequin Mills & Boon.

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Gillian Holmes

Gillian Holmes was an acquiring editor and copy editor at Penguin Random House where she acquired authors such as Katie Flynn. She has worked with bestselling authors Kathy Reichs, Dorothy Koomson, Tony Parsons, Rosie Goodwin, Amanda Prowse, Alan Titchmarsh, Jackie Collins, and Amy Silver (aka Paula Hawkins).

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Sadé Omeje

Sadé Omeje was an Editor at HarperCollins 4th Estate, home to Hilary Mantel, Anthony Doerr, Jonathan Franzen, and Ann Patchett. Sadé worked with fiction and non-fiction from acclaimed authors such as Coco Mellors, Emmanuel Iduma, Joyce Carol Oates, Rodrigo García, Hannah Durkin, and Jonathan Escoffery.

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Francine Toon

Francine Toon was a Commissioning Editor at Sceptre, Hodder & Stoughton’s literary imprint. She has worked on the novels of Stephen King, John le Carré, Fredrik Backman, and Erin Kelly. She has published award-winning authors such as Ned Beauman, Jessica Andrews, Rowan Hisayo-Buchanan, Kopano Matlwa, and Huma Qureshi.

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Sorcha Rose

Sorcha Rose was an Editor at Hodder & Stoughton, a division of Hachette and home to authors including Stephen King, B.A. Paris, and Lucy Score. She has worked with the authors John Grisham, Peter Robinson, and Sophie Hannah, and on Erin Kelly’s Sunday Times bestseller The Skeleton Key and Will Dean’s The Last Thing to Burn.

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Natasha Qureshi

Natasha Qureshi was Commissioning Editor at Hodderscape, Hodder & Stoughton’s SFF imprint, home of international bestsellers Frank Herbert, L.R. Lam, Isabel Ibañez, Roshani Chokshi, and Pierce Brown. She has worked with authors such as Cecy Robson, Ella Fields, Thomas Olde Heuvelt, and Micaiah Johnson (shortlisted for the 2024 Ursula K. Le Guin Prize for Fiction).

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Georgia Summers

Georgia Summers was an Editor at Tor, an imprint of Macmillan, home to authors including Cassandra Clare, Olivie Blake, Adrian Tchaikovsky, and T.J. Klune. She was the commissioning editor for the international cozy fantasy bestseller Legends & Lattes by Travis Baldree.

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Simran Kaur Sandhu

Simran Kaur Sandhu was an Editor of middle-grade and Young Adult fiction at Macmillan Children’s Books, home to authors including Hilary McKay, Meg Cabot, Judy Blume, and Eva Ibbotson. With prior experience at HarperCollins, Profile Books, and Serpent’s Tail, she worked with award-winning authors including Tomi Adeyemi.

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Formerly Titan Books
Formerly HarperCollins
Formerly Simon & Schuster
Formerly Titan Books & Orion
Formerly Hachette
Formerly Penguin Random House
Formerly Hodder & Stoughton
Formerly Macmillan
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Expertise to finish your novel

‘My story whisperer book editor took my submission package to the next level. She gave me the perfect premise line, went over my first three chapters with her brilliant editorial eye, and gave masterful advice on how to reorganize my book’s timeline to jack up suspense. She then handpicked the perfect agents and gave me the benefit of her industry wisdom throughout the entire submission process. I couldn’t recommend The Novelry more highly.’

—Helena Echlin, now represented by Janklow & Nesbit after manuscript preparation and submission by The Novelry. Clever Little Thing has been sold to Pamela Dorman Books/Penguin Random House and Penguin Canada, Grijalbo (Spain), and Nord (Italy).

Enjoy finishing your novel with The Novelry

Choose your course

Reach the end of your first draft or finish a publishing-ready novel. Our courses offer various combinations of The Novelry’s five-step writing journey, and provide ultimate value.

