BOOK EDITORS

Our book editors
From the world’s major publishing houses.

An in-house editorial team with experience at Penguin Random House, Macmillan, HarperCollins, Hachette and Simon & Schuster.

Big Five publisher expertise

Our editorial team members are professionals with experience at Penguin Random House, Macmillan, HarperCollins, Hachette and Simon & Schuster. They have worked on bestselling and award-winning novels published to international acclaim. They are in-house, wholly dedicated to our writers, and work as a team under the direction of our Editorial Director.

When you choose The Finished Novel Course, you work with publishing professionals who know exactly what a manuscript needs to reach publication standard. They oversee every aspect of your novel as you progress toward a finished draft, and when you’re ready, introduce you to the literary agents and publishers we know.

Professional publishing experience

Previously, leading literary agents submitted novels to our editors in their capacity as acquiring and commissioning editors at major publishing houses. Now our editors submit to those very same agents on your behalf.

Our editorial team bring a laser-sharp focus on the developmental edit: the creative, structural work that transforms a promising manuscript into a publishable one. They understand the acquiring and publishing process, so when it’s time to pitch your book, they know exactly what agents and publishers are looking for.

The professional book editor for your book

Meet the professionals from the Big Five major publishing houses including Penguin Random House, Hachette, HarperCollins, Simon & Schuster and Macmillan.

Krystle Appiah

Krystle Appiah

Krystle Appiah was an Editor at Macmillan Children’s Books, home to authors including Marcus Rashford, Frank Cottrell-Boyce, Tomi Adeyemi, and Julia Donaldson. She has worked on children’s books from Sir Lenny Henry’s The Boy with Wings to Padraig Kenny’s The Shadows of Rookhaven.

Sorcha Rose

Sorcha Rose

Sorcha Rose was an Editor at Hodder & Stoughton, a division of Hachette and home to authors including Stephen King, B.A. Paris, and Lucy Score. She has worked with the authors John Grisham, Peter Robinson, and Sophie Hannah, and on Erin Kelly’s Sunday Times bestseller The Skeleton Key and Will Dean’s The Last Thing to Burn.

Josie Humber

Josie Humber

Josie Humber was a Senior Commissioning Editor at Hodder & Stoughton (Hachette), home to authors including Jodi Picoult, Stephen King, David Nicholls, and Erin Kelly. Josie has worked with bestselling authors such as Kate Mosse, Kate Morton, and Joanna Trollope.

Craig Leyenaar

Craig Leyenaar

Craig Leyenaar was a Commissioning Editor at Titan Books, home to authors including Stephen King, V.E. Schwab, James Lovegrove, Mickey Spillane, and Paul Tremblay. Craig also worked at Gollancz, part of the Hachette group, home to authors including Brandon Sanderson, Joanne Harris, Patrick Rothfuss, Alastair Reynolds, Ursula K. Le Guin, and Ben Aaronovitch.

Simran Kaur Sandhu

Simran Kaur Sandhu

Simran Kaur Sandhu was an Editor of middle-grade and Young Adult fiction at Macmillan Children’s Books, home to authors including Hilary McKay, Meg Cabot, Judy Blume, and Eva Ibbotson. With prior experience at HarperCollins, Profile Books, and Serpent’s Tail, she worked with award-winning authors including Tomi Adeyemi.

Emily Kitchin

Emily Kitchin

Emily Kitchin was an Editorial Director at HQ (HarperCollins), home to authors including Adele Parks, Linwood Barclay, Sarah Morgan, Carrie Hope Fletcher, and Erica James. She has worked with bestselling authors such as Holly Bourne, Jennifer L. Armentrout, Sarah Maine, Elin Hilderbrand, Emily Giffin, and Leia Stone.

Nic Caws

Nic Caws

Nic Caws was Senior Commissioning Editor at Headline, part of Hachette, and their boutique romance imprint Headline Eternal, home of bestselling authors such as Sarah Adams, Erin Sterling, and Mariana Zapata. She spent over nine years in editorial at renowned romance publisher Harlequin Mills & Boon.

Gillian Holmes

Gillian Holmes

Gillian Holmes was an acquiring editor and copy editor at Penguin Random House where she acquired authors such as Katie Flynn. She has worked with bestselling authors Kathy Reichs, Dorothy Koomson, Tony Parsons, Rosie Goodwin, Amanda Prowse, Alan Titchmarsh, Jackie Collins, and Amy Silver (aka Paula Hawkins).

Our published writers

Our writers have been published by the Big Five publishers: Penguin Random House, Hachette, Simon & Schuster and more. We’ve taken complete beginners all the way to world-class literary agency representation.

Serious guidance for serious writers

Working with an editor

Anything else? Read the full FAQs.

What can a good editor do for you?

A good editor sees the big picture; what’s working structurally, and where the story needs to be pushed further. But they also know how to execute your vision at the sentence level. At The Novelry, our experienced publishing editors have worked with bestselling and award-winning authors at the Big Five publishing houses. Serious writers work with serious editors.

Better than a freelance editor?

Work with a team of professionals. Book editors tend to have genre specialisms and publishers will only acquire books that perform well within a genre. At The Novelry, our editors meet weekly to discuss our writers’ works-in-progress, pooling their combined knowledge and experience. You have access to the whole team, and to an editorial team that understands the current market for your book.

Can an editor fix my book?

An editor can identify the problems. Fixing them is the writer’s job! Best to learn your craft skills! Our job is to make sure you know exactly how to go about that. You work with your editor directly across multiple rounds. An editor cannot write your book. But the right editorial team can show you how to write it really well.

What should I expect to pay?

Editorial services can be expensive, and you place a great deal of trust in your book editor. What seems cheap today can prove expensive in the long run. Many consultancies farm out their editing to freelance editors paid at very low rates, and some take a 10 or 15 percent commission on your publishing royalties. (Always check their terms before you commit.) We offer the expertise of in-house professional editors at a more accessible price point through our combination of coaching, course-based development and editorial sessions included in your plan. Work with editors who are invested in your book, and your success.

Can a book editor get me published?

Typically, a consultancy or freelance editor’s work ends when they hand back your manuscript with corrections and a report. Your editor at The Novelry, from a respected publishing house, gives you detailed feedback, assessing your manuscript’s potential to meet the standards of a traditional publisher before advising on changes. If your manuscript is a match for one of our trusted literary agents, you will be invited to enter our submissions process. We work with over 40 trusted literary agencies including WME, CAA, The Book Group and more, who actively look to us for new fiction. Submission is never guaranteed. But we are rooting for you.

Work with a Big Five editor at your side

Two editorial sessions and a full read of your finished manuscript with the Ultimate Manuscript Assessment included in The Finished Novel Course.

The Finished Novel Course

The complete program

For those looking for the full novel-writing experience from start to finish.

£
3995
Pay in 3 interest-free instalments with PayPal.
$
4995
  • Membership (1 Year)
  • The Big Idea, The Big Write, The Big Edit
  • The Ultimate Manuscript Assessment
  • 6 Coaching Sessions
14-day money-back guarantee · Payment plans with Klarna, PayPal or Afterpay
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