

The Big Edit Class
Polish your manuscript ready for submission


The final chapter of your writing journey
Polish to publishing-ready perfection.
Have you completed the first draft of your story? Congratulations! Now, it’s time to edit.
You’ll work one-on-one with professional editors (of bestselling and award-winning books) to review, revise, and refine to the highest publishing standards.
Editing is what differentiates writing amateurs from published authors
If writing is the heart, editing is the head.
And with The Big Edit Class, you’ll be taught all aspects of the process by masters of the craft—from interrogating the structure and shape of your story to developing your technical writing skills on a sentence-by-sentence level and learning how to create a pitch-perfect submission package.
.avif)
In good company
We’re the book editing service with Big Five publishing professionals
Just imagine...
Editors from Penguin Random House, Macmillan, HarperCollins, Hachette, and Simon & Schuster fine-tuning your story.
(With The Big Edit, they will.)
What if...
You qualify for our submission service to the literary agents who represent Meg Wolitzer, Madeline Miller, Liane Moriarty, Celeste Ng, Michael Ondaatje, Richard Osman, Marilynne Robinson, Philip Pullman, Tess Gerritsen, Andrew Sean Greer, and Tom Clancy?
(By invitation.)
Submissions to the top global literary agencies
If your manuscript is a match for one of our trusted literary agents, you will be invited to enter our submissions process. There is no cost for this service and we neither ask for nor accept commission. It is by invitation only.
We’re the online writing course recommended by leading literary agencies.

Renowned literary agency partners
Including CAA, William Morris Endeavor (WME), The Book Group, United Agents, and more.


.avif)

.avif)
.avif)

.webp)
.webp)
.avif)





.webp)














.avif)



.avif)

.avif)

.webp)






.avif)

.avif)
.avif)

.webp)
.webp)
.avif)





.webp)














.avif)



.avif)

.avif)

.webp)




