The Creative Writing Blog

Katie Khan.

Many of you may be putting the final tweaks on the third or fourth draft of your novel (or later!) and considering the right time to query an agent. There are a few things to bear in mind when doing so, and in the Big Edit course at The Novelry we demystify the submission package: the query letter, the synopsis, and your opening chapters. Writers on our novel writing courses get pitched directly to our roster of leading literary agencies and we ensure the query letter and submissions pack we send is in the very best shape, and have a very high success rate.

Most agents find writers through their slush pile. It’s a terrible name given to something so vital to the publishing business – the ‘pile’ (nowadays likely an email inbox) of unsolicited manuscripts sent in by hopeful writers. There is no shame in your novel sitting in slush; there is a long, pervasive misbelief that publishing works on ‘who you know’. It’s simply not...

A year ago, Peters, Fraser + Dunlop contacted me, taking note of the quality of work coming out of The Novelry through our creative writing courses, and asked whether an association might be useful for all parties. So, I went to meet with Tessa David and Tim Bates of PFD on New Oxford Street and we had a chat about the kind of writing that excites us all. We agreed to work together to progress talent coming out of The Novelry, and I asked them for one thing; that the Novelry's graduates get VIP treatment. When I submit work on my writers' behalf, the agency should give us an expression of interest within two weeks. 

Since then other agents have been in touch with The Novelry asking to be on our list for first sight of great novels as they emerge hot from our oven, and I've made contact with agents I know to be wonderful advocates of their writers' work in genres useful to my writers. The same deal applies to all - no slush pile! A two-week reading and...