I love a good edit. I love how close that word is to tidy.
Here's how my novel seems to me to be after the first draft.
Here's how I like to think of it turning out after the big edit, the second draft:
The second draft is light years ahead of the first - it is organized as a story.
The story has drama! Light and shade. A villain with a purpose and a stumbling heroine or hero. A theme - as in something I am going to damn well prove to be true. This should be there at first draft, and it was, but it was crummy. Now it's looking like I mean business. The layering of rewriting fattens the chapters and their content should hit the reader with impact, images and ideas, forthright pronouncements, deceit, conflict, lies, desires are regulated in the second draft to propel the heroine towards facing her mortal condition, and working out how to use the time she has here on this earth.
Thanks to a dose of Sophocles' Theban Plays and Shakespeare's...
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