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the complete program

The Finished Novel Course
From idea to submission-ready novel.

Four steps. One year. A manuscript ready for literary agents.

1

The Big Idea

The Big Idea
Find your story
2

The Big Write

The Big Write
Draft the novel
3

The Big Edit

The Big Edit
Revise to a submission standard
4

Manuscript Assessment

Manuscript Assessment
A full read by a big five editor

The complete writer-to-author journey

Begin with an idea bold enough to deliver a stand-out story. Outline it. Then, write the novel hard and fast with motivational coaching from a bestselling author. Edit your draft to submission standard with a Big Five editor. Your manuscript gets a full read with our Ultimate Manuscript Assessment. Only The Finished Novel Course includes this comprehensive, detailed, professional feedback from our editorial team, and a plan for submission to literary agents.

By the end you’ll have a finished manuscript, revised to submission standards., and, when your manuscript is ready, an invitation to our submission service to leading literary agencies.

Everything included

Four steps, taken in order. Click a step to see what’s inside.

Find the idea with a novel in it, then build it into a working outline. Two phases, thirty lessons, and a coaching session to sign off your storyline before you write.

PHASE ONE · 15 LESSONS

The Secrets of Storytelling

  1. Lesson 1: You, the Writer
    Storytelling is your birthright, a cunning art that can reverse inequalities, unsettle the natural order, and work magic even where none exists. Stories rely on credibility in the voice and bait in the promise, and both must work together. You should write first for yourself, choosing an idea that satisfies your own needs. Story and voice are inextricably linked. Find a natural voice and leave bad writing habits behind. Begin with a task to hear your own voice, capture it, and use it from here on out, starting your writing like a real writer from today.
  2. Lesson 2: Find Your Story
    Story is the answer to almost every writing problem, and this lesson shows you how a strong premise grows from simple ingredients arranged with structure, taste, experience, and outlook. You will be shown the sources of great ideas and stay open to humble beginnings, personal meaning, dreams, music, and the books you love, all of which point you toward the kind of story only you can write. The task will help you study the patterns of the stories personally meaningful to you, to enable you to mix the elements to begin shaping the building blocks of your own idea.
  3. Lesson 3: Make It Mission Impossible
    A great story begins with a problem at the edge of plausibility, a dilemma or quest no ordinary person could survive. This lesson shows you why starting with the impossible gives your novel power, ambition, and momentum. You learn how realism disguises artifice, how detail keeps the reader convinced, and how a bold premise lets you outwit doubt and stay committed. The task will introduce you to a natty way of producing the silver bullets your story will need to fire, in less than five words per idea.
  4. Lesson 4: The Elements of a Bestselling Classic
    Discover the big moves of the all-time great stories so you can spot the ingredients that give fiction its lasting power. You will learn why writers steal, recycle, and remix ideas, how comps guide the industry, and how classic tales rely on extreme situations, magic, or misdirection, and an immersive “walk in my shoes” experience. Discover why readers want familiarity with a twist, why small stories endure, and how fairy tales and folk tales act as potent story starters. In the task, you will produce five more ideas using these prime movers.
  5. Lesson 5: The Wound
    Powerful stories grow from flaws, failures, rejection, and old hurts to find the authentic and highly individual material that gives a story its universal force. You will see how childhood losses, transformations, and hidden selves shape voice, theme, and character, and how honesty—not performance—keeps the work alive. Explore how authors rewrite what they couldn’t fix in life by giving the problem to someone else in fiction and tap the most unique source for your idea, to create a story with genuine human stakes.
  6. Lesson 6: Write What You Need
    Your sense of justice shapes the narrative arc of a story. Your values drive every choice, from crime to romance to comedy. The expert author has the skill to work with their own nature to reveal crucial aspects of the players they need. Explore unrealized possibilities within yourself, learn how desire and conflict form the spine of a story. In the task, you will get a good grasp of the art form of the novel as the moral journey of one individual and use the arc of their character development to deliver a satisfying outcome.
  7. Lesson 7: The Main Squeeze
    You will explore how stories hinge on the one person who experiences change and grows. Understand how main character, hero, and narrator are three roles you can assign for your different purposes. Discover how to build sympathy without making them “you,” in order to choose someone capable of transformation. Load them with flaws, danger, and desire to begin plot development. Find out how physical detail, predicament, and personality shape the reader’s attachment. In the task, you will gather candidates for your main character, sketch their traits, and test who has the strongest problem to drive your story forward.
  8. Lesson 8: The Hero
    A hero is shaped by resistance, tested by circumstance, and revealed through their curiosity, decency, and sometimes a flaw that marks them as chosen. You will explore how ordinary people become heroic when pressed by injustice, how kindness earns allegiance, and how a cosmic flaw can be the sign of grace that drives the story. Discover how stories align the reader with the rebel who resists. In the task, you will map the tests, trials, and setbacks that could forge a hero worthy of your story.
  9. Lesson 9: The Friendly & Familiar
    Familiar people, places, and objects give your story its grounding, even when the plot sends your main character into danger, magic, or mystery. You will see how a benevolent presence—a guide, sidekick, or moral anchor—keeps the reader safe, and how chosen objects act as emotional tokens that signal home, history, and values to steady the reader before you lead them into the unknown. In the task, you will identify the friendly forces and familiar tokens that will reassure your reader and keep your story world worth fighting for.
  10. Lesson 10: The Villain
    Every story needs a worthy enemy—both the outer antagonist who blocks the hero and the inner foe the hero must face down to grow. You will explore why villains are charismatic, why they mirror the hero, and how their certainty, charm, and self-regard sharpen the story’s moral stakes. Understand how the villain embodies the shadow side of your theme, defending the status quo while the hero pushes for change, and why the story only ignites when these forces collide. In the task, you will cast a convincing villain and shape the dance with the devil that drives a great plot.
  11. Lesson 11: Justice
    Discover the hidden universal code of stories—a secret code of fairness—which quietly shapes the choices, consequences, and final balance of the best-loved tales. Learn how even the wildest plots obey a simple principle: something wrong must be set right. Understand how decency, retribution, restitution, and moral growth underpin the great stories. In the task, you will sketch how each of your budding story ideas might be developed to rebalance the scales and deliver justice.
  12. Lesson 12: The Garden of a Story
    Explore the garden as the world of your story—a place that is transformational. You will see how great writers use setting not as wallpaper but for the purpose of revelation: a landscape that exposes desires, fears, illusions, and the deeper truths for the main character. You will discover how your choice of place can act as sanctuary, or tighten the screws. Understand why setting is a state of mind, not a surveyor’s map. In the task, you will make your first sketch of the setting for your best idea in play so that you, as the author, can begin to spend time there in your mind as you develop the strongest idea so far.
  13. Lesson 13: Toward Conflict
    Explore how temptation, bribes, and taboos push a story by shaking a character’s moral balance. You will see how a hero is tested not only by hardship but by desire, distraction, and the quick fixes that expose their flaw. Learn why characters must lose control before they gain it, why injunctions spark plot, and how conflict arises when two value systems collide. You will learn that the battle—short, sharp, decisive—reveals what your main character truly stands for. In the task, you will define the value-based clash that drives your story toward the all-important drama of conflict.
  14. Lesson 14: The Treasure
    The true prize of a story—the thing your character thinks they want is not as valuable as the deeper revelation they (and the reader) actually gain. Learn how withholding the treasure keeps pages turning, how great stories create endings that never truly end, and how the finest tales offer a form of resurrection: hope, renewal, continuity beyond time. In the task, you’ll define your character’s concrete desire, draft the message-in-a-bottle that reflects the story’s deeper wisdom, and chart the trials and gifts that frame the journey from suffering to reward to produce the spine of a plot.
  15. Lesson 15: The Story So Far
    You will gather everything you’ve created so far and test it for strength and staying power. You’ll stretch the ideas that still excite you, try which voice feels right for each, and compose the story elements that belong together. We will ensure your chosen idea suits your natural storytelling instincts, aligns with the books you love, and carries the big moves that make a story worth writing. You will shake down your ideas against a clear set of criteria to select the strongest contender and firm up the elements you need before we start outlining.
PHASE TWO · 15 LESSONS