Beginners

The Novel Kickstarter Course

Craft your idea, shape your story, and write a complete first draft

Learn more
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1995
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£
1699
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£
155
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Novel writing course online with The Novelry.
Intermediate

The Novel Development Course

Craft your idea, shape your story, and write a complete first draft

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$
2495
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OR
£
1899
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£
175
/mo
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Novel writing classes at The Novelry.
All writers

The Finished Novel Course

Craft your idea, write and edit your novel, and get feedback on your manuscript from your editor

Learn more
$
4995
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£
3499
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£
319
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Submission
Idea
Edit
Write
Assessment
Appraisal

Published books from our alumni

We’ve taken complete beginners all the way through to secure world-class literary agency representation.

Beautiful tales, boldly told
book editing services
The joy of editing

Raise your editing game with our editing services team

We offer a simple five-step program at The Novelry, and the third step is The Big Edit, the class to edit your novel with our professional book editors. This class is included in The Novel Development Course or The Finished Novel Course. To access our editorial services, you need to sign up for these comprehensive services. Alternatively, you could choose a manuscript critique with The Ultimate Manuscript Assessment.

In the Big Edit phase of your course, we will guide you through all the aspects of the book editing process, developing and polishing your technical writing skills on a sentence-by-sentence basis and teaching you how to self-edit.

The class helps independent authors learn to master these aspects of fiction editing in multiple genres, whether literary fiction, historical fiction, contemporary fiction, women’s fiction, fantasy, science fiction, children’s and Young Adult fiction, and even some forms of non-fiction like memoir. Editing skills learned now will set you in good stead for your creative writing career.

HarperCollins editors at The Novelry
From pitch to a polished performance

From the developmental edit to a final review

We’ll guide you step-by-step with killer logic through the wonderful process of drilling down from structural development through to line-by-line style so that you become your own best editor for a lifetime of happy writing.

You want a straightforward guide to formatting? It’s here! You want contemporary examples of structure, sentences, openers, and brilliant editing techniques? We’ve packed these lessons with the most famous books in the English language: from the Harry Potter books and the Game of Thrones series to The Couple Next Door and Girl, Woman, Other.

Check out our advanced technique for the perfect prose to open your book with a bang—Lucid Compression®. You want a standout synopsis? We’ll make it simple to write. You want a brilliant pitch letter? We will help you with the precise word choice to put it in the bag.

You want tips and tricks from inside the editing network? Find out more about what literary agents and most editors really, really want and top up your course learning with our regular program of live classes and guests from within the industry.

a children's book editor with another book editor
We grow careers

Toward the publishing process

Get access to our professional editing service when you need it to fast-track your writing skills. Once you join us for a course, you can purchase extra Paid Feedback Sessions with a professional editor as and when you need them. The Paid Feedback Sessions allow you to book in with one of our developmental editors for a review with line editing and a report on a word count of 5,000 words a time. You’ll enjoy a 45-minute video debrief where you can ask any questions. We recommend you reserve these sessions for the second half of the year, when you’re more certain of the story and can apply the feedback to written work you know you’re keeping. Use them during the third phase of your program—The Big Edit—to really sharpen and hone your chapters as you move from the structural edit to sentence style and word choice.

Writers enjoy writing, but editing is the core skill that differentiates published authors from new writers. Invest wisely and learn from the best editors.

good book editors at work
HarperCollins editors at The Novelry
Two book editors

What makes a good mentor?

An aspiring writer will want to consider a potential writing mentor carefully to choose an experienced writer who has navigated the publishing industry successfully, with a proven track record, who has standing and recognition in the literary world and the publishing industry.

A good mentor is someone who loves learning and who understands that they too, as a writer, are always learning; that way the one-on-one mentoring relationship becomes a mutually fulfilling and exciting experience, open to new ideas and feedback that flows naturally both ways.

