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It's hard to know for sure when you've reached the end of a novel, insofar as you can take it, by which I mean you're sending it to your agent.
You're battle weary. You can't see the wood for the trees. It's the forty-fifth draft.
The story makes sense. But your worry may now be that the story makes too much sense at the expense of mystery. So you'll want to go back to a few key moments to make them accurate and translucent - shimmering - to create more space for the reader.
I like to perform these last checks while reading Raymond Carver on loop during the last week or so before I hit send.
He was the master when it came to making space for the reader.
"I forget who passed along a copy of Babel’s Collected Stories to me, but I do remember coming across a line from one of his greatest stories. I copied it into the little notebook I carried around with me everywhere in those days. The narrator, speaking about Maupassant and the...