Outlining Your Story

  1. Lesson 16: Story Structure
    You will begin shaping the strongest of your ideas using the classic five-part structure that underpins long-form fiction. You’ll see how writers across genres use a clear sequence to organize plot, deepen character, and guide the reader toward a meaningful ending. You will discover how this structure sharpens your thinking, reveals gaps in your idea, and helps you test whether your story has the fuel it needs for The Big Write. In the task, you will map your idea against each point of our unique method—The Five Fs®, only at The Novelry—to see how your emerging story can take shape on the page.‍
  2. Lesson 17: The Big Question
    Every great novel—whether it’s driven by mystery, desire, or identity—sets one clear pursuit in motion from the outset, then keeps it alive through reveal, concealment, repetition, and rising stakes. You will discover how the question shapes your story’s pitch, your opening, and the reader’s hunger for more, and how even literary novels work hard to keep that question front and center. In the task, you will write your core question then raise its urgency by testing the stakes, adding obstacles, and framing it in the simplest, strongest form possible.‍
  3. Lesson 18: The Treatment
    You will explore how the treatment of your story—the narrative perspective and sense of time—shapes the story itself. You will learn why first person draws us into an individual’s condition while third person reveals the wider social view, and how the choice determines the kind of justice your story delivers. You’ll discover how timeframe influences tension, how a ticking clock sharpens change, and how perspective affects connection, theme, and pace. In the task, you choose the viewpoint that serves the theme of your strongest idea, and test timeframes to heighten drama.‍
  4. Lesson 19: The Theme
    Let’s pin down the engine that sits beneath your story. Learn why a theme must stay hidden, why it must be humble rather than grandiose, and explore how the genre, casting, and structural essentials like the midpoint reveal the truth your story will be circling from page one. In the task, you will sketch possible themes, note what your main character gets wrong at the start, and identify the midpoint moment when the truth will surface—your best test of whether this idea deserves a book.‍
  5. Lesson 20: Starting to Plot
    Begin shaping the chain of cause and effect that will carry your story from its opening hook to its resolution. You’ll discover how theme and character work together to generate plot. Explore your character’s before and after, and identify which antagonist embodies the opposing end of the value set of your theme. In the task, you will map the conflict across The Five Fs, create early plot beats using desire, denial, and resistance, and sketch the first passes of your story’s journey—your first true blueprint for the story ahead.‍
  6. Lesson 21: The Cast
    You will explore how your characters line up on the rope of your theme, each pulling in a different direction to create tension, friction, and movement. You’ll discover how the Four Types give you a clean, reliable way to balance your core cast, and why a Type A anchor, a Type B hothead, a Type C charmer, and a Type D villain create the necessary push and pull to keep a story alive. You’ll see how their company, circumstances, and contradictions reveal who they are without heavy description. In the task, you will position each cast member along your theme, decide who is pulling your main character off-course or keeping them steady, and begin a private list of minor characters borrowed from real life to bring truth and texture to your world.‍
  7. Lesson 22: Feeling for Your Main Character
    Explore how to earn the reader’s care from the first page by grounding them in essentials like where we are, who we are, and what’s happening before anything dramatic occurs. Simple, steady opening passages create emotional voltage, revealing a character through tokens, habits, and the way others react to them. Develop craft skills to avoid over-exposition and overwriting for good! In the task, you will draft a clean opening snapshot, clarify what your main character wants and why, choose the form of agency that drives them, test whether they truly have the most at stake, and build a private list of artifacts to bring them convincingly to the page.‍
  8. Lesson 23: The Midpoint
    Refine your storyline when you define the pivotal moment that turns your story on its axis and forces your main character to change. You’ll discover why the midpoint is the point of no return, how it kills false hope, exposes the flaw, and breaks the old coping strategy so thoroughly that your character can no longer dodge, deny, or delude themselves. You’ll see how this moment reveals the theme, strips away the cover story, and triggers the transition from BEFORE to AFTER—where the fightback begins. In the task, you will identify the event that changes everything, test how your character suffers the consequences of earlier errors, and nail the reversal: flaw exposed, want disproved, and the first glimpse of what they truly need.
  9. Lesson 24: The B Story
    A secondary storyline strengthens the theme and sharpens the main character’s journey. The B Story shows the far end of your theme—an alternative life, a dangerous promise, or a tempting delusion—and it must come into conflict with the A Story to expose what your main character needs. You’ll see how the B Story accelerates the crisis, reveals the risks of the opposite value system, and prepares your character to stand on their own two feet once both ends of the rope are dropped. In the task, you will generate possible B Stories tied to your theme and identify which one collides most powerfully with your main storyline.
  10. Lesson 25: The Second Character
    The second character stands at the opposite end of your theme, shaping conflict, contrast, and growth. You’ll discover why this character is never a duplicate of your main character, why they often hold the qualities your hero lacks, and how their presence creates light and shade across the storyline. You’ll examine how this figure can function as sidekick, nemesis, antihero, or love interest, and how they ultimately lose something in the exchange while your main character gains what they need from them, or the rejection of them. In the task, you will design a second character who contrasts with your hero to give your main character the lessons they cannot learn alone.
  11. Lesson 26: The Wider Cast
    Now we are ready to widen the cast. You’ll revisit the four personality types, explore archetypes for inspiration, and learn where to find your minor characters. Supporting characters, even in small doses, generate energy, conflict, humor, and contrast. Understand how to use the subconscious emotional “messaging” of even the most minor character to bring the story to life. The lesson closes with the “20 Vital Signs”—a lightning-fast biography exercise that immediately brings your principal players into focus and generates natural plot ideas as you write. It all adds up to a richer world, sharper dynamics, and a cast ready to cause exactly the amount of trouble your story needs.
  12. Lesson 27: Writing the First Outline
    You will be ready to shape a working synopsis. You will gather the fundamentals: where we find your main character, what they want, why the reader cares, and how the agent of change tips their life off its axis. You will sketch the early beats of pursuit, failure, pressure, and the turning point that destroys their old strategies. You will also confirm theme, genre, setting, treatment, and the forces that stand against your hero. In the task, you will draft a one-page outline that captures each major beat in one clear sentence. This helps you test the mechanics of drama and ensures you begin with a story strong enough to grow.
  13. Lesson 28: Testing the Opening Chapter
    Test your treatment on the page with simple, unfussy writing that serves the story. Develop craft skills to deliver an opening that is steady and confident, and learn how to use ordinary detail to create atmosphere. Apply visual “framing” to slow the scene to show what matters. Explore the tools of a working writer’s toolbox, common to every keyboard, to guide the reader’s attention. In the task, you will sketch a rough first chapter outline, try famous chapter structures for sandboxing, and draft an opening to test how your story behaves on the page.‍
  14. Lesson 29: Please Yourself
    Learn what it means to write for yourself first, choose the company you want to keep on the page, and trust the routine that makes writing possible. Understand how reading unlocks ease, how early beginnings stay loose until the ending is known, and why play, doubt, and curiosity are part of the work. Use a practical set-up that protects your process—your folders, rolling documents, notes, problems page, and small daily checks on theme, treatment, and character. In the task, you will organize your writing life and consider the signals—pleasure, discomfort, instinct—that help you choose the version of your story you most want to write.
  15. Lesson 30: The Last Piece
    Enjoy time with your main character and enter their inner life. Learn how to keep the story warm when you’re not writing, how to track the real source of the drama—the problem, the want, the flaw—and how to see issues clearly by returning to the outline. Discover why cutting creates space, why you rule the process, and be rewarded for your work with the key that opens the door to the story.

Write the first draft with a lesson a day and coaching from a bestselling author at every stage. Six phases, one hundred lessons.

PHASE ONE · 10 LESSONS

The Inspiration and Preparation Phase

Discover the big hack that will change your creative life. Learn the one characteristic great writers need, and the essential ingredient that makes a page-turner. Boost your creativity, and receive guidance on creating the time and mental space to write around your day job.

  • Welcome
    Set the foundation for writing your novel with some espresso shot to boost your morale and get you in the flow. Kick some old habits with some unusual tips to change your state of mind to one that is positively refreshed and raring to write!
  • Read and Be Inspired
    Read what you want to write! Study first chapters to see how great novels raise questions they later answer. Focus on story over style. Use reading to quell doubt daily, and build your confidence. Keep notes and prepare questions for your coach as your story begins to take shape.
  • Bedtime Stories
    Reconnect with the books that first stirred a desire to write. Reflect on the emotional imprint of your early reading. Writing begins with that same private charge. Let gratitude, not pressure, guide the work. The impulse to write is your longing to speak across time and space.
  • Habits
    Design a writing life that fits your real one. Build a simple routine that anchors your writing at a regular time each day. Avoid waiting for inspiration—consistency is the source of creative energy. Frequency matters more than duration.
  • The Big Hack
    Make a meaningful sacrifice to claim time for writing—something must go. Identify what you’ll give up to honor the work ahead. Interrupt the cycle of perfectionism by writing fast and free. Write by hand in timed sessions to bypass the inner critic. Speed lowers self-consciousness and unlocks voice. Capture raw material first—refinement comes later.
  • Privacy
    Protect your work from feedback, judgment, or scrutiny while it’s still forming. Keep the process private to preserve freedom and courage. Don’t announce your novel or share early pages. Privacy is the condition for real discovery and risk.
  • Empathy
    Build a character by stepping inside their experience. Begin with feeling, not facts—let your empathy lead. Treat your character as a mystery to discover, not a device to control. The better you understand their contradictions, the more truthful and compelling your story will be.
  • Moods
    Track your emotional state and work with it, not against it. Don’t wait to feel inspired—use your current mood as material. Keep writing through restlessness, boredom, or doubt. Show up. Let the act of writing transform your mood, rather than relying on your mood to begin.
  • Bless You, Writers
    Recognize that writing has its complexities. You’ll face resistance, loneliness, and self-doubt—but writing is an act of generosity. Honor your need to create, and commit to it. Writing well means living well. Trust the process, protect your spirit, and keep faith with your story.
  • What is Story?
    A story begins with change. It puts a person in jeopardy. Story is structure—not style—and it must change the character by the end. Plot isn’t decoration; it’s the engine that reveals who your character truly is capable of becoming.
PHASE TWO · 30 LESSONS

The Construction Phase

Take it steady with step-by-step guidance to prepare a one-page plan that packs a big plot. Say goodbye to writer’s block. A good story (almost) writes itself, so you and your writing coach will put an exciting storyline in place to get off to a cracking start.