Work with editors from the world’s major publishers
Your class includes editorial sessions with former acquiring editors from major global publishing companies, including Walker Books, Titan, Oneworld, and the Big Five—Penguin Random House, Hachette, HarperCollins, Simon & Schuster, and Macmillan.
They’ll oversee your revision process and help prepare your submission package for querying literary agents.
Prepare the perfect plan for the best version of your story with the cool logic of the Big Edit lessons
Get feedback from your editor on your story and chapter outline before you revise with the Big Edit First Session
Begin revising your manuscript with step-by-step guidance from the class lessons and get feedback from our beta-reader workshop
Get line-by-line feedback and a live debrief from your editor on your final submissions package of the first chapters, your synopsis, and pitch with the Big Edit Second Session
Revise and revise using our guidance to become pitch-perfect for submission to literary agencies
The Big Edit Class
Edit your novel
Revise and polish your manuscript to the highest publishing standards with in-depth feedback from your professional book editor and management of the submission process.
Turning Pro
Go from writer to author with a clear, strategic roadmap, practical tools, smart systems, and a new publishing-ready mindset shift. Get a clear editorial roadmap and a structured revision process designed to take a manuscript to submission standard. The Big Edit is designed to save you drafts by front-loading strategic story development.
👋 Lesson 1: Welcome to The Big Edit
It’s time to commit to working in longer, focused sessions to get the best from this new draft. Discover when to seek feedback, how to use it, and what it takes to prepare a pitch-perfect submission. Learn how to work with input from editors who’ve acquired books for the Big Five houses. Start to raise your expectations of your own work—this is where you stop writing for yourself and start shaping a novel for publication.
👓 Lesson 2: Becoming the reader
Look at your manuscript through a reader’s eyes. Learn when to step away from your draft and how to spot what’s working (and what isn’t). Read other books strategically now, benchmarking your novel against successful titles in your genre. Take ownership of your book as a product for readers, not just a personal expression.
🧹 Lesson 3: Order! Order!
Clean your workspace, block out deep-focus time, and approach your story with calm logic. Use our prompts to uncover what’s great, what’s flawed, and what’s missing. Go back to the reason you started writing it, and remember what makes it truly lovable. Now, reframe your novel as a compelling, structured product—ready to earn its place on a bookshelf.
📄 Lesson 4: The smart manuscript
Format like a pro. This lesson shows you how to prepare a professional publishing manuscript. Follow industry-standard conventions for font, spacing, margins, paragraphing, punctuation, dialogue, and chapter layout. Learn the rules for page numbers, scene breaks, italics, title pages, and more, and pack a few apps and tools recommended by the authors and editors on our team.
🗂️ Lesson 5: Set up your folder
Build an efficient editing workspace using apps like Scrivener, Dabble, or a structured folder system. Set up scenes for easy navigation and restructuring. Learn to use timeline tools, plot grids, tagging, and version control. Organize research, track characters, and filter scenes by focus. Move easily between overview and detail with version tracking, scene reordering, visual plot grids, and distraction-free modes. But if tech’s not your thing, we have a workaround or two!
🩺 Lesson 6: Your check-up
Take stock of your mindset, your material, and your role as a storyteller. Let’s make sure you’re mentally and practically prepared to begin editing. Reflect on the story you’re telling: is it yours to tell, and are you equipped to do it justice? Let’s get you in great shape to nail it. You’ll complete a full pre-edit checklist, taking a moment to re-evaluate your story’s origins and your role as its author.
The Developmental Edit
You’ll develop your elevator pitch, story theme, structure, narrative arc, character development, midpoint, and more to work toward a chapter outline and a (pain-free) synopsis. Then it’s time for your first review session with a professional editor.
🧱 Lesson 7: What is story? A reminder
A story centers on change for the main character. Learn to identify the protagonist (who undergoes the greatest transformation), distinguish them from the hero (who may not change), and understand the role of the narrator (who witnesses the events). Explore how plot, setting, character, and time interact to shape narrative.
🗂️ Lesson 8: Genre glossary
Genre shapes reader expectations and drives market positioning. Identify your novel’s primary genre, even if it blends several, and explore the characteristics, conventions, and subgenres of major categories, including romance, thriller, fantasy, science fiction, literary, YA, MG, memoir, and more. Avoid common genre-specific missteps and get to work with your comparable titles.
🏷️ Lesson 9: The title
First, identify the agent of change in your novel—the moment, event, place, or character after which nothing is the same. Use this insight to generate title options that reflect your book’s core purpose and shape. Test your shortlist for market fit and memorability.
🧲 Lesson 10: The hook or one-line pitch
Craft a concise, compelling sentence that captures your novel’s premise. Use it to shape your edit, excite literary agents, and fuel the entire publishing chain from pitch to press. Focus on the stakes of the story. Explore proven structures for hooks—whether character-driven, dilemma-based, high-concept, or speculative—to supercharge your submission.