To choose your potential coach, consider the writing coach’s work. Have they been published recently? Do they write in a similar genre? Do they understand the book publishing process? Have they got teaching experience? Do they belong to professional organisations? That they belong to a writing community and are willing and able to work generously with other writers is an important test.

writing mentors at a desk

Find the best book editor for you

Sign up to our individual creative writing classes should you want to take things one step at a time, including our manuscript review services. Or check out our courses (which offer various combinations of the classes and services) for a mapped-out journey to writing success.

What can a good editor do for you?

A good editor will shine a light on what’s working and what’s not working on the big picture of your manuscript, allowing for the most exciting story to surface from the structure and sentence style of your material. A good book editor will ensure your book hits the sweet spot where commercial sales meet positive reviews, acclaim, and awards. They will help you write a bold story, beautifully told.

At The Novelry, our editing team are all experienced publishing editors who have worked with bestselling and award-winning authors at the Big Five publishing houses like Penguin Random House.

If you mean business, make sure you work with a renowned and experienced book editor.

What’s better than one editor?

A team of professionals. Book editors tend to have niche genre specialisms. Be careful when working with just one editor that they truly have experience working in your genre or niche. Publishers will only acquire books that perform well for the genre. Freelance solo editors will bring their experience to your work, but also their own personal taste and judgment. Working with just one book editor can destabilize a writer as they are only getting one person’s perspective when a broader view may be better.

At The Novelry, we meet as a team every week to talk about our writers’ works-in-progress to ensure we are giving you the best of our combined advice and experience. You will have access to our many editors, allowing you to find the right book editor for you. You will be able to work with your editor directly over multiple rounds, allowing for back and forth, and your editor will be familiar with your intentions and aspirations for your book. It’s not all about sentence structure! The best editors like to respect an author’s style.

A team of professional book editors with combined experience across a range of fiction for considered writing advice.

Can a book editor fix my book?

A book editor is typically able to spot the problems but not fix them!

With our team of editors and currently published authors at The Novelry, we are uniquely placed and motivated to find brilliant creative solutions to any story problem.

Our substantive editing approach begins with developmental editing, proceeding to copy-editing the entire manuscript, and onto matters concerned with book marketing. You will meet your professional book editor to review the storyline for a new draft likely to please publishers.

Our writers progress through the stages of the book editing process, from developmental editing to line editing, before they submit their revised manuscript to our editorial services team for review. Our editors will be there to review and catch your work before you move forward toward submission.

If you’re not there yet, our editors will help you fix it to get it right.

What should I expect to pay?

Editorial services can be very expensive and you are placing a great deal of trust in your book editor. What seems cheap can prove expensive and downright destructive in the long run. Don’t economize on your dreams. Aim to invest in the best.

Most literary consultancies and editorial services farm out the editing work to a freelance editor, often paid at very low rates, who is paid by the manuscript and will tick off yours to move onto the next. Some well-known publishing companies follow this practice. With this cheaper type of editing service, you neither get to meet editors, nor have them answer questions.

Professional editing services often require a 10 or 15 per cent commission on your publishing royalties. Buyer beware! Check the small print first! (We would not dream of it.)

We are able to offer the expertise of in-house professional editors at a more affordable price thanks to our combination of course-based training and editorial services.

Our team are in-house editors motivated by our success stories.

Can a book editor get me published?

Typically, a consultancy, book proofreading service, or freelance book editor’s work ends when they hand you back your manuscript with lots of red lines through it and grammatical errors highlighted. It’s when you get their report that the hard work really begins. But they take no further steps to help you get published. Not so at The Novelry!

Your book editor, from a respected publishing house, will not only give you detailed line-by-line feedback, honestly and clearly assessing your manuscript’s potential to meet the standards of a traditional publisher before advising changes. If your manuscript is a match for one of our trusted literary agents, you will be invited to enter our submissions process.  

Take a look at our roster of over 25 trusted literary agencies like WME, CAA, The Book Group, United Agents, and more, who look forward to receiving our writers’ brilliant novels.

The Novelry is recommended by world-class literary agencies.