  1. Lesson 1: How to stay on track with the course
    Use the first 15 days to build your story—alternating between planning and early exploratory writing—before your full draft begins. Stay connected to your writing coach and submit “The Plan” for feedback to keep your story development on track. If you’re rewriting, use this phase to reassess structure and elevate your idea. This is where you build the habit, commit to daily 60-minute writing sessions, and set yourself up to finish a first draft.
  2. Lesson 2: Welcome to your novel
    Shape your novel’s premise by crafting a working title, a one-line pitch, and a promise to your reader. Start with something you know or care deeply about, then create distance by shifting time, place, or character to unlock perspective and theme. Identify your protagonist’s flaw and charm, then root your story in the voice and style of books you love. Keep refining the idea daily in your notebook—flipping it, challenging it, adding stakes—until it becomes a story worth the reader’s time.
  3. Lesson 3: The Hero Book
    Choose a single Hero Book to guide your novel-writing journey that offers a clear, reliable structure. Read it nightly to internalize its rhythm and shape. This book becomes your technical mentor, helping you solve story problems as you draft. It’s your companion for the course. Use it to support your structure, voice, and ambition.
  4. Lesson 4: The golden hour
    Build the habit of showing up daily for one hour to keep your novel alive in your subconscious. Even a light touch—reading yesterday’s work or jotting notes—feeds the 23 other hours of reflection that shape the story. Track-laying happens between sessions. Momentum comes from continuity, not volume. One hour is enough.
  5. Lesson 5: The genre
    Understand what genre is and how it works. Learn how to use genre to define your story’s territory, structure, and reader promise. Explore examples across fiction to see how genre shapes plot, character, setting, and theme. Begin to identify the genre of your novel to give it coherence and direction.
  6. Lesson 6: The setting
    Choose a time and place that shapes your characters, plot, and mood. Use setting to generate atmosphere, reveal character, or frame the story’s moral universe. Research real locations or build imagined ones that feel lived-in and essential to the story. For fantasy or sci-fi, create thresholds between worlds and combine the familiar with the strange. Make setting work as metaphor, emotional driver, and lens for your protagonist’s worldview.
  7. Lesson 7: The magic trick
    Build your story’s arc using the three-part structure of The Pledge, The Turn, and The Prestige. Shape your plot around a character’s transformation—what they want, what they resist, and what they become. Practice illusion through moral change. Sketch a journey that promises real stakes and delivers powerful, surprising resolution.
  8. Lesson 8: The main character
    Design a character with a clear flaw, desire, and contradiction. Anchor the plot in their resistance to change. Focus on how they behave under pressure—not backstory, but present struggle. Build empathy by showing what’s at stake for them emotionally. Give them a worldview that will be challenged. Let the story test and transform it.
  9. Lesson 9: The plot
    Start shaping your plot by identifying the problem your main character must face. Learn how to use structure as a flexible guide, not a rigid map, by working back from a possible ending and sketching key complications along the way. Explore the “Man in a Hole” story shape and other narrative trajectories to create emotional movement. Begin using The Plan—your one-page outline—as a working tool that responds to the writing. Focus on pressure, escalation, and change as you throw rocks at your character’s beliefs and force a reckoning.
  10. Lesson 10: Simple story structure
    Learn the foundational two-act structure—problem and solution—anchored by a midpoint that forces transformation. Use The Five Fs® to map your story’s arc: Flaw, False Hope, Flight, Fury, and Facing It. Understand how each stage reveals your character’s blind spot, trials, and growth. Study examples from contemporary fiction to see how this structure builds momentum and resolution. Begin sketching your own Five Fs to shape the outline of your plot, using this framework as a flexible, development-focused tool—not a rule.
  11. Lesson 11: The hook
    Create a sharp, one-sentence pitch that captures your novel’s premise, character, conflict, and stakes. Build it around irony—emotional, moral, or situational—to give the idea lift and twist. Learn the structure of a compelling hook: who it’s about, what they want, what’s in their way, and what’s at risk. Explore techniques from both literary and high-concept fiction, including the “X meets Y” formula and the “What if...” prompt. Use the hook to test your story’s power, motivate your process, and prepare for agent pitches, publisher sales copy, and submission success.
  12. Lesson 12: The cast
    Build your cast by splitting your own traits into characters, then widen the net. Use parts of your personality—flaws, strengths, contradictions—to shape your leads. Add figures from your life with a twist: change names, genders, or roles. Invent with feeling, not revenge. Explore the ethics of representation and consider whose story you’re telling. Draw from lived experience or research with care when writing outside your own identity. Finish with a list of characters who offer dramatic potential and truth.
  13. Lesson 13: Character development
    Create credible characters by listing their quirks, flaws, fears, and secrets—then use those to reveal personality through action and dialogue. Skip backstory dumps by knowing each character deeply: their job, income, past loves, relationships, regrets, and what they want. Use a short list of 20 prompts to fast-track this work, unlocking plot and scene ideas as you go. Focus on the top five to ten characters and return to this exercise during slower writing days to keep the work moving. Characters drive story—start drawing them with precision.
  14. Lesson 14: Getting organized
    Set up your writing environment and tools to keep momentum. Use folders to store drafts, character sheets, and notes. Keep a hard copy of your outline visible. Use your notebook to capture freewriting, ideas, and emotional responses. Track your scenes with a spreadsheet or calendar. Protect time with a daily writing schedule. Build a system that supports consistency and focus. Writing a novel requires discipline—your workspace and tools must help you stay clear, prepared, and committed.
  15. Lesson 15: The Plan
    Create a one-page snapshot of your story to guide your writing and coaching sessions. Draft your hook, synopsis, theme, and the central question your reader will be reading to answer. Use this live document to shape your plot as you write—updating it often. Submit your Plan at least 24 hours before each session so your coach can track your development and help refine your premise. This working outline will clarify your structure, genre, and goals, becoming the backbone of your novel and a professional tool to move your idea toward publication.
  16. Lesson 16: Let’s write!
    Begin drafting, even if your story feels incomplete. Focus on daily progress—start with 250 words and build gradually. Use your updated Plan weekly to track changes, knowing your plot and character may shift as you write. Don’t share your draft yet. Protect your focus. Show up, write, revise, and keep going.
  17. Lesson 17: Point of view
    Choose between first or third person based on the story’s needs. Learn how first person creates immersion and unreliability—ideal for thrillers and character-led narratives—while third offers distance, breadth, and universality. Understand free indirect speech as a powerful tool to blend close perspective with third-person narration. Try your scene in different POVs to find the best fit.
  18. Lesson 18: Voice
    Forget finding your voice—focus instead on speaking plainly and truly. Let voice emerge both from how you see the world and how you might address a smarter stranger. Good voice convinces by not trying too hard. Explore examples of relaxed, confident storytelling in action. Avoid fakery or flourish. Use understatement, guilelessness, and humor as your tools. The goal isn’t to impress—it’s to invite the reader in so they forget the writer is there.
  19. Lesson 19: Chapter one
    Learn why first chapters are never final—they’re rewritten dozens of times—and how even great writers fumbled their openings. Discover the importance of setting a calm, confident tone, introducing character and setting, and piquing the reader’s curiosity. Focus on what your protagonist wants, hint at what they need, and begin with a grounded moment that reflects your theme. Write 250 relaxed words.
  20. Lesson 20: Character mapping
    Design each supporting character with a moral arc that affects your protagonist’s development. Map their trajectory—how they change across the story—using simple moral shifts. Ensure each character throws “rocks” at the hero to reveal flaws and create friction. Balance your cast across the moral spectrum and track their influence on the plot. Use The Novelry’s Four Types Method as a tool for close-knit groups. Once you know what each character wants and how they behave, you’re ready to write them scene by scene.
  21. Lesson 21: Relationships
    Build a dynamic web of relationships that define your protagonist’s moral arc. Learn to map each character’s role as helper or hinderer, anchoring your story in conflict and desire. Study triangular tensions and push-pull dynamics that generate dramatic momentum. Explore subplots by uncovering hidden motives and unspoken needs. Create a visual character map to clarify narrative pressure points and refine every scene. Let tension between characters shape your story’s energy, movement, and meaning.
  22. Lesson 22: Emotional strategies
    Assign each major character a core emotional strategy—how they’ve learned to get love and attention. Choose from four core types: the Savior, the Flower, the Hero, and the Recluse. Observe how this ingrained tactic shapes their relationships, drives their dialogue, and triggers conflict. Use this lens to enrich character interactions, heighten tension, and create psychological credibility. Characters may moderate or switch strategies depending on the scene, but one dominant ploy should underpin each principal’s behavior.
  23. Lesson 23: The theme
    Test every story element—setting, cast, and plot—against a central thematic tension: what argument is the novel making? Explore conflicting values in your characters to dramatize this tension, placing your protagonist at the center of a tug-of-war. Use bold statements like “X is more likely than Y” to guide your choices. Add your working theme to The Plan.
  24. Lesson 24: The heart of a story
    Find the emotional truth at the center of your novel—a moment of vulnerability, connection, or personal reckoning that carries moral weight. Begin with a private dedication to someone who embodies what matters most to you. This becomes your compass. Let your heart lead the writing, drawing from love, loss, and care to shape meaning for the reader. Select a guiding quote or song to anchor your intent. When you write from feeling, the reader feels it too. That’s the story’s purpose: to make us care.
  25. Lesson 25: The Names
    A small piece of code which packs in a lot of data for you, the author. Choose early, and consider ways of charging the names of your characters with emotion using a shorthand that will prove useful to your reader too.
  26. Lesson 26: The sacrifice
    Explore sacrifice as the measure of commitment in story and life. Learn how great stories—from ancient myth to The Alchemist—use sacrifice. Understand its central role in the Hero’s Journey, where the protagonist gives up comfort for a greater purpose. Discipline reveals strength. This lesson invites a deeper connection between writer and story, asking what your characters are willing to lose.
  27. Lesson 27: A better craftsman
    Step back from the page and assess your work. Re-read your recent writing to identify weak scenes, tired phrasing, and moments where plot, dialogue, or tone drift off-course. Revisit your Plan, revise it if the story has shifted, and tighten your cast’s motivations. Root out clichés. End each chapter with a tease. Let the prose be plain to support the story’s truth. Shape your material—but don’t overwork it. Today, write as an editor.
  28. Lesson 28: The big picture
    Visualize your story as a sequence of six turning-point scenes, using cinematic techniques to clarify structure and momentum. Identify your protagonist, goal, antagonistic force, and stakes. Then build a visual storyboard using notecards or tools like Canva to map transitions and flesh out scenes. Each location must earn its place.
  29. Lesson 29: Happy writing
    Learn how to work through self-doubt, navigate real-life interruptions, and make meaningful progress scene by scene. Discover proven mindset strategies from working writers—including how to embrace the rhythms of good and bad writing days, stay grounded in real life, and use your Hero Book to problem-solve at night. Leave the desk on time, avoid early fiddling, and trust the day-to-day process.
  30. Lesson 30: Taking stock
    Pause to review progress before moving to the next phase. Use the stocktaking spreadsheet to chart chapter-by-chapter word counts, setbacks, and lessons learned. Update The Plan as needed and reflect on how far you’ve come. If you feel off-track, schedule time with your coach. Whether slow or fast, the point is to keep going. This is a victory lap before the next leg: The Swim.

