The Novelry Blog
Where the writers are.
The Proceedings of the Old Bailey, 1674-1913
A fully searchable edition of the largest body of texts detailing the lives of non-elite people ever published, containing 197,745 criminal trials held at London's central criminal court.
Murderpedia is a free online encyclopedic dictionary of murderers and the largest
database about serial killers and mass murderers around the world.
UK Missing Persons Unit
Says our thriller writer, author Helen Callaghan, "It's the little details about the victims that are most affecting and really make you think. So I often visit here too: UK Missing Persons. The lists of possessions, tattoos, etc get me every time."
Says Helen, "The other place I use is the Suzy Lamplugh Trust as they have great insights and advice into stalking and threat."
Suzy Lamplugh Charity
"The other thing for crime research...
Answer: Get good at taking criticism.
As a published author of four novels, Booker longlisted and a few awards, the major step-change in my writing came when I learn to take it on the chin. I became hungry for criticism, harsh criticism because I wanted to get better at my craft fast. Taking the blows - in style - was the difference between being an amateur and a pro.
A published book has seen many interventions post the author's first draft. Better to get these under your belt sooner rather than later and go out looking dandy when you show your work to the big guns - the agents, publishers and readers. For that reason, all insults, slurs and calumnies should be most gratefully received at any point between second draft and twenty-second.
Order of merit.
- You crit. (The Editing Course, after resting that first draft for a month to become a reader.)
- Peer crit.
- Prof crit.
- Publisher crit.
- Publish - and don't look back!
Choose your moment. You should never show...
The Novelry is the elite finishing school for aspiring authors. Here are our top novel writing tips - you're unlikely to find them elsewhere.
'Contrary' is how we roll, 'counterintuitive' are our methods.
Creativity has a lot to do with wit - outflanking expectations with bold leaps - based on more than a hunch. The Novelry helps busy people write novels. We give you tools, not rules, and they're tools you're unlikely to find anywhere else, they're practical and effective, fast.
Here are a few.
- You're the author, you get to play God. This is the only part of your life you control. Sure, you can claim the characters speak to you and guide you. But my bet is you'll whip them pretty hard before they do. Whip them harder, make them behave badly, and against their interests or instincts. Throw some mystery into the story. In great novels, there's often something that doesn't make sense. Indulge yourself. Don't go by the book.
- Attach emotion to your story. Use the things...
It is with modest boldness, I say to you that creativity is about putting two things together which should not go together.
Such as modesty and boldness.
The greater the opposition between the two things, the more attention the new construction merits.
You start with the idea for your novel itself and you take this through your practice in prose.
This creative method is practical and simple.
'Convenience Store Woman'.
This week I have been reading Convenience Store Woman by Sayaka Murata (2018). It was described in The Guardian review as 'sublimely weird.'
'This deadpan Japanese tale of an oddball shop assistant possesses a strange beauty.' Julie Myerson.
A literary prize-winner that's also a page-turner, it sold 660,000 copies in Japan alone and won Japan’s most prestigious literary prizes, the Akutagawa Prize. Convenience Store Woman is a portrayal of contemporary Japan through the eyes of a single woman who fits into the rigidity of its...
This is one of my favourite forms; the mystique of the elusive hero-figure.
It's a 'bystander' narrative, often first person, concerning a mysterious acquaintance, replete with puzzled admiration, with rumours as clues on the trail of charisma. It's a paeon to the allure of 'personality'.
It's a youthful form, an age-defying treatment. After all, it's a youthful idea that personality can succeed.
“If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity of the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away." (Scott Fitzgerald on Jay Gatsby.)
As one ages, one comes to see that if there is such a thing as personality, it fails. We let it drop, and accept the rump of commonality with humility. Apart from a few odd traits, we are not so different. 'Personality' lets a person down...
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