The Novelry Blog

Emylia Hall, a bestselling author of four novels and a Richard and Judy Book Club favourite is joining The Novelry as a tutor. She's a wonderful teacher, a mother, a fellow of The Royal Literary Fund, and she's currently at work on a murder mystery. Read more about Emylia here.

From the Desk of Emylia Hall.

When I was 27 I left my job in a London advertising agency and went to work in the French Alps as a chalet chef. At the time I called it a career break, but it turned out to be the start of something much more. I’d wanted to shake off some responsibility and go snowboarding, but I also had the ambition to try to write a book. I had a few abandoned paragraphs on a floppy disk (this was 2005) but I’d got no further with it. Perhaps if I’d found the right inspiration or intervention, I might very well have applied myself to writing in London but, as it was, the move gave me the freedom and confidence to make a proper start. I was simultaneously...

The bestselling author of The Girl in the Red Coat, Kate Hamer explores the story starter of 'fairy tales' which is where the magic of our Classic course begins, the course designed to help writers find the story they're meant to write, or possibly afraid to write...

From The Desk of Kate Hamer

Perhaps it’s these strange lockdown times.

As ever I aim to get to my desk by 9.30 am – the time I used to start work in my job. Sometimes, I admit I’m late, the irony being I’m probably a whole lot harder on myself about that than any boss I’ve ever had would’ve been. So maybe the time of starting and finishing is sometimes a little *cough* flexible, but somehow there is never a question mark over the fact there IS a start and finish time, but it’s only recently in this new reality we find ourselves in has it occurred to me to question, why? Why on earth do I – we – have this compelling urge to take to our notepads and computers...

Finding an Agent.

Many of you may be putting the final tweaks on the third or fourth draft of your novel (or later!) and considering the right time to query an agent. There are a few things to bear in mind when doing so, and in the Big Edit course at The Novelry we demystify the submission package: the query letter, the synopsis, and your opening chapters.

Most agents find writers through their slush pile. It’s a terrible name given to something so vital to the publishing business – the ‘pile’ (nowadays likely an email inbox) of unsolicited manuscripts sent in by hopeful writers. There is no shame in your novel sitting in slush; there is a long, pervasive misbelief that publishing works on ‘who you know’. It’s simply not true.

In 2015, I sent my unsolicited novel to eight agents I had never met. Each of them replied to me. Six offered to represent me. I didn’t know anyone! The only thing I knew was my own novel – and you’ll...

Our guest tutor, Mark Billingham, is one of the UK’s most acclaimed and popular crime writers. His series of novels featuring DI Tom Thorne has twice won him the Crime Novel of the Year Award and his debut novel, Sleepyhead was chosen by the Sunday Times as one of the 100 books that had shaped the decade. His latest novel is Their Little Secret. A television series based on the Thorne novels starred David Morrissey as Tom Thorne and a series based on In The Dark and Time Of Death was broadcast on the BBC in 2017. Mark lives in London with his wife and two children. When he is not living out rock-star fantasies as a member of the Fun Lovin’ Crime Writers, he is hard at what he claims is 'laughably' called work; writing his next novel.

Enjoy his tip-offs, my dark-hearted writers.

TEN TIPS FOR WRITING CRIME FICTION

(SOME MORE SERIOUS THAN OTHERS.)

1. READ! I know this sounds blindingly obvious, but I’m constantly amazed by the number of people I meet who tell me...

'There are three rules for writing a novel. Unfortunately, no one knows what they are.' Somerset Maugham.

It's the same for story. Numerous books have been writing on the matter, none have proven definitive. Our philosophy at The Novelry is simple—tools, not rules. We don’t believe in a format, template or boilerplate novel, or grand definitive maxims.

A novel can offer one of the most intimate experiences of your life. Something like a beach blanket conversation with a dear friend. It can also be more like a movie in your head, like a funfair ride. Sure, you know this ride was designed for maximum impact, but you’re enjoying the thrills and spills. It is quite possible to enjoy novels of either kind and everything in between. There is no novel rule book. And if there were most writers are so wonderfully wilful they’d throw it out the window.

We believe in you, the writer, and your novel. We are here to breathe life...