‍

PHASE THREE · 15 LESSONS

The Swim Phase

Learn expert skills and insider techniques to quickly improve your writing style. Find your voice and build your confidence as your word count passes the 10,000-word mark.

  1. Lesson 31: In the swim
    Enter the Swim Phase—a shift from story set-up to story flow. Revisit the simple five-part structure to sketch out the story shape without over-planning. Learn how Kazuo Ishiguro wrote The Remains of the Day in just four weeks using “The Crash”: a self-imposed writing lockdown focused on output, not polish. Learn how compulsion drives story. When a character wants something intensely, the novel almost writes itself. This phase is about rhythm, grace, and pace. Begin writing forward with daily momentum and character-led intent.
  2. Lesson 32: Moral range
    Explore your protagonist’s capacity for action under pressure by mapping their moral range. Define what they can and can’t do, and identify the lie they live by that distorts their worldview. Use this to create tension scene by scene—especially as the story shifts from old world to new. Know when to press the button—what they’ll do when cornered—to drive story turns and deepen emotional impact.
  3. Lesson 33: Compulsion
    Pinpoint your main character’s compulsion—the hidden need that drives their actions, blinds them to truth, and fuels the story’s engine. Learn how desire, denial, and delusion work together to create narrative drive. Explore how this inner hunger creates moral tension and raises stakes. Repressed or transgressive compulsions create page-turning drama. Use moral range and inner conflict to expose the character’s organizing myth and push the story toward revelation, transformation, or downfall.
  4. Lesson 34: Conflict
    Build conflict that reveals theme. Let your protagonist and antagonist pull from opposite ends of a moral or emotional spectrum. Use tension to test values, surface hidden agendas, and create moments of rupture that shape character and story. Design the moment of greatest conflict so that it dramatizes the central question of your novel and forces change.
  5. Lesson 35: From magic to mystery
    Let the mystery deepen as your draft develops. Shift from plotting answers to posing questions—what the reader is reading to find out, and what you’re writing to discover. Use the one-page plan to hold structure lightly while staying open to surprise. At the two-thirds mark, allow meaning to emerge—private, profound, and unspeakable. Write to learn what haunts you. Let mystery drive the story forward.
  6. Lesson 36: How to write a cult classic
    Borrow Jack Kerouac’s methods to create immersive, character-led fiction with lasting impact. Study his use of real people, not types, and mimic his overfamiliarity, fast prose, and vivid detail to convey immediacy. Learn to write with pace and presence—using observation over exposition—to give the illusion of spontaneity. Use these techniques to produce bold, idiosyncratic work.
  7. Lesson 37: A real dream
    Master the technique of “show, don’t tell” by using concrete sensory detail and true-to-life dialogue to immerse the reader. Learn how to build scenes that feel vivid while still knowing when to step in and tell. Explore how Kerouac’s prose reveals the power of language to reflect emotion, and where pure “showing” can fail.
  8. Lesson 38: Assumed familiarity
    Learn how assumed familiarity can immerse the reader instantly—bringing characters to life without formal introduction. Study how Kerouac uses eccentricity, catchphrases, and vivid, selective detail to distinguish a large cast. Use tics, colorful backstories, and out-of-type traits to avoid stereotypes and animate even minor characters in a few bold strokes.
  9. Lesson 39: The romantic imagination
    Explore how the author Muriel Spark used fiction to exalt the romantic imagination over realism, building an authorial approach of taste, sensibility, and theme. Learn how to channel your own aesthetic convictions into character and story, free from convention. Discover how to make the uncommon feel true, how to embed meaning through voice and tone, and how to use fiction to reframe reality.
  10. Lesson 40: The use of repetition
    Use repetition to build intimacy with economy. Establish character through repeated phrases or gestures. Repetition keeps the reader’s eye on the cast while you advance theme. Deploy signature catchphrases that echo the novel’s central question, like a red ball bouncing across the story. Don’t repeat themes directly—repeat character affectations. Later, in the edit, you will trace this coded pattern through every page to sharpen focus and create a story that keeps readers turning pages.
  11. Lesson 41: Redemption
    Explore how great fiction offers moral restoration—not through absolution, but through affection and time. Learn how to use the redemptive arc to shift your character from what they want to what they need. Study the technique of flash-forward to deliver a sense of earned perspective. Redemption can be quiet or spiritual, structural or thematic. Understand how even flawed characters can be forgiven, and why good writing must grapple with grace.
  12. Lesson 42: Keep it simple
    Streamline your story by asking: whose story is this, what do they learn, and how do they change? Reduce characters, settings, and complications that aren’t essential. Troubleshoot problems like weak conflict or a protagonist too close to yourself. Use quick fixes—change gender, background, or name—to create distance. Anchor the plot in present conflict, not backstory. The goal: a clean, energetic through-line.
  13. Lesson 43: Overwriting
    Learn how to cut overwriting before it sabotages your story. This lesson shows how bloated prose—didactic tangents, tired set pieces, excess emotion, and decorative adverbs—slows your pace and distances readers. Study examples from Hemingway, Baldwin, Morrison, and Walker to see how great writers use restraint. Apply three core techniques: trim adjectives and adverbs, reduce description to pinpointed detail, and shorten sentence length. Good writing leaves space for the reader.
  14. Lesson 44: Becoming an author
    Start working like a professional preparing for publication. Learn how to format your manuscript correctly—spacing, punctuation, paragraphing, and chapter layout all contribute to how the reader receives your work. Adopt a consistent file-naming system and save drafts daily. Use a clean, conservative layout to earn trust before your story delivers the surprises. This lesson sets the standards that separate the aspiring writer from the working author.
  15. Lesson 45: The midpoint
    Pinpoint the exact moment when your character can no longer go back—the midpoint of the novel. Identify the event or crisis that forces a shift in strategy, where their old ways fail and a new outlook begins. Show how they absorb qualities of their antagonist, confront hard truths, and begin their transformation. Update The Plan with this turning point, anchoring it in theme and character arc. This lesson crystallizes your story’s change trajectory—what they wanted was wrong; now it’s time to fight for what they need.
PHASE FOUR · 15 LESSONS

The Heat Phase

Here’s where you fall in love with your story. Banish bad habits and keep your eye on what the reader wants to stay on track with your plot. Discover some game-changing writing power tools, and raise the stakes in your story.