🧠 Lesson 11: An agent on the pitch or hook
Refine your working hook using real-world insight from top literary agents, who break a strong pitch down into three essentials: character, setting, and conflict—without relying on gimmicks or overworked language. With examples from successful submissions, you’ll see how a powerful hook opens doors.
✋ Lesson 12: The Five Fs
Develop your best story structure using The Novelry’s Five Fs®. Learn how to apply this story spine to any genre or form, identifying key turning points that expose your protagonist’s arc—from internal flaw to final reckoning.
🎸 Lesson 13: A bonus lesson from ‘The Boss’
See The Five Fs in action through a Bruce Springsteen ballad. In this lesson, you’ll track a full narrative arc—from Flaw to Facing It—within the structure of a single song. Learn how emotional stakes and character change can be packed into a tight space with a masterclass.
🖼️ Lesson 14: The big picture
Learn how filmmakers and novelists—from Ridley Scott to Nabokov—use scene-mapping tools like index cards, Post-its, and storyboards to visualize a story. Pinpoint your six major scenes and plot the beats between them. Use free tools to build a visual storyboard for your narrative. See your novel at a glance as a sequence of unmissable scenes.
🧮 Lesson 15: Approaches to plotting
Explore multiple methods to structure your novel. In this lesson, you’ll build a flexible working synopsis by combining The Five Fs with other plotting frameworks to choose the plotting tools that best serve your story.
🎭 Lesson 16: Theme and plot
Get character, theme, and conflict working together. Frame your theme as a potent argument—with two sides in vehement conflict—to drive character change and narrative pace. Test your theme by casting for and against it.
⏳ Lesson 17: The midpoint
Locate the point of no return in your novel—the moment when everything changes. Explore classic midpoint examples from The Godfather, Pride and Prejudice, Disgrace, The Great Gatsby, and more. Use our Kleenex Test and reverse-engineering techniques to engineer the axis of change in your story.
📄 Lesson 18: Synopsis
Write a professional, plot-driven synopsis that includes your main characters, central conflict, and the story arc. Discover what agents expect: no blurb-style teasers, no withholding of twists, and no indulgent prose.
🧵 Lesson 19: Synopsis workshop
Learn how to spot gaps in structure, weak stakes, and unclear character arcs. Rewrite your synopsis with practical tips from the team to showcase your story.
📚 Lesson 20: The chapter outline
Build a chapter-by-chapter outline using our tool to track pacing, character arcs, word counts, recurring motifs, cliffhangers, and key details like dates and locations. This is your map from first draft to finished manuscript.
👥 Lesson 21: Casting
Strengthen your cast by mapping the main players along the ‘rope of theme.’ Learn the Four Types Method from The Novelry. Study examples from major works, and learn how to anchor each character through associations, action, and distinguishing detail.
🕸️ Lesson 22: Character mapping and cast relationships
Identify your core team—around five to fifteen players—and ensure each earns their place in the story. Study the web of relationships through the lens of reciprocal wants and needs, with emphasis on dramatic tension, conflict, and moral push-pull. Create a visual map of your cast to reveal the power dynamics.
🧨 Lesson 23: Character agency
Give characters agency by anchoring their actions in their hidden desires. Explore how deprivation creates compulsion, and how to empower the most disempowered characters. Use practical tools like our ‘Character Agency Ladder’ to drive agency for more passive leads.
✊ Lesson 24: Getting to grips with the material
Update your outline, then interrogate every chapter: Why here, why now? What changes? Use the downloadable template to track chapter length, word count, and story flow. Learn the principles of effective chaptering—when to enter and exit scenes, how to use location shifts, and where to place cliffhangers. Cut weak subplots and merge flat characters; every scene must earn its place.
👥 Lesson 25: Meet the editorial team
Get ready to hand over your story for expert review from your Big Five editor at The Novelry. Understand the difference between structural edits, line edits, and what to expect from each.
🛑 Lesson 26: Let’s check The Plan
Prepare for your Big Edit First Session. Submit The Plan, your synopsis, your chapter outline, and (optionally) your prose to your editor. This is your first opportunity to see your story the way a publishing editor would see it.
Line Edit
You’ll interrogate your plot and characters, rework chapters, drill down into sentence structure and word choice, and eliminate grammatical, spelling, and punctuation errors line-by-line. You’ll learn how to apply our unique technique for advanced prose skills: Lucid Compression®.
Next, it’s time for feedback on your writing from beta readers in our online community.
🕵️ Lesson 27: Interrogation
Begin your second draft by asking the hard questions, moving from ‘what if’ and ‘what next’ to ‘so what.’ Cut what no longer serves. Reorder scenes for impact. Use our unique interrogation framework to examine each decision: Does the hook honor the title? Does each word earn its place? Tighten and recommit to the reader’s journey.
📖 Lesson 28: The prologue
Whether or not you plan to include one, use a prologue to pinpoint your story’s central question, raise the stakes, establish setting, and ring the change from the start. Learn what makes a prologue work: urgency, intrigue, and theme in motion. By the end, you’ll have fresh insight into what makes your story matter.
