The Novelry Blog
Where the writers are.
Happy is the writer with a habit! If you want to write a book fast, write daily. Routine wins the race. Most of my writers follow the encouragement we give to write first thing, fresh from dreams, emboldened by coffee and in advance of the maddening crowds, the kids and the day job.
Part of our method for getting writers to complete their novels is blatant bribery. I suggest writers grant themselves a few perks during the writing of the first draft and bribe themselves out of bed. Upgrade your coffee-making, get a few indulgent pastries in. (No one said you'd lose weight writing a novel.) The course has you prepare your time and space before you start writing so that you get out of bed and go somewhere really special to you.
It's a great feeling to have your really important work out of the way before you attend to lesser emergencies! Don't switch on that phone, don't check email, take one hour for yourself and you'll see how enriching it is not just...
Pushkin will publish Susie Bower's children's debut next year.
Susie decided to turn her hand to children's fiction and took the Classic Novel Writing Course at The Novelry. She wrote her novel with The Ninety Day Novel course and edited with our Novel Editing Course, of course! The Novelry was pleased to introduce Susie's work to our partner literary agency PFD.
A home run!
Sarah Odedina, editor-at-large for Pushkin Children’s Books, has bought UK and Commonwealth rights in School for Nobodies from Silvia Molteni at PFD.
Odedina said: "This lovely novel has the perfect blend of excitement, emotional power and magic to hook any young reader and Susie’s super confident world-building makes this one of the most assured debuts I have read for some time."
Bower lives in Bristol and when she is not writing fiction she writes audio scripts, transporting children anywhere from the Jurassic age to the depths of the ocean. She is also known for writing and...
Louise Tucker has won the inaugural Lost the Plot Work in Progress Prize for her "tender, moving, beautifully drawn" novel.
The award for unfinished manuscripts was launched earlier this year by Peters Fraser + Dunlop e-book imprint Agora Books.
Tucker wins a consultation with an Agora editor and a PFD agent. She was selected from 377 entries by a judging panel of Agora publisher Kate Evans, Bookseller Rising Star and PFD literary agent Marilia Savvides, author Laura Pearson, and book blogger Amanda Chatteron.
Her novel is described as a “touching tale of aging, grief, and self-discovery” about main character George, whose day of celebration turns into one of misery.
Tucker said: “I am so delighted to win the Lost the Plot Work in Progress Prize. The main character,...
A year ago, Peters, Fraser + Dunlop contacted me, taking note of the quality of work coming out of The Novelry through our creative writing courses, and asked whether an association might be useful for all parties. So, I went to meet with Tessa David and Tim Bates of PFD on New Oxford Street and we had a chat about the kind of writing that excites us all. We agreed to work together to progress talent coming out of The Novelry, and I asked them for one thing; that the Novelry's graduates get VIP treatment. When I submit work on my writers' behalf, the agency should give us an expression of interest within two weeks.
Since then other agents have been in touch with The Novelry asking to be on our list for first sight of great novels as they emerge hot from our oven, and I've made contact with agents I know to be wonderful advocates of their writers' work in genres useful to my writers. The same deal applies to all - no slush pile! A two-week reading and...
The late Barbara Cartland was a prolific writer, even in her eighties she was writing 23 books a year including A Virgin in Mayfair, Cupid Rides Pillion, The Frightened Bride, The Elusive Earl, The Disgraceful Duke and The Knave of Hearts.
She reclined on a red velvet sofa in the opulent library where, every afternoon, she'd dictate the next 6,500-word chapter of another book to her literary secretary.
“It’s less ponderous than writing."
She completed a novel on average every two weeks.
Alexandre Dumas (The Count of Monte Cristo) was also accustomed to dictating his novels to a secretary before they were fashioned into his acclaimed works. Stendhal dictated The Charterhouse of Parma to a secretary from Nov. 4 to Dec 26 1838, over 50 days.
Henry James used a secretary to transcribe his spoken words, ushering in a new era of productivity for him which culminated in The Wings of the Dove, widely regarded as one of his finest...
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