  1. Lesson 46: Music
    Use music as a tool to charge the energy and rhythm of your writing. This lesson introduces a new creative phase—the Heat Phase—focused on boosting pace. Learn how instrumental music can lift your prose and how lyric-driven tracks can teach economy. By the end, you’ll build a writing practice rooted in pace and feeling.
  2. Lesson 47: From What If to Why?
    Shift the driving question of your novel from “What if?” to “Why?” to deepen plot and character. Refine the core reader question using Maslow’s hierarchy of needs—starting from physical survival and safety to love, esteem, and purpose. Study how bestselling novels sustain tension through a single, evolving question. Use your character’s willful refusal to meet basic needs to create dramatic intrigue. Craft a story that plays on human behavior, digging into what your character won’t do—and why. A great novel hinges on one bold, burning question.
  3. Lesson 48: The B Story
    Construct a subplot that amplifies your novel’s theme and throws the main character’s journey into sharper relief. This secondary storyline should represent the opposite value system or outcome—embodied by a standout secondary character—and bring it into conflict with the “A” plot. Study how published novels use B Stories to heighten stakes and expose the moral consequences of your protagonist’s choices. Decide where this subplot will peak, ensuring it helps your hero reject the extreme and claim their own way forward.
  4. Lesson 49: The lie
    Find your novel’s core message by identifying the lie it reveals. Lies generate conflict, fuel suspense, and distort desire—whether personal, political, or cultural. Use examples from Orwell, Du Maurier, and Coetzee to examine how theme emerges when falsehood is exposed. Reframe character motivation by showing what they believe that isn’t true, and structure your novel as a journey from illusion to truth. Learn how to embed the lie in dialogue, catchphrases, and chapter turns to heighten dramatic stakes.
  5. Lesson 50: I’m a creep
    Use your shadow self to unlock honesty in your writing. Identify your flaws, contradictions, and moral complexities. Practice observing your darkest instincts, then shape them into your protagonist’s turning point. Keep a visible list of problems as they arise in your draft; naming them unlocks solutions. Learn to slow narrative time around self-revelation moments, as Colm Tóibín does, to give moral insight weight and emotional clarity.
  6. Lesson 51: Suspense
    Build suspense by withholding information and creating unease. Study how Rebecca and In a Dark, Dark Wood use repetition, contradiction, and delay to disorient and tease the reader. Use short chapters, flashbacks, and emotionally charged contrasts—hot/cold, light/dark—to keep tension rising. Assign a “trigger word” to each chapter and increase its danger over time. Withhold answers until after the midpoint, when the worst thing must happen. Suspense is built on uncertainty—what the reader fears is more powerful than what they know.
  7. Lesson 52: Make it harder
    Raise the stakes. Impose constraints to sharpen your writing: shorten chapters, limit word counts, or apply a ticking clock. Increase external pressure on your main character—cut resources, add danger, create urgency. Tight structure boosts pace, and hard limits force invention. The harder the context, the more potent the message.
  8. Lesson 53: Crackling conversations
    Write dialogue that feels alive and loaded with intent. Learn how to craft character agendas, cut exposition, and leave space for subtext. Discover how to avoid dull “ping-pong” exchanges and use silence, refusal, or abrupt exits for tension. Explore why contractions, clipped speech, and differentiated voices make dialogue real. Master clean tags, minimal adverbs, and active scenes that reveal character beneath the lines. This is where dialogue starts doing real narrative work.
  9. Lesson 54: That’s peculiar!
    Learn how to write with dissonance—deliberately placing details that don’t fit. Study the masters of the short form, like Chekhov, Carver, and Hemingway, to sharpen your ability to show what jars instead of what explains. Use visual discord to jolt your reader’s perception and invite emotional depth without melodrama. Highlight sensory oddities and peculiarities that spark vivid immersion. Choose standout details that linger in the mind. Let your prose be unexpected, strange, and true.
  10. Lesson 55: The leitmotif
    Discover how a light recurring detail—like a phrase, image, or object—can build continuity, add depth, and create intimacy between writer and reader. Explore the difference between heavy-handed symbols and subtle echoes that function like a shared in-joke or chorus. With examples from Vonnegut, Kundera, and Forster, learn how to thread a small motif through your novel to highlight emotional themes, mark time, and anchor meaning without exposition.
  11. Lesson 56: The absurd
    Introduce the irrational into your novel to deepen realism and resonance. Draw from Camus, Kafka, and Vonnegut to explore characters in conflict with a meaningless world. Use contradiction, bathos, and surreal events to mirror existential truths. Give characters odd behaviors or false beliefs and unlock humor in tragedy. Absurdity lets your story bypass logic to process pain. Add a comic wrong note! Let the bizarre do the lifting.
  12. Lesson 57: The full stop. Period.
    You will study Raymond Carver’s radical economy of style to understand the emotional power of clean, unadorned prose. Learn how to end scenes and chapters with impact using the “dying fall”—a literary technique that creates an introspective pause in the reader. Use punctuation, silence, and space to invite the reader in. Then stop. Let them think.
  13. Lesson 58: Backstory
    Minimize backstory to keep momentum and preserve immersion. Avoid explanatory digressions and let the present action reveal character and history. If background must be included, use it sparingly, incompletely, and only when it advances the story. Prioritize mystery, pacing, and sensory detail over explanation. Draft a private inventory of essential backstory in your notebook—then leave it out.
  14. Lesson 59: Transitions
    Learn how to shift between timelines or perspectives while maintaining the progress of the story. Structure each timeline to serve the story and anchor transitions with mirrored images or echoed prose. Study structural examples—from Slaughterhouse-Five to Revolutionary Road—to master seamless cuts and purposeful contrast. Build dual narratives that interact meaningfully. Whether alternating chapters or blending timelines inside scenes, use each shift to reveal character truth and deepen the theme. Transitions must feel inevitable, not mechanical.
  15. Lesson 60: The prize
    Consider what success means for you and this story. Visualize the prize—awards, impact, personal fulfillment—and use that vision to fuel your writing. But weigh it against the price: solitude, vulnerability, and the need for validation. Don’t show or share your draft yet. Keep your vision intact and stay focused on momentum. Book a coaching session. Let the writing be its own reward.
PHASE FIVE · 15 LESSONS

The Enlightenment Phase

Using the inside secrets of a Nobel Laureate, you’ll apply new masterstrokes to fulfill the promise of your story. Discover the deft and economical touches that give the reader those “a-ha” moments, and see the proof on the page that you’re mastering the skills of the craft.