✍️ Lesson 29: The first chapter
Know what to deliver up front: the main character, the setting, the problem, and the emotional tone. Use our unique ‘Thing One/Thing Two’ structure to show both the surface conflict and the deeper story problem. Study how standout openings introduce the voice, and both the status quo and disruption.
🚫 Lesson 30: The cardinal sins
Root out the most common mistakes that weaken a manuscript. Tackle the big ones: excessive backstory, telling instead of showing, weak world-building, and overuse of adverbs. Replace flat exposition with dramatic action, build emotional depth through character behavior, and let the reader do some of the work!
✨ Lesson 31: The first sentence
Craft a first sentence that signals change, establishes the narrative voice, and primes the reader for what’s to come. Study examples across genres to understand what makes a first line unforgettable.
🗣️ Lesson 32: Voice and perspective
Explore the options of first and third person to select the right narrative distance for your story. Use practical tools like colour-coded POV maps to track multiple perspectives across your chapters. By the end, you’ll have a firmer grasp of how your characters see their world and how best to tell their story.
🎬 Lesson 33: Structuring a scene
Decide who’s present, whose point of view we follow, and where it’s best set to bring the drama! Use contrast, subtext, and physical movement to generate tension. Study examples from great novels and apply techniques like ‘get in late, leave early.’
🧨 Lesson 34: Creating suspense
Pair actions with their opposites, repeat trigger words to build unease, and escalate danger through your chapter sequence. Use short chapters, mannered dialogue, and deliberately misleading cues to create a story the reader can’t look away from. Study how famous novels use sleight of hand, flashbacks, and forward hints to keep secrets just out of reach.
🗨️ Lesson 35: Dialogue
Craft true-to-life dialogue that drives story, reveals conflict, and sounds natural. Give each character an agenda, avoid exposition dumps, leave things unsaid. Study the importance of varied syntax and voice differentiation.
💉 Lesson 36: A cure for overwriting
Strip your prose of clutter. Diagnose and treat overwriting—the most common weakness in early drafts. Spot symptoms like didactic prose, clichéd expressions, overuse of adverbs, and redundant descriptions. Use our editorial checklist to trim sentence length, cut filler, and refine and define your style. Study a full line-edit example, with tracked changes and genre-specific notes.
🧪 Lesson 37: Lucid Compression
Refine your prose using The Novelry’s signature technique: Lucid Compression®. Edit your opening for maximum sensory impact and credibility with our secret sauce: confessionary detail, humble specifics, technical precision, local texture, oxymoronic imagery, physical disturbance, and tonal counterpoints. Use it to create immersive openings that win awards!
✂️ Lesson 38: Sentences
Hit style at the sentence level! In this lesson, you’ll cut clichés, drop filler, and aim for muscular, memorable lines. Learn why shorter sentences land harder. Study sentence strategies from the masters to strip those long-winded lines down to get to the heart of the matter.
🧱 Lesson 39: The word
Study how repetition, sound, and subliminal patterning (from The Great Gatsby) shape a story word by word. Learn how to identify and replace ‘weasel’ words—those filler terms that dull your prose. Explore word choice as a tool of seduction, creating sensory effects. Then begin to ‘code’ your novel’s DNA.
🔡 Lesson 40: Punctuation
Use punctuation to clue the reader into your behind-the-scenes game. Learn how line-level choices like the full stop, comma, dash, ellipsis, colon, and semicolon operate as instructions to the reader as to what to think and feel.
📚 Lesson 41: Thesaurus
Use this tool to upskill your prose. Explore the value of etymology and historical thesauruses when writing speculative or period fiction. See how authors like Samantha Shannon use constructed language to deepen immersion and world-building.
✅ Lesson 42: Last checks
Prepare a submission-ready manuscript from typeface and margins to scene breaks and title page formatting. Then, revisit every chapter with fresh eyes: does each one deliver change, purpose, and tension? Reflect on your ending—has your protagonist truly driven the outcome of this story? Use this final sweep to take the novel to submission-ready status.
🟠 Lesson 43: Get feedback
Assess whether your manuscript is ready for feedback and explore our three routes: peer critique, a one-on-one editorial session, or a full assessment. Learn how to seek and process feedback effectively—who to ask, when to ask, what to share (and not share), and how to apply criticism constructively. Bring on the readers! You’re ready!
The Submission Process
Your second session with a professional book editor will involve reviewing your pitch letter, synopsis, and first three chapters, and making a plan to enter the publishing process via literary agency representation.
🎯 Lesson 44: Pitch perfect
Craft a market-ready pitch and position your novel by identifying its USP, audience, and comp titles. Use examples from bestselling modern novels like Tomorrow, and Tomorrow, and Tomorrow, then apply the structured five-part framework to write your own market-ready pitch.
🪶 Lesson 45: The story
This is your back-of-book copy: concise, enticing, and focused only on the beginning of the novel. Learn how to tease the central hook and introduce your protagonist in just a few lines, with the stakes all there and a clear narrative question.