  1. Lesson 61: Mastery
    Enter The Enlightenment Phase by studying a master at work—Nobel Laureate, J.M. Coetzee. His novel Disgrace becomes your blueprint for serious fiction. Embrace slow, scrutinized craft. Discover moral sleight of hand, structural control, and linguistic precision. Learn how personal wreckage becomes literary gold. Through his example, start to treat your fiction as both the lighthouse and the rock using exposure, self-revelation, and sacrifice.
  2. Lesson 62: Difficult questions
    Learn from the painstaking process of J.M. Coetzee to embrace uncertainty. Discover how doubt, revision, and slow accumulation work for your craft. Writing isn’t about having answers—it’s about asking hard questions. Use notebooks to track your progress, explore your insecurities, and gather material.
  3. Lesson 63: Self-destruction
    J.M. Coetzee strips identity to its core in Disgrace, creating fiction through radical self-erasure. Explore the relationship between self-sacrifice and narrative power, where character and author collide in philosophical confrontation. See how the writing becomes an ethical act—an unflinching confrontation with shame. Writing at this level demands internal conflict. By witnessing Coetzee’s willingness to burn down the house of self, understand how fiction can become an act of creative destruction—yielding a story of brutal grace.
  4. Lesson 64: The title
    Explore how a novel’s title encapsulates its magic, the agent of change. Study examples from literature that use eponym, image, juxtaposition, or reference. Test titles against your story’s meaning and evolution. Use this lesson to begin generating titles that capture the premise of your story at its core.
  5. Lesson 65: The wound
    Explore how personal loss fuels fiction. A wound—both authorial and fictional—drives a character’s compulsion. Understand how to write from suffering without sentimentality. Use this lesson to identify the wound in your own story and main character, to give your novel emotional integrity and transformative powers.
  6. Lesson 66: The bridge
    Revisit your opening sentence as your draft progresses—it should beckon the story’s end. Use your first line to seed paradox, establish theme, and set the reader’s expectations. Track how character and language evolve through re-drafts. Write a ten-word sentence that captures your protagonist’s dilemma.
  7. Lesson 67: Back and forth process
    Embrace the messy motion of drafting—give yourself to the writing, then step back to question and refine. This lesson draws from J.M. Coetzee’s 17 drafts of Disgrace to show how great work emerges from doubt, persistence, and craft. Learn to navigate the discomfort of not knowing, and trust that taste and judgment are sharpened by failure. Use the first draft to explore freely—there’s time to look smart later.
  8. Lesson 68: Present tension
    Explore the dramatic force of the present tense. Learn how it creates instability, complicity, and immediacy by removing the safety of hindsight. Through examples like Disgrace and The Color Purple, see how present-tense narration drives moral urgency and places the reader inside the character’s crisis. If your prose feels flat, consider testing a tense change—even late in draft one.
  9. Lesson 69: Poet and programmer
    Write sentence by sentence with the dual precision of a programmer and the emotional depth of a poet. See how structure emerges from theme, and how rhythm becomes a literary device. Discover how prose can carry musicality, and how writing becomes a form of self-navigation. Build meaning and movement, advancing line by line, like code.
  10. Lesson 70: The chapter outline
    Create a working chapter-by-chapter outline to clarify the structure and pacing of your novel. Use it to map intentions, identify gaps, and simplify where needed. Study Coetzee’s Disgrace for a model of formal, purpose-driven structure: 24 chapters, each self-contained, each building tension and meaning. Focus on progression and economy—state your purpose, fulfill it, and move on. Use the outline to track your story’s momentum and ensure every chapter earns its place.
  11. Lesson 71: Let them live
    Free your main character from backstory and let them step forward. The best characters contradict their traits, hold true and false beliefs, and surprise both writer and reader. Write with paradox. Leave room for ambiguity at the end, allowing your novel to cast a longer shadow.
  12. Lesson 72: The point of tragedy
    Examine how tragedy operates as a vehicle for truth. Learn Aristotle’s three essential components—hamartia, peripeteia, and anagnorisis. Understand how tragedy evokes catharsis, forces reckoning, and offers the writer a deeper path to meaning. Study the five-stage structure of tragic narrative. Discover how writing reveals what you want to say—and how tragedy delivers truth through emotional disasters.
  13. Lesson 73: What is good?
    Explore how great fiction transcends simple notions of good and bad to confront moral ambiguity. Using Disgrace by J.M. Coetzee, learn how visionary states like hypnagogia deepen your protagonist’s self-awareness and enrich narrative meaning. Trace David Lurie’s arc from egotism to humility, observing how memory, vision, and anagnorisis (tragic recognition) shape his internal reckoning. Discover how grace—not goodness—offers the novelist a more radical aim.
  14. Lesson 74: The big question
    Refine the question driving your story by identifying what the reader is reading to find out—whether it’s whodunnit, will they get the prize, or who is this person really? Study how this central question can shift mid-novel, as in The Talented Mr. Ripley or Disgrace, evolving as character, setting, or theme develops. Use the question as both narrative engine and moral lens. Establish it clearly, revisit it often, and make it deliver personal transformation for both character and reader.
  15. Lesson 75: The story so far
    Review the full arc of your novel and draft a working synopsis that captures your story’s potential without getting bogged down in imperfections. Use this moment to regain purpose and re-engage with your characters’ journey. If needed, book a coaching session and update The Plan. This is your opportunity to reframe the work, strengthen the through-line, and prepare to carry the story forward to the end.
PHASE SIX · 15 LESSONS

The Home Phase

Combine the key elements of storytelling and see theme, character, dramatic irony, narrative arc, and subplots working in harmony for a satisfying ending. Get advice on taking this draft to publishing standards. And then celebrate! You’ll have a manuscript in your hands and a story readers will love.

  1. Lesson 76: Welcome home
    Review the final structure and make adjustments to ensure the story is sound and grounded. Contrast your main character’s initial façade with their new self to clarify the novel’s arc. Use dream imagery and metaphor to explore how personal symbols, memories, and meaning can enrich your story. Prepare a sketch of the ending. Use the subconscious signals—night thoughts and dreams—that will now help finish what you’ve built. The home stretch begins here.
  2. Lesson 77: Let’s build
    Assign your existing chapters to the Five Fs framework rooted in classical tragic structure. Use this scaffolding to make sense of your draft and prepare it for a strong finish. Reorder material, if needed, to clarify escalation and transformation. Whether your chapters are short or long, give each a place in this sequence. Begin shaping your ending. This final phase is about making the book inhabitable—for you and your reader.
  3. Lesson 78: The house of magic
    Use music and hypnagogic recall to explore each emotional stage of the story as a space: a messy front room, a closed bedroom, a blocked escape, a chaotic kitchen, and a bathroom of reckoning. Revise your Plan and schedule a coaching session to align story shape and character change as you approach the ending.
  4. Lesson 79: The rooms
    Plan your chapters as spaces within the larger structure of the house of your novel. Avoid episodic drift by ensuring that every chapter flows naturally from the last. Cut anything that doesn’t build both the psychological interior and action-oriented exterior.
  5. Lesson 80: Interior style
    Raise the standard of your writing by setting a higher bar for every sentence. Evaluate every line: is it necessary, true, distinctive? Create contrast: plain-speaking can sharpen the impact of strangeness. Build toward beauty and power by making each sentence count.
  6. Lesson 81: Ornaments
    Lend your novel the personal—the things that bring you comfort and joy—objects, sounds, and memories that mean something to you. Scatter these “ornaments” through your characters’ homes, names, and dialogue to build a world that feels lived-in. Choose names with meaning, add leitmotifs with private significance, and shape a place rich with emotional texture.
  7. Lesson 82: The attic
    Learn how to use memory as a narrative space distinct from backstory—the “attic.” This is where you and your main character explore forgotten emotions and formative impressions. Use this mental storehouse to create atmospheric revelations that unfold in real time. The attic holds what’s unsaid. Return to it in moments of reckoning or reflection, and draw from its contents to deepen intimacy in pivotal scenes.
  8. Lesson 83: Housekeeping
    Expect messy days—when life disruptions knock you off track. Learn how to recover from derailment without spiraling. Use your notebook to make quick notes instead of forcing bad writing. Trust your original Plan and cut what doesn’t serve. Avoid writing about real-life grudges—they destabilize tone. Prioritize stability, repetition, and time over novelty. Build a quiet, protective routine around your process. Keep the novel safe, warm, and clean from inner sabotage.
  9. Lesson 84: And so to bed
    Craft an ending that opens, rather than closes, a window. Examine famous last lines that spark mystery, and understand how a question (rather than plot closure) becomes your final gesture. This lesson encourages a subtle tying of threads, not a tidy bow—space for reflection and peace for the protagonist. Reflect on your own season as a writer, and let the novel go when the ideas stop coming. Complete your draft knowing it’s whole—for now.
  10. Lesson 85: Home alone
    Writing reveals more than it tells—what you’ve put on the page may expose more of you than intended, even behind fictional distance. Don’t seek outside opinions yet. Stay inside the work. Keep the mystery intact. Discover what this draft says about you, and decide how far into yourself you’ve truly gone. Resist the urge to share. The story has found its voice—and you may need to sit with it.
  11. Lesson 86: First aid kit
    Receive your collection of best writing tips from master writers. Use these as a personal survival guide for when the doubt creeps in. Explore the complete set of insights from published authors at The Novelry. Discover what they unanimously agree matters most. This lesson is a writer’s emergency kit for staying the course and finishing strong.
  12. Lesson 87: Leaving home
    Pause before editing. Set the manuscript aside for at least a month to gain the distance required for ruthless revision. Use that space to sharpen your judgment, stay curious, and strengthen insight. Then, revise with attention to your novel’s opening. Is the dilemma clear? Is the compulsion strong? Does it reflect the theme and arc? Make sure the story arises from character, offers transformation, and delivers what the reader needs.
  13. Lesson 88: The second draft
    Step back for a month before beginning your second draft. Use the break to read recent novels in your genre, experiment with “sideways writing,” and sharpen your hook. Revisit your story with distance, ready to reshape it with clear eyes. Draft a revision plan—consider chapter structure, themes, and stakes. Prepare for The Big Edit, where you’ll receive expert editorial support to transform your draft into a submission-ready novel.
  14. Lesson 89: Success
    Define success on your own terms before seeking it in publishing. Discover how to stay grounded through setbacks, resist the lure of fame, and preserve your joy in writing. Learn to process rejection without ego, and build resilience with humility and kindness. Find inspiration in James Baldwin’s philosophy. Prepare for revision with The Big Edit and know that real success lies in loving the life and work of a writer—and you’ve got that, and a killer process, in the bag!
  15. Lesson 90: Congratulations!
    Celebrate! You’ve built the habit, learned the craft, and shaped a novel only you could write. Acknowledge the discipline it took to get here. Download your certificate, share the news, and put your feet up. This milestone is now a happy and significant moment in your new life as a writer, writing.

Plus genre-specific lessons, mini courses in memoir and children’s fiction, and resources.

Authors mentioned in the course include: Jane Austen, Donna Tartt, Kazuo Ishiguro, Stephen King, Raymond Chandler, Patricia Highsmith, Daphne du Maurier, Gillian Flynn, George Saunders, Kurt Vonnegut, Shirley Jackson, F. Scott Fitzgerald, Rachel Cusk, Sally Rooney, Ian McEwan, Emily Brontë, Zadie Smith, Toni Morrison, Jean Rhys, Carson McCullers, Charles Dickens, Agatha Christie, Ernest Hemingway.

Your course certificate

Revise to submission standard: a structural edit, a line edit and the submission package, with two editorial sessions. Four phases, thirty-five lessons.

PHASE ONE · 2 LESSONS

Welcome to The Big Edit

Go from writer to author with a clear, strategic roadmap, practical tools, smart systems, and a new publishing-ready mindset shift. Get a clear editorial roadmap and a structured revision process designed to take a manuscript to submission standard. The Big Edit is designed to save you drafts by front-loading editorial expertise for strategic story development before you move to line edits.

  1. Lesson 1: Welcome
    Commit to working in long, focused sessions as you begin the structural edit phase of your novel. Learn the four-phase roadmap ahead, from Structural Development through the Line Edit to your Submission Process, and discover when to book your Big Edit sessions with editors who’ve acquired, edited, and published books at Big Five houses. Set your first draft aside and start raising your standards — this is where you stop writing for yourself and start shaping a novel for publication.‍
  2. Lesson 2: Preparation Guide
    Learn to read your own work like a professional editor, using the formatting standards publishing houses expect — fonts, margins, indentation, and dialogue conventions, US and UK covered side by side. This lesson shows you how to build the critical distance you’ll need to edit with a reader’s eye.
PHASE TWO · 13 LESSONS

Structural Development

You’ll develop your elevator pitch, story theme, structure, narrative arc, character development, midpoint, and more to work toward a chapter outline and a (pain-free) synopsis. Then it’s time for your first review session with a professional editor.

  1. Lesson 3: The Structural Edit
    Understand the difference between a structural edit and a line edit, and why you must get your story’s big-picture elements right before you touch a single sentence. Expect bold, sweeping changes at this early stage for the very best version of your book.
  2. Lesson 4: The Hook
    Distill your novel’s premise into a single sentence: the hook that gets an agent excited. Learn the one-line pitch equation drawn from novels that sold for six and seven figures, and what your particular genre demands of its pitch. Pressure-test it until it’s sharp enough to pin to your wall.
  3. Lesson 5: The Genre
    Nail the genre your novel belongs to, and the promise it makes to readers before they’ve read a word. Explore the key genres and their subgenres, how blending and mashups work when they’re done well. Your genre decides which shelf your book sits on and every editorial choice that follows.
  4. Lesson 6: The Title
    Find the title that works as a statement of intent. Use the “walk your title” method to identify your story’s agent of change, the event after which nothing can be the same, and compare candidates with popular examples.
  5. Lesson 7: The Storyline
    Get to grips with the driver of every story: change. Identify your agent of change, and combine theme, conflict, and character into your plot. Nail your inciting incident, midpoint, and ending before you rewrite your working synopsis.
  6. Lesson 8: Story Structure with The Five Fs©
    Develop your best story structure and chart your character’s moral journey using The Novelry’s Five Fs©. Learn how to apply this story spine identifying the turning points that expose your protagonist’s arc from first flaw to final reckoning.
  7. Lesson 9: The Synopsis
    Turn your story into a snappy one-pager that proves your plot delivers with this diagnostic tool to reveal whether your story’s structure is actually working. Use our “steps up, steps down” model to shape your synopsis and practice the professional potted version agents expect.
  8. Lesson 10: The Chapter Outline
    Build a chapter-by-chapter account of your novel that turns your story structure and synopsis into a concrete plan of action. Learn what Big Five editors look for. This document becomes your guide for the redraft, and, alongside your synopsis, what you’ll submit ahead of your Big Edit First Session.
  9. Lesson 11: Casting
    Make sure every character earns their place on the page by mapping the main players along our “rope of theme.” Try our Four Types framework and learn to root each major player in circumstances, associations, and distinguishing detail.
  10. Lesson 12: Character
    Give characters agency by anchoring their actions in desire. Explore how deprivation creates compulsion, and how to empower the most disempowered characters. Use practical tools like our “Character Agency Ladder” to drive agency and story.
  11. Lesson 13: Character Mapping & Relationships
    Identify your core team of around five to fifteen players and make sure each earns their place in the story. Study the web of relationships through their reciprocal wants and needs. Finish by building a visual character map to guide your scene-building.
  12. Lesson 14: The Big Edit 1st Session
    Time to hand over your story for expert review: lets meet your Big Five publishing editor! Complete the one-page document covering your genre, title, hook, synopsis, central reader question, theme, word count, and deadline, and prepare your optional chapter outline to submit alongside it. This is your first opportunity to see your story the way a publishing editor wou
  13. Lesson 15: After Your BE1 Session
    Your first session is done and the notes have arrived. Learn how to take structural feedback on board and turn it into the next draft of your novel.
PHASE THREE · 15 LESSONS

The Line Edit

You’ll interrogate your pacing, perspective, and treatment, to rework chapters, drilling down into sentence structure and word choice, eliminating overwriting line-by-line. Learn how to apply The Lucid Compression Technique© for outstanding prose from the first chapter. Then, it’s time for feedback on your writing from beta readers in our online community.

  1. Lesson 16: The Line Edit
    Learn what a line edit involves, and how to read your writing the way an editor reads it on a sentence level.
  2. Lesson 17: Pacing
    Condense any slack in your timeline, and test every chapter against three essentials: a reminder of the stakes, new information, and a reason to turn the page. Master the domino effect and foreshadow with intent.
  3. Lesson 18: Voice & Perspective
    Find the voice that’s authentically yours, then choose the vantage point that best serves your story. Work through the real differences between first, second, third, and omniscient perspective, and apply some useful rules of thumb to finalize the best POV for your story.
  4. Lesson 19: Show, Don’t Tell
    Learn to recognize the hiding places of “telling” from adverb-heavy dialogue tags to backstory and the legitimate tools (exposition, flashback, interiority, dialogue) for feeding readers information without an info-dump.
  5. Lesson 20: Dialogue
    Craft true-to-life dialogue that drives drama, reveals conflict, and sounds natural. For conversations that serve the story, give every character their own agenda to break the “ping-pong” rhythm of question-and-answer and cut exposition dumps.
  6. Lesson 21: Setting & Scenes
    Decide who’s present, whose point of view we follow, and where each scene is best set to bring the drama. Learn why the problem of your world should be the problem of your character, and how to create atmosphere. Master your set-pieces with detail that grounds a scene.
  7. Lesson 22: Overwriting
    Strip your prose of clutter. Diagnose and treat overwriting — the most common weakness in early drafts. Spot symptoms like didactic prose, clichéd expressions, overuse of adverbs, and redundant descriptions. Use our editorial checklist to trim sentence length, cut the fluff, and refine your style.
  8. Lesson 23: Sentence Structure
    Master logic flow, active versus passive voice, and the word order that keeps meaning clear. Vary your sentence length to create rhythm. Try our compression drills for pithy, natural sentences. Learn why shorter sentences land harder.
  9. Lesson 24: The Word
    Study how repetition, sound, and subliminal patterning shape a story word by word to create your novel’s DNA. Learn how to replace the “weasel” words that dull your prose. Explore word choice as a tool of seduction.
  10. Lesson 25: The Lucid Compression Technique©
    Refine your prose with The Novelry's own technique for high-resolution openings: Lucid Compression©. Edit your opening for maximum sensory impact with our secret sauce for award-winning writing.
  11. Lesson 26: Punctuation
    Use punctuation to clue the reader into your behind-the-scenes game. Learn how line-level choices operate as instructions to the reader as to what to think and feel and when.
  12. Lesson 27: Copy Editing & Proofreading
    Understand the final polish the professionals apply, how to work with tracked changes, and how to sweep your manuscript for errors of grammar, spelling, consistency, and continuity line by line, with fresh eyes.
  13. Lesson 28: The First Sentence & the First Chapter
    Craft a first sentence that establishes the voice, signals change, and primes the reader for what’s to come. Use our unique “Thing One/Thing Two” structure to plan your all-important early paragraphs.
  14. Lesson 29: The Prologue
    Test your opening against the five ingredients of a prologue, and practice urgency and theme in motion.
  15. Lesson 30: Get Feedback
    Get feedback on your writing now with peer critique, a one-on-one editorial session, or a full report.
PHASE FOUR · 5 LESSONS

The Submission Process

Your second session with a professional book editor will involve reviewing your pitch letter, synopsis, and first three chapters, and making a plan to enter the publishing process via literary agency representation.