📈 Lesson 46: The market
Understand where your book sits in the current publishing landscape. Identify smart, commercially viable comparison titles—not just for creative guidance, but as essential sales tools. Study how publishers, editors, and sales reps use these comps to assess market potential, pitch to retailers, and drive acquisition decisions.
🧳 Lesson 47: Agents
Build a longlist and shortlist, and prepare a standard submission package—query letter, synopsis, and first three chapters—ready to adapt per agent guidelines. Apply for The Novelry’s bespoke submission service or learn how to navigate independent querying, from tracking responses to interpreting feedback and handling rejection. Assess offers, meet agents, and make the best decision for your long-term writing career.
📣 Lesson 48: Publicity and promotion—after the deal!
Audit your online presence before submission, approach social media strategically, and understand your role in the publishing process after the deal. You’ll explore how campaigns are structured—from proofs to press—and what to expect from developmental edits through to cover design, marketing, and launch.
🧭 Lesson 49: Career advice
Work productively with your publishing team, and manage deadlines with care. Understand the evolving role of the author in marketing and publicity, and make informed choices about your online presence. Build your writing community, attend events, and support peers generously. Learn how to handle reviews, and why your sales record doesn’t define your future.
🧠 Lesson 50: The final stages
Diagnose late-stage problems in your manuscript before submission. Use four advanced tests to assess your novel’s readiness: clarity of concept, emotional investment, cast depth, and quality of line-level execution.
🟢 Lesson 51: Are you really ready?
Use the editorial video briefing to review what a strong submission looks like, then prepare your materials: query letter, synopsis, and first three chapters (no more than 30 pages), formatted to industry standards. It’s time to submit for your Big Edit Second Session.
🛤️ Lesson 52: Not there yet?
If your submission isn’t ready, use editorial feedback as a springboard—not a verdict. Reconnect with the original spark of your story, or start afresh if the love has faded. Detach your self-worth from publishing outcomes, and root it in the creative act itself.
🏁 Lesson 53: Ready? Let’s go!
Celebrate the finish line. Whether you’re submitting to agents or marking a personal milestone, reaching the end of The Big Edit is a major achievement. You’ve done what many never do: you finished a novel. Own it. Share it. Rejoice in it. And if you’re ready to submit, know that we’re behind you all the way and you will have access to the very best literary agencies in the world.
Books referenced in The Big Edit
Structural examples include Rebecca by Daphne du Maurier, Frankenstein by Mary Shelley, The Girl on the Train by Paula Hawkins, My Sister, the Serial Killer by Oyinkan Braithwaite, Jane Eyre by Charlotte Brontë, The Catcher in the Rye by J.D. Salinger, Never Let Me Go and The Remains of the Day by Kazuo Ishiguro, The Great Gatsby by F. Scott Fitzgerald, and The Line of Beauty by Alan Hollinghurst.
To explore voice and rhythm, the course encourages close reading of Cathedral by Raymond Carver, the Collected Stories of Anton Chekhov, The Quiet American by Graham Greene, The Good Soldier by Ford Madox Ford, and Disgrace by J.M. Coetzee.
For market awareness and stylistic benchmarks, we work from contemporary titles such as Lessons in Chemistry by Bonnie Garmus, Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin, Big Little Lies by Liane Moriarty, The Paper Palace by Miranda Cowley Heller, The Midnight Library by Matt Haig, and Eleanor Oliphant is Completely Fine by Gail Honeyman.
‘The secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress.’
A cautionary tale…
Worked with a single editor before?
Each publisher has a specific goal and many commissioning editors work in only one genre. So, when working with just one editor, be careful to ensure that they truly have experience in your niche.
Equally, a single editor might bring some of their own personal taste and judgment to the process. But a broader view can better set you up for success.
At The Novelry, we meet as a team every week to discuss our writers’ works-in-progress. So you’re guaranteed the unique advantage of combined editorial advice and expertise.
.avif)
Now represented by Watson, Little after submission by The Novelry
‘The best decision for my book. The course materials offered the tools to excavate the layers and plumb the depths of my story. The fabulous team at The Novelry were brilliant at cutting through to the heart of the problem, and their suggestions on the text helped me understand the nitty-gritty of creating on the page.’
Why The Big Edit Class?
Progress at your own pace
52 lessons. A year’s access to the class.
Stay a little longer
Life. It happens to the best of us.
Money-back policy
Our Happy Writing guarantee.
Access to Big Five publishing editors
Add further paid feedback sessions when you need them, as a member.
40+ workshops a month
In addition to your class.
Story First Method™
Improve the market value of your story before you begin editing.
Genre expertise
What’s your style?
Video masterclasses
From the likes of Kristin Hannah and Yann Martel.
A supportive writing community
Find your people.
More 5-star reviews
Than any other writing course. The Novelry is the world’s top-rated online writing school.
A clear path to publishing
Yours if you want it. Fine if you don’t.
Created by a Booker Prize-listed author
We don’t just talk the talk.
We polish, you shine
The Big Edit Class





- Membership (1 Year)
- The Big Edit Class
- 2 Editorial Sessions
- A Year’s Access
The Novel Development Course





- Membership (1 Year)
- The Ninety Day Novel Class
- 6 Coaching Sessions
- The Big Edit Class
- 2 Editorial Sessions
The Finished Novel Course





- Welcome Call
- Membership (1 Year)
- The Classic Storytelling Class
- The Ninety Day Novel Class
- 6 Coaching Sessions
- The Big Edit Class
- 2 Editorial Sessions
- The Ultimate Manuscript Assessment
Noteworthy advice
If you are new to The Novelry, we strongly recommend you start with The Novel Development Course in order to reach the standard required for The Big Edit.
FAQs
If you’re bursting with questions we haven’t answered here, check out our full FAQs page or feel free to get in touch.
In this self-paced class, you will enjoy 52 lessons with videos and text giving you guidance to edit your book. Start the class before you touch that manuscript to learn how to approach your edit. You’ll be guided step-by-step within the class and served downloads and tools at just the right time for the revision of your manuscript. Besides your editorial sessions, you’ll enjoy the support of the online community, and be able to join us for live weekly writing classes and regular online workshops for those at every stage of their writing, in every genre.
You will have access to the class for a year, after which it’s easy to maintain access to your course on an annual basis with our extension plans.
To edit a novel, we suggest you work in chunks of time, 2–3 hours a session when you can. Your editing sessions don’t need to be daily because we will ensure you have a brilliant working plan to pick up from where you left off and continue your progress. Take your time—writing is re-writing!
Our courses are suitable for people with visual or auditory impairment, dyslexia, and for those with English as a second language. We offer an app which translates the course into 99 languages and a speak-aloud option too.
The best decision for a writing career
‘Joining The Novelry was the best decision I made for myself and my writing career. The Novelry is not just an amazing writing course; it is so much more. It is also a community of ambitious writers, authors, mentors, editors, and all-round lovely people who will be with you on your writing journey. I joined before I even had a story idea, and since then, I have written a first draft, been through rounds of edits, and have a complete manuscript I am really proud of. Throughout their submission process, I had support and guidance from The Novelry team. I am so glad that I found my home here at The Novelry and that I am now represented by James Wills of Watson, Little. I cannot wait to continue to grow as a writer within The Novelry community.’