  1. Lesson 31: The Query Package
    Assemble the three documents that will win a full-manuscript request: the query letter, the synopsis, and a polished sample of your first three chapters. Master the five elements of a strong query letter — the hook, the story, the market, the agent, the author. Choose great comparison titles, format your manuscript to industry standard, and steer clear of the red flags.
  2. Lesson 32: The Market
    Position your novel the way the industry does: on the commercial-to-literary spectrum and within the word-count range expected of your genre.
  3. Lesson 33: Literary Agents
    Apply for The Novelry's submission service or query independently. Build a longlist and shortlist of agents. From tracking responses to interpreting feedback and handling rejection, discover how to assess offers, meet agents, and make the best decisions for your writing career.
  4. Lesson 34: Author Career Advice
    Follow the deal from acquisition to publication day: how editors pitch a book internally, how an advance is actually paid out, and why a small advance doesn't mean a small career. Get practical guidance on starting book two, building income beyond royalties, and handling social media and reviews.
  5. Lesson 35: The Big Edit 2nd Session
    Guidance to prepare your first three chapters, query letter, and synopsis, formatted to industry standard, and book your Big Edit Second Session with your editor to get your next steps toward publishing.

Your finished manuscript gets a full read from our editorial team — the Ultimate Manuscript Assessment.

The Pitch

It is important to tighten the premise of your story into a single sentence, often called the pitch or the hook. This is one of the most important tools when it comes to securing an agent, so we always begin here. We will give you top tips to improve your pitch so that it’s compelling and designed to excite publishers. We also look at your ambition and how your work meets the requirements of your genre for your intended audience, offering ideas on how your novel or memoir might be positioned and its potential within the current market.

Structural Development

You will receive a detailed report of some 20 pages that evaluates every aspect of your entire manuscript, from the writing and the structure to the setting and the characters. We look at both the big picture (such as the narrative arc, plot beats, character arcs, and central questions) as well as the finer details (such as subplots and pacing), offering advice and practical steps so that you can continue to improve your manuscript.

We’ll examine it just as an editor would in a publishing house.

A Marked-Up Manuscript

Our manuscript assessment report includes a marked-up manuscript that focuses on the detail of your creative writing, considering what each scene adds to your story, your characters, and your overall plot development. We highlight the best sentences and flag areas for improvement so that you can make sure your story really shines.

Meeting with the Editor

For those seeking feedback to make an informed decision as to their next steps, nothing beats the opportunity to have meaningful dialogue with experienced industry professionals connected to the publishing industry worldwide. Writing a novel is a long haul and the least you deserve from a paid service is to enjoy a session where the focus is entirely on you and your manuscript.

You will be invited to book a 45-minute in-person debrief with your editor to discuss their feedback on your creative work. This is an opportunity for you to ask further questions and discuss in detail your writing process onward toward becoming traditionally published. This online meeting is recorded for you to keep and is included as part of your manuscript assessment.

Next Steps Toward Publishing

You will receive an action plan with guidance and advice on how to implement our feedback. If your manuscript requires further work, we will include a detailed follow-up plan and offer suggestions for next steps. You can then book any further Paid Feedback Sessions with our editors to work together toward submitting your manuscript to leading literary agencies.

Membership of The Novelry gives writers access to over 60 writing classes a month, including guest events with authors, literary agents, and publishing professionals, plus recorded masterclasses and our writing community of beta readers for ad-hoc feedback. What’s more, you will find yourself supported by other writers like you worldwide who will cheer you on at every step. A published author needs a platform, and The Novelry gets behind each and every writer loud and proud to celebrate their success.

If your manuscript is a match for one of our trusted literary agents, you will be invited to enter our submissions process, in which we submit your manuscript to our trusted literary agencies for representation and publication.

your coaching

Coached by a bestselling novelist

Six 45-minute one-to-one sessions with the author coach of your choice across your year. The first to sign off your storyline, five to keep you writing. Their books have hit the New York Times and Sunday Times bestseller lists and been optioned for major motion pictures; every one is an expert in your genre.

Group of diverse adults sitting and standing in a bright room, holding books and engaging in conversation.
YOUR EDITORIAL SESSIONS

Edited by a Big Five editor and read in full

Every editor on our team has acquired and edited novels at Penguin Random House, Hachette, HarperCollins, Simon & Schuster or Macmillan. Two editorial sessions in The Big Edit review your plan and then your query package; the Ultimate Manuscript Assessment gives your whole novel a full read, a twenty-page report and a debrief. And because we meet as a team every week to discuss our writers’ work, you get the combined insights and judgment of the whole editorial team.

Submissions

Submissions to the top global literary agencies

If your manuscript is a match for one of our trusted literary agents, you’ll be invited to enter our submissions process. There’s no cost and we neither ask for nor accept commission. It is by invitation, on the strength of the work and it begins at your second editorial session, when your editor reads your opening.

CAA · WME · RCW · The Book Group and more.

from the founder

Every writer is nervous before they begin.

How am I going to find time? How will I know the idea is any good? What does it take to be a good writer? Storytelling is a craft that can be learned. Founder Louise Dean on the year that turns a writer into an author.

90 seconds

The complete journey

One year. A full read. Everything you need.

The Finished Novel Course

The complete program

For those looking for the full novel-writing experience from start to finish.

£
3995
Pay in 3 interest-free instalments with PayPal.
$
4995
  • Membership (1 Year)
  • The Big Idea, The Big Write, The Big Edit
  • The Ultimate Manuscript Assessment
  • 6 Coaching Sessions
14-day money-back guarantee · Payment plans with Klarna, PayPal or Afterpay
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Questions

Anything else? Read the full FAQs.

Is it for me?
How does it compare to a Creative Writing MFA?

An MFA takes two to three years, needs a portfolio to get in and costs $12,000 to $48,000 and publishers aren’t looking for qualifications, only top-quality submissions. The Finished Novel Course is a fraction of the cost and, most importantly, you leave holding a full manuscript, having worked with bestselling authors and Big Five editors to reach publishing standard.

I have a busy life. How much time does it take?

One hour a day. That’s the whole commitment, and it’s enough to take a story from idea to finished manuscript within your year. Each phase is self-paced, so you can fit it around holidays and commitments.

Can I use AI to write my book?

We strongly advise against it, particularly if your goal is publication. Literary agents and publishers now ask writers to confirm that their work was not generated using AI before a contract is signed. Our AI Policy has our full guidance.

I have no story yet. Can I still start?

Yes. The Big Idea, and The Finished Novel Course, which includes The Big Idea as the first step in our program, is designed to help you discover the bold, ambitious story that will carry a whole book, and to stress-test it with your coach before you write a word.

The practicalities
Can I extend the course for longer than the year?

Yes. This is a flexible course you can take at your own pace around your other commitments. With an hour a day it’s comfortably possible to finish your novel in a year and if you need more time, you can extend your course and roll over everything, including any unused coaching, editorial or manuscript sessions.

Another full year is $599, or you can pay monthly and cancel anytime at $59 a month.

How does the coaching work?

Coaching begins in the writing phase. Before each session your coach reviews your storyline through our planning tool, so the 45 minutes go on developing the story, not catching up. Six sessions, booked when you need them, all recorded for you to keep. During the first draft we keep the focus on your storyline and don’t workshop your pages.

We guide you on choosing your coach in the first lessons; you choose, and you’re never locked into a single pairing.

What if it isn’t for me?

A full, no-questions-asked refund within fourteen days of purchase. Just email us.

Do you take commission on successful submissions?

No, and we never will. Most literary consultancies take a 10% commission on your publishing contract; add that to the 15–20% a literary agent takes and 25–30% of your hard-earned income as a writer is gone. We neither ask for nor accept any commission on your advance or future royalties.

What is The Ultimate Manuscript Assessment?

A comprehensive editorial assessment of your complete novel, up to 100,000 words, by a professional editor with Big Five publishing experience. It’s included in The Finished Novel Course and is worth $2,595 USD / £1,995 GBP on its own; members may also purchase it separately.

What’s the learning format?

Every course is self-paced, combining short video and text lessons with downloads and tools that arrive at the right point in your story’s development. Lesson count and structure vary by course; see each course page for its